National Sculptors' Guild Associate Harold Linke was selected by Peggy Fleming Jenkins to create the new Peggy Fleming Trophy for the Broadmoor Skating Club.
The award was created by the 1968 Olympic gold medalist to recognize skaters who,  like Fleming-Jenkins, excels in artistic expression and presents a performance that is a complete composition. The inaugural award of the trophy was presented in Colorado Springs at the Broadmoor World Arena on Friday June 22, 2018, to Timothy Dolensky of Atlanta. 
Harold Linke is known for simple, elegant, lyrical sculptures that capture the essence of the movement and the emotion of the moment. This trophy is in harmony with those themes and is meant to capture the evocative beauty inherent in truly artistic figure skating. Harold said, “Working with Peggy on this project has been such a joy. She has such artistry in her skating that made my sculpture a natural fit for this trophy.  I am honored to have been selected to create it, see it presented by Peggy, and to meet its first recipient.” 

2018 is the inaugural year for this new competition in which a total of 27 Junior and Senior level men and ladies competed together in presenting each skater’s ability to artistically express and present a complete composition while demonstrating technical skills. The music, creativity and overall performance were the emphasis of the event and all elements were assessed from an artistic point of view. Judging guidelines allowed creativity and expression to take center stage.

These elements were the accents of the program, not the driving force and had set base values so that competitors could focus on performance instead of the number of revolutions and/or positions.

The competition recognized an important emerging direction in figure skating which is gaining new significance. There was one unifying goal -- showcase artistry and creativity in a competitive setting. For instance, a “signature move” had been added as one of the elements. This move could be an iconic, or a new and original, move, jump or spin tailored to each skater’s style and imagination.

Peggy Fleming, a member of the Broadmoor Skating Club when she won the 1968 Olympic Gold Medal in Figure Skating, supports this direction and is privileged to have introduced the Peggy Fleming Trophy as an event in the 2018 Broadmoor Open in Colorado Springs. Peggy commissioned an original sculpture as the trophy to celebrate the event. Timothy Dolensky of the Atlanta Figure Skating Club came in first place winning a price of $3000. Camden Pulkinen of the Broadmoor Skating Club and Jordan Moeller of the Northern Ice Skating Club placed in second and third and won prizes of $2000 and $1000, respectively.
​
In addition to the winners, the following is a list of skaters who participated in the 2018 inaugural event: Lily Sun, Sonja Hilmer, Emily Chan, Thomas Schwappach, Lauren Russell, Jamie Hathaway, Ben Jalovick, Ivy Liu, Courtney Hicks, Jacob DeWolfe, Morgan Sewall, Nakira Kreofsky, Maxine Marie Bautista, Haley Conrad, Danil Siianytsia, Marielle Chambers, Maryn Pierce, Nica Digerness, Julia Fennell, Alyssa Rich, Mieryla Flindley, Livvy Shilling, Andrew Torgashev and Hannah Harrell.

Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on "The Legacy Project" in Loveland, Colorado. 

The Legacy Project celebrates the 30th Anniversary (2019) of the Rotary Club of Thompson Valley. The larger-than-life bronze sculpture depicts a woman helping a teenage boy surmount a stone precipice tying into the Rotary motto, "Service Above Self". Part of this service has been the club's support of Polio Plus, a major contributor to the eradication of Polio world-wide.

"Reaching Our Goal" by NSG Fellow Denny Haskew will be placed in the plaza of The Foundry, a new development that is transforming Loveland's historic downtown, set to open Fall 2018. The art placement will coincide with the opening.

The National Sculptors' Guild designed additional stone elements to activate the plaza and provide area's of recognition to donors and the club's efforts. 

We have contributed $50,000 to the project, our way of giving back to community for all the support we've received over the past 26 years. 

Haskew is a renowned figurative artist and a Charter Member of the National Sculptors' Guild. His work is in numerous prestigious collections including the Smithsonian Institution, DC; the Gilcrease Museum, OK; and the Boulder and Colorado Springs campuses of the University of Colorado.

​Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. 

Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah.  After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg.  Since 1987, Denny has created and placed dozens of monumental compositions; spanning the spectrum of the figurative genre.

April 24, 2018 Update: It's happening now.... NSG's Stephen Shachtman's "Arkansas A" is being installed at it’s new home by the Southwest Community Center in Little Rock, Arkansas.
​
Thanks to the City of Little Rock for the installation help, and Sculpture at the River Market for the placement.

At the heart of the three forms is a sphere representing the community. The #Steel/#Bronze portion of the “A” represents #Arkansas while the pieces of the #sandstone sphere make up its people. 

April 21, 2018 Update: NSG's Stephen Shachtman’s #ArkansasA is loaded up and heading to it’s new home in Little Rock, Arkansas. Stay tuned for pics of the installation next week.

10/25/17 Update: Fabrication is nearing completion. We will be heading to Little Rock for installation soon.

We are pleased to announce that the National Sculptors' Guild Fellows voted to Promote Associate Darrell Davis as an Elected Fellow.

The board of directors nominated Davis' promotion.  "We have found great success with Darrell including our latest contract with the Little Rock Zoo for a pride of lions cast in aluminum for the roundabout leading to the zoo to be completed in 2018. Darrell’s accolades continue to accumulate and we enjoy working with Darrell on large-scale projects. He supports and promotes other NSG members on a regular basis and we feel confident that he will continue to be an outstanding NSG representative." -Alyson Kinkade

3/15/17: Herb Mignery has been making room for a lion. He recently moved out of a spacious studio thinking he wasn't going to sculpt monuments anymore - then we called saying - want to sculpt a life-sized lion.?! Luckily he had room in his garage.

The lion is based on a maquette Herb sculpted a few years ago. When TCNJ alumni Bill McLagan visited the gallery, he knew this was the piece to enlarge for The College of New Jersey's campus. Stay tuned to see updates as the lion is cast in bronze and installed... ​

09/22/2017 UPDATE: Honored to have seven of the Little Rock Nine at the Unveiling and Dedication of United by Clay Enoch and the National Sculptors' Guild at Central High School, Little Rock, AR.

09/21/2017 UPDATE: We are in Little Rock for the installation of United by Clay Enoch and the National Sculptors' Guild The 10-foot bronze commemorates the 60th Anniversary of the integration of Central High.

Clay states about the sculpture... “I wanted to try to shift the focus from the historical to the contemporary. There has been so much progress made. I wanted to create something that showed the strides that have been made — something hopeful and uplifting.” 

The design features allegorical figures with raised arms working to interlock their respective rings in the effort to be "UNITED". Incomplete rings indicate that there is still progress to be made. A secondary narrative built on the surface of each figure demonstrates that both sides have a foundation of ideals spanning generations that must be transformed into building blocks toward something greater

The dedication for this important monument is Friday September 22nd at Central High School where additional commemorations are happening this month to recognize the 60th anniversary of the integration of Central High. click for more info

09/15/17 UPDATE: United by Clay Enoch and the National Sculptors' Guild was loaded onto the truck this morning and is on its way to Little Rock. The 10-foot bronze will be installed next week. The dedication for this important monument is Friday September 22nd at Central High School.

Art celebrates post-integration progress
Story published monday in LR demgazette...... By Jeannie Roberts Arkansas Democrat-Gazette
This article was published April 25, 2016 at 5:45 a.m.

PHOTO BY ARKANSAS DEMOCRAT-GAZETTE / MITCHELL PE MASILUN

Little Rock contest’s winner to sculpt piece marking 60 years since Central High crisis
Shifting the focus from the historical scar on Little Rock to the strides that have been made in the nearly 60 years since Central High School was integrated was the goal of this year’s winner of the 2016 Sculpture at the River Market competition.
National Sculptors' Guild fellow Clay Enoch of Colorado Springs, Colo., was named Sunday as the recipient of a public art commission for his proposed piece called United. The sculpture, which will be 10 feet, 2 inches tall and 6 feet wide, will be installed in 2017 on the grounds of Central High School to commemorate the 60th anniversary of the desegregation crisis. The state gained national attention when on Sept. 4, 1957, nine black students attempted to enter the high school but were turned away by the Arkansas National Guard and an angry mob. On Sept. 25, 1957, U.S. Army troops, under orders from President Dwight Eisenhower, escorted the “Little Rock Nine” through the mobs and into the high school, officially ending segregation for the state. Enoch’s piece, which he will compose from silicon bronze and structural stainless steel, depicts two figures working together to connect two circles. “The thing that struck me is the history is kind of ugly,” Enoch said. “I wanted to try to shift the focus from the historical to the contemporary. There has just been so much progress made. I wanted to create something that showed the strides that have been made — something hopeful and uplifting.” 

Enoch and two other finalists — Kathleen Caricof and Denny Haskew, both of Colorado — were selected from 28 submissions. “This is cliche, but you’d like to be able to give all three of them the commission to do all three pieces because they were all three superb in every way,” said Dean Kumpuris, the founder of Sculpture at the River Market and a member of the Little Rock Board of Directors. Little Rock Central Principal Nancy Rousseau said she was thrilled about the commissioned piece and is eager to have it installed. “There were so many good pieces,” she said. “They’re all timeless. All had great concepts.”
Joseph Wright, a Central High senior, said the many sculptures to commemorate the desegregation crisis were inspiring to him not only as a black student at the school, but also as an aspiring artist. “The name United and the sculpture is very fitting,” Wright said. “I’ve taken an art class at Central every year. Sculpting is a passion of mine.”

Artist Longhua Xu of Hot Springs said the subject of the competition was especially meaningful to him as a 1989 immigrant from Shanghai. His piece Freedom commemorates the Central High School integration with a clay, three-sided sculpture of three representative students. One is a girl with a book held in the air, balanced on the tips of her fingers like a bird to illustrate the heights to which an education can take her. Another is a black male student with a backpack and the word “Explore” chiseled behind him. The third is a female Chinese student with a pen and notebook in her hand with the word “Express” embossed behind her. The last is representative of Xu’s daughter, Ann Xu, a 2010 graduate of the Arkansas School for Mathematics, Sciences and the Arts in Hot Springs whom Gov. Asa Hutchinson appointed to the school’s Board of Visitors last year. “As an Asian-American, I had to teach her that she needs to speak up, to have her voice heard,” Longhua Xu said. “She wanted to be class president but said that you had to be popular, smart and white to get the spot. I told her to speak up. She became student body president. Now she’s in medical school at Baylor.”

More than 800 sculptures from 48 juried artists from around the nation were displayed at the RiverMarket pavilions during the two-day show. It was the ninth show organized by the Sculpture at the River Market committee, which commissions artwork and then donates it to the city to be placed in various locations around Little Rock. Last year’s winner, Michael Warrick’s Mockingbird Tree, was installed last week at the northwest corner of Chenal Parkway and Chenal Valley Drive.

5/9/18: Installation day. "Silver and Gold" by Denny Haskew and the National Sculptors' Guild has found it's new home on the deck of CU-Boulder's new Admissions Building, with the most exquisite backdrop of the flat-irons. A true Colorado scene.

4/4/18: The bronze is complete and stainless steel substructure is attached, extensively engineered for a tricky installation on the rooftop patio. Special thanks to Art Castings of Colorado foundry for another beautiful job.

National Sculptors' Guild will install the bronze buffalo "Silver and Gold" by Denny Haskew  in Boulder at CU's new Admissions Building next month.

Order a maquette and keep a piece of CU in your home. click here​

8/23/17: The clay has been approved and the buffalo is heading to Art Castings of Colorado to be cast in bronze. 

National Sculptors' Guild will install the bronze buffalo "Silver and Gold" by Denny Haskew  in Boulder at CU's new Admissions Building Spring 2018.

Order a maquette and keep a piece of CU in your home. click here

Be on the lookout for more buffalo at CU. We've been commissioned to enlarge Denny Haskew's On Prairie's Edge for the Boulder campus. More images will be posted as the sculpture is finished and installed later this Fall.

NSG Fellow, Gary Alsum's bronze dancer "Celebration" has been a part of an Art on Loan project in Owensboro, KY for the past two years. We just learned that the sculpture was so loved by the community that they are purchasing it for their permanent collection. Congrats to artist and Public Art  appreciators!

12/13/16 update: While the National Sculptors' Guild was in Little Rock this week, we installed some of the final donor blocks on the ​ROTARY CLUB 99 Centennial Plaza. The design is based on the Rotary Wheel emblem and it's symbolism. Designed by NSG's John Kinkade ​and Mark Leichliter National Sculptors' Guild
based upon the Rotary Wheel emblem. ​ [read below to learn more about the concept]

7/19/16:
​ROTARY CLUB 99 
Centennial Plaza
Little Rock, AR 
Designed by 
John Kinkade
​and Mark Leichliter
National Sculptors' Guild
based upon the Rotary Wheel emblem.

The Rotary Wheel emblem symbolizes work and involvement. The worldwide Rotary movement has real significance and tremendous potential. It has impressive statistics as to numbers of members, clubs, districts, and countries, international projects and contacts.
 
Beginning with the Rotary Wheel’s perimeter, there are 24 teeth. These could be seen as the clubs, each prepared and willing to engage with other clubs or organizations around the world, with the purpose of doing good. The 24 teeth also point outwards to the many directional activities of Rotary through its wide variety of international programs. 

​The solid blue and gold band, which supports the teeth, provides the strength which is needed to transmit power and hold the Rotary movement as one. It carries the inscription "Rotary International" and has four segments which represent the four avenues of  service. The six spokes bind together the hub and the rim. They represent the Districts, moving the power from its source to the working elements - the teeth, representing the clubs. The six spokes divided by the twenty four teeth is a mathematical reference to the Four Way Test. 

The central hub ensures that the whole gear runs true to its purpose: the power and the energy created when people of like mind and are committed to releasing this energy; "Service above Self".

Curved concrete retaining walls measuring slightly over 4 feet tall will diminish in height and eventually be even with the surface grade. These walls will be stained or painted black and will have vines growing over them to soften their edges. The Plaza will feature eleven monolithic blocks lining the curved retaining wall to the northwest.  These stone blocks refer to the Teeth of the Rotary Wheel emblem. Made of Georgia Medium Grey Granite, which is a lighter grey color, these stone blocks will be more reflective in nature and less somber than black granite. 

Nine of the eleven blocks will be etched with 20 to 25 names each, serving as Name Recognition Blocks. The block at the entry will be engraved with the name of the Plaza as well as the Rotary Wheel emblem. The block at the other end of the curved retaining wall will have an explanation of the park and could contain the “updatable” signage and QR code.

All blocks will measure 4 feet tall, 33 inches wide and 24 inches deep.
Stone benches will be placed along the other, more gently-curved retaining wall. The Georgia Medium Grey Granite benches will measure 16 inches tall, 60 inches long and 16 inches deep. The seats and legs will be made of same material in a post and lintel 
construction. 

Each bench will be etched with one of the Four Way Test phrases: 
1. Is it the TRUTH?
2. Is it FAIR to all concerned?
3. Will it build GOODWILL and BETTER FRIENDSHIPS?
4. Will it be BENEFICIAL to all concerned?

The surface of the Plaza is yet to be determined, but possible solutions include poured concrete or 
decomposed granite gravel. The Rotary Wheel will be portrayed through spoke designs and could consist of 12” wide granite embedded into the Plaza’s surface or may just be lines scored into the concrete, depending upon cost.
The widest part of the plaza has a 48 foot diameter. At this scale, the Plaza is not so expansive that a small gathering of people feels exposed and yet, it is big enough that it can comfortably handle a larger group of visitors.  

We suggest using landscape materials that will honor the blue and gold colors of Rotary as shown in the 
ornamental shrubs and grasses. Shade trees will 
effectively cool the area in the summer months of July and August. 

Ivy on the walls will give the plaza a softer atmosphere and set off the benches and Name Recognition Blocks. We also recommend a low ornamental hedge, such as holly, between the retaining wall and the sidewalk to prevent people from jumping over the wall. 

The central Rotary Wheel element is to be made entirely of brushed stainless steel. It will be oriented to read from the sidewalk and placed where its shadow will cast prominently on the plaza. In this way, it becomes an iconic signage element defining the Rotary Plaza while also being an eye-catching landmark and photo opportunity. 

This visual landmark will measure nearly 12 feet tall and 8 feet wide. At this scale, the iconic element will be instantly noticeable, yet not over-bearing within the Plaza site.

The shadows shown in these design drawings reflect the true sun/shadow surfaces for Little Rock, Arkansas. The shadows cast off of the central landmark element give a sundial effect.   

The overall design of the Plaza positions the benches in more shaded areas of the site, whereas the Name Recognition Blocks are placed to remain predominantly in the sun.