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Gene Bess Portrait for Three Rivers College

5/1/2022

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National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. Coach Bess won a record 1,300 wins in 50 seasons as Three Rivers head coach while teaching two classes a semester, and serving as the Three Rivers Athletic Director throughout his career. At least 42 former players for Bess have gone on to coach all over the country. He became college basketball’s all-time wins leader in 2001 when he surpassed North Carolina’s Dean Smith and Richard Baldwin of Broome Community College. He was the first college basketball coach to reach 1,000 wins in 2006, the first with 1,100 wins four seasons later, and 1,200 in 2015. His 1,300th win came in what ended up being his final home game on a court named in his honor. Coach Bess finished with a career record of 1,300-416, won national championships in 1979 and 1992, coached in four national title games, appeared in 17 national tournaments, won 23 region championships, and is a member of four halls of fame. “He brought notoriety, he brought fame, he brought championships, but that’s not the important thing that he brought to our school,” Three Rivers President Dr. Wesley Payne said. “He brought honor. He brought a dedication that was an example to everyone that works there or walked through the doors as a student. He brought courage, he brought direction, he brought an example that was worthy to follow.”  The school has been hard at work raising funds for this commemorative sculpture.  The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.  The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.  ​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.  In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.
The Gene Bess clay enlargement is complete and on its way to mold and the casting process. 

National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. The school has been hard at work raising funds for this commemorative sculpture.

The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.

The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.

​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.

In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.
National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. The school has been hard at work raising funds for this commemorative sculpture.

The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.

The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.

​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.

In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.
National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. The school has been hard at work raising funds for this commemorative sculpture.

The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.

The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.

​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.

In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.
National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. The school has been hard at work raising funds for this commemorative sculpture.

The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.

The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.

​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.

In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.
Update 4/15/22: The portrait has been refined in clay and approved by the client.

Update 4/5/22: The stone base with engraving layout is complete, and ordered.
National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. Coach Bess won a record 1,300 wins in 50 seasons as Three Rivers head coach while teaching two classes a semester, and serving as the Three Rivers Athletic Director throughout his career. At least 42 former players for Bess have gone on to coach all over the country. He became college basketball’s all-time wins leader in 2001 when he surpassed North Carolina’s Dean Smith and Richard Baldwin of Broome Community College. He was the first college basketball coach to reach 1,000 wins in 2006, the first with 1,100 wins four seasons later, and 1,200 in 2015. His 1,300th win came in what ended up being his final home game on a court named in his honor. Coach Bess finished with a career record of 1,300-416, won national championships in 1979 and 1992, coached in four national title games, appeared in 17 national tournaments, won 23 region championships, and is a member of four halls of fame. “He brought notoriety, he brought fame, he brought championships, but that’s not the important thing that he brought to our school,” Three Rivers President Dr. Wesley Payne said. “He brought honor. He brought a dedication that was an example to everyone that works there or walked through the doors as a student. He brought courage, he brought direction, he brought an example that was worthy to follow.”  The school has been hard at work raising funds for this commemorative sculpture.  The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.  The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.  ​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.  In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.

Update 11/15/21: Gary has created a maquette for the monument, getting an idea of what is to be expected.
National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. The school has been hard at work raising funds for this commemorative sculpture.  The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.  The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.  ​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.  In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.
National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. The school has been hard at work raising funds for this commemorative sculpture.  The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.  The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.  ​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.  In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.
National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. The school has been hard at work raising funds for this commemorative sculpture.  The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.  The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.  ​His career win-loss record is 1,300-416 (.757 winning percentage), making him the all-time winningest college basketball coach.  In his time at Three Rivers, he won two national junior college basketball titles, in 1979 and 1992, and was the first college coach to reach 1,000 and 1,200 wins. Bess coached NBA player Latrell Sprewell at Three Rivers. Bess announced his retirement from coaching in May 2020 after suffering from health problems during his final years on the bench.Gene Bess to be sculpted by Gary Alsum for Three Rivers College
10/1/21: National Sculptors' Guild Fellow Gary Alsum has been selected to sculpt Gene Bess for placement at Three Rivers College in Poplar Bluff, Missouri. The school has been hard at work raising funds for this commemorative sculpture.

The bronze will be a life-sized standing figure depicting the coach with basketball in hand wearing his familiar suit and tie. The sculpture will be located on the entry plaza of the Libla Family Sports Center in 2022.

The former coach of the men's basketball team at Three Rivers Community College was hired in 1971.
Coach Bess won a record 1,300 wins in 50 seasons as Three Rivers head coach while teaching two classes a semester, and serving as the Three Rivers Athletic Director throughout his career. At least 42 former players for Bess have gone on to coach all over the country.
He became college basketball’s all-time wins leader in 2001 when he surpassed North Carolina’s Dean Smith and Richard Baldwin of Broome Community College. He was the first college basketball coach to reach 1,000 wins in 2006, the first with 1,100 wins four seasons later, and 1,200 in 2015. His 1,300th win came in what ended up being his final home game on a court named in his honor. Coach Bess finished with a career record of 1,300-416, won national championships in 1979 and 1992, coached in four national title games, appeared in 17 national tournaments, won 23 region championships, and is a member of four halls of fame.
“He brought notoriety, he brought fame, he brought championships, but that’s not the important thing that he brought to our school,” Three Rivers President Dr. Wesley Payne said. “He brought honor. He brought a dedication that was an example to everyone that works there or walked through the doors as a student. He brought courage, he brought direction, he brought an example that was worthy to follow.” 


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Gary Alsum's Mother Cabrini

9/2/2021

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Just completed our installation of Gary Alsum's bronze
We just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Thanks everyone who helped make this placement a success!

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.  The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.   About Cabrini...  The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.  However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.  In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.  Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.  Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.  The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.   About Cabrini...  The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.  However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.  In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.  Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.  Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.  The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.   About Cabrini...  The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.  However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.  In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.  Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.  Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.  The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.   About Cabrini...  The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.  However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.  In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.  Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.  Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.  The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.   About Cabrini...  The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.  However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.  In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.  Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.  Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.  The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.   About Cabrini...  The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.  However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.  In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.  Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.  Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
UPDATE 8/15/21: Looking pretty finished in bronze with a fresh patina at Bronze Services of Colorado UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.  The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.   About Cabrini...  The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.  However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.  In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.  Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.  Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
UPDATE 8/15/21: Looking pretty finished in bronze with a fresh patina at Bronze Services of Colorado


Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.  The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.   About Cabrini...  The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.  However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.  In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.  Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.  Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.Conceptual rendering of proposed Mother Cabrini sculpture,
UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. 

About Cabrini... 
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.


In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Process, from maquette to cast bronze enlargement

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. 

About Cabrini... 
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. 

About Cabrini... 
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. 

About Cabrini... 
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. 

About Cabrini... 
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
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Burro Trio in Southlake Texas

10/13/2020

1 Comment

 
Our beautiful Burro Trio has landed in their new home in Southlake, Texas. This is a fun placement by Jane DeDecker and the National Sculptors' Guild. Sometimes it's nice to have something light-hearted like this to work on. The Donkey's were commissioned by the city to pay tribute to the history of the site. Our installation for this has been on hold due to the pandemic, so we are so happy to see it actualized today.  We hope the visitors to Southlake Commons love being greeted by this charismatic family.  #PublicArt NSG Placement 525  The bronze is available as a limited edition as a set or individually, add them to your art collection, shop online here. 1/15/19: We are thrilled to have a new project with the City of Southlake. This time it's a fun homage to the burros that called the area being developed home:
Our beautiful Burro Trio has landed in their new home in Southlake, Texas. This is a fun placement by Jane DeDecker and the National Sculptors' Guild. Sometimes it's nice to have something light-hearted like this to work on. The Donkey's were commissioned by the city to pay tribute to the history of the site. Our installation for this has been on hold due to the pandemic, so we are so happy to see it actualized today.

We hope the visitors to Southlake Commons love being greeted by this charismatic family. 

#PublicArt NSG Placement 525

The bronze is available as a limited edition as a set or individually, add them to your art collection, shop online here.

Our beautiful Burro Trio has landed in their new home in Southlake, Texas. This is a fun placement by Jane DeDecker and the National Sculptors' Guild. Sometimes it's nice to have something light-hearted like this to work on. The Donkey's were commissioned by the city to pay tribute to the history of the site. Our installation for this has been on hold due to the pandemic, so we are so happy to see it actualized today.  We hope the visitors to Southlake Commons love being greeted by this charismatic family.  #PublicArt NSG Placement 525  The bronze is available as a limited edition as a set or individually, add them to your art collection, shop online here.
Our beautiful Burro Trio has landed in their new home in Southlake, Texas. This is a fun placement by Jane DeDecker and the National Sculptors' Guild. Sometimes it's nice to have something light-hearted like this to work on. The Donkey's were commissioned by the city to pay tribute to the history of the site. Our installation for this has been on hold due to the pandemic, so we are so happy to see it actualized today.  We hope the visitors to Southlake Commons love being greeted by this charismatic family.  #PublicArt NSG Placement 525  The bronze is available as a limited edition as a set or individually, add them to your art collection, shop online here.

Update 2/20/2019: Jane has been busy adding clay to the armatures and the Burro Trio enlargement is nearly complete. They are coming to life and showing so much personality.  #WIP
We are thrilled to have a new project with the City of Southlake. This time it's a fun homage to the burros that called the area being developed home: Jane DeDecker's concept sketch for the Burro Trio
1/15/19: We are thrilled to have a new project with the City of Southlake. This time it's a fun homage to the burros that called the area being developed home: "When plans for Southlake Commons were brought forward, the developer Sage Group, Inc. and the City Council agreed to place a bronze donkey sculpture near the Southlake Boulevard entrance to commemorate the property’s history."

The city came to NSG seeking an artist, and we of course recommended one of the nation's top figurative sculptors, Jane DeDecker. She's captured the quirky personality of the treasured donkey's so well, it's a perfect fit.

In the initial clay sketch: ​Depicted are two adults and a baby. One adult shows affection to the baby and the other looks off in a direction of a sound - showing both the nurturing and inquisitive curiosity of burros.

Update 2/20/2019: Jane has been busy adding clay to the armatures and the clay enlargement is nearly complete. They are coming to life and showing so much personality.  We are thrilled to have a new project with the City of Southlake. This time it's a fun homage to the burros that called the area being developed home:
1 Comment

Arkansas 19th Amendment Memorial

10/10/2019

0 Comments

 
10/9/2019 #ThisJustIn ​ The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!  Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.   Installation images shown belowThe Arkansas 19th Amendment Memorial by Jane DeDecker, National Sculptors' Guild will be dedicated October 10th at 11am in the new Women’s Suffrage Centennial Plaza at the Vogel Schwartz Sculpture Garden
The Arkansas 19th Amendment Memorial by Jane DeDecker and the National Sculptors' Guild will be dedicated October 10th at 11am in the new Women’s Suffrage Centennial Plaza at the Vogel Schwartz Sculpture Garden
10/9/2019 #ThisJustIn #PublicArt
​

The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.

NSG Public Art Placement #510




​
Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
The National Sculptors' Guild has loaded up NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base and are headed to Little Rock Arkansas... Fable is supervising the load.  Stay tuned for pics of the installation.  The sculpture celebrates the 100th Anniversary of the Nineteenth Amendment, Granting Women the Right To Vote ​ Jane customized the composition for the Arkansas placement, by including additional historic figures; two of the suffragettes who helped lead the movement in Arkansas. Josephine Miller Brown and Julia Burnell Babcock aka Bernie Babcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment. ​ The Arkansas 19th Amendment Memorial will be dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at Little Rock's  Riverfront Park ​ This 5-ft version (minus the two extra figures) is the #Maquette for DeDecker's Every Word We Utter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature. #BePartOfTheCircle learn more...  So many more women were involved in this movement than depicted here. We honor them all with gratitude for the steps they made for ours and future generations. #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  #ThanksFable #ArtDog #RhodesianRidgeback
Jane DeDecker with Son, David, complete the patina
The National Sculptors' Guild has loaded up NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base and are headed to Little Rock Arkansas... Fable is supervising the load.  Stay tuned for pics of the installation.  The sculpture celebrates the 100th Anniversary of the Nineteenth Amendment, Granting Women the Right To Vote ​ Jane customized the composition for the Arkansas placement, by including additional historic figures; two of the suffragettes who helped lead the movement in Arkansas. Josephine Miller Brown and Julia Burnell Babcock aka Bernie Babcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment. ​ The Arkansas 19th Amendment Memorial will be dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at Little Rock's  Riverfront Park ​ This 5-ft version (minus the two extra figures) is the #Maquette for DeDecker's Every Word We Utter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature. #BePartOfTheCircle learn more...  So many more women were involved in this movement than depicted here. We honor them all with gratitude for the steps they made for ours and future generations. #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  #ThanksFable #ArtDog #RhodesianRidgeback
Arkansas 19th Amendment Memorial
The #NationalSculptorsGuild has loaded up NSG Fellow #JaneDeDecker’s “Every Word We Utter” #bronze #sculpture with a custom designed #Granite and #StainlessSteel base and are headed to #LittleRock #Arkansas #Fable is supervising the load.  The sculpture celebrates the 100th Anniversary of the #NineteenthAmendment, Granting Women the #RightToVote  Jane customized the composition for this placement, by including additional historic figures; two of the #suffragettes who helped lead the #movement in Arkansas. #JosephineMillerBrown #JuliaBurnellBabcock aka #BernieBabcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment.  #EveryWordWeUtter will be #dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at #RiverfrontPark  This 5-ft version (minus the two extra figures) is the #Maquette for the @everywordweutter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature.  #BePartOfTheCircle learn more... http://www.jk-designs-inc.com/project-f…/every-word-we-utter  #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  So many more women were involved than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.  #ThanksFable #ArtDog #RhodesianRidgebackBric's dog Fable checks out the strapping job
10/5/2019: The National Sculptors' Guild has loaded up NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base and are headed to Little Rock Arkansas... Fable is supervising the load.

Stay tuned for pics of the installation.

The sculpture celebrates the 100th Anniversary of the Nineteenth Amendment, Granting Women the Right To Vote
​

Jane customized the composition for the Arkansas placement, by including additional historic figures; two of the suffragettes who helped lead the movement in Arkansas. Josephine Miller Brown and Julia Burnell Babcock aka Bernie Babcock

In 1919, Arkansas became the 12th state to approve the 19th Amendment.
​
The Arkansas 19th Amendment Memorial will be dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at Little Rock's  Riverfront Park
​

This 5-ft version (minus the two extra figures) is the #Maquette for DeDecker's Every Word We Utter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature. #BePartOfTheCircle learn more...
​
So many more phenomenal women were involved in this movement than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.
#SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  #ThanksFable #ArtDog #RhodesianRidgeback

The #NationalSculptorsGuild has loaded up NSG Fellow #JaneDeDecker’s “Every Word We Utter” #bronze #sculpture with a custom designed #Granite and #StainlessSteel base and are headed to #LittleRock #Arkansas #Fable is supervising the load.  The sculpture celebrates the 100th Anniversary of the #NineteenthAmendment, Granting Women the #RightToVote  Jane customized the composition for this placement, by including additional historic figures; two of the #suffragettes who helped lead the #movement in Arkansas. #JosephineMillerBrown #JuliaBurnellBabcock aka #BernieBabcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment.  #EveryWordWeUtter will be #dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at #RiverfrontPark  This 5-ft version (minus the two extra figures) is the #Maquette for the @everywordweutter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature.  #BePartOfTheCircle learn more... http://www.jk-designs-inc.com/project-f…/every-word-we-utter  #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  So many more women were involved than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.  #ThanksFable #ArtDog #RhodesianRidgeback
The #NationalSculptorsGuild has loaded up NSG Fellow #JaneDeDecker’s “Every Word We Utter” #bronze #sculpture with a custom designed #Granite and #StainlessSteel base and are headed to #LittleRock #Arkansas #Fable is supervising the load.  The sculpture celebrates the 100th Anniversary of the #NineteenthAmendment, Granting Women the #RightToVote  Jane customized the composition for this placement, by including additional historic figures; two of the #suffragettes who helped lead the #movement in Arkansas. #JosephineMillerBrown #JuliaBurnellBabcock aka #BernieBabcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment.  #EveryWordWeUtter will be #dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at #RiverfrontPark  This 5-ft version (minus the two extra figures) is the #Maquette for the @everywordweutter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature.  #BePartOfTheCircle learn more... http://www.jk-designs-inc.com/project-f…/every-word-we-utter  #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  So many more women were involved than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.  #ThanksFable #ArtDog #RhodesianRidgeback
The #NationalSculptorsGuild has loaded up NSG Fellow #JaneDeDecker’s “Every Word We Utter” #bronze #sculpture with a custom designed #Granite and #StainlessSteel base and are headed to #LittleRock #Arkansas #Fable is supervising the load.  The sculpture celebrates the 100th Anniversary of the #NineteenthAmendment, Granting Women the #RightToVote  Jane customized the composition for this placement, by including additional historic figures; two of the #suffragettes who helped lead the #movement in Arkansas. #JosephineMillerBrown #JuliaBurnellBabcock aka #BernieBabcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment.  #EveryWordWeUtter will be #dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at #RiverfrontPark  This 5-ft version (minus the two extra figures) is the #Maquette for the @everywordweutter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature.  #BePartOfTheCircle learn more... http://www.jk-designs-inc.com/project-f…/every-word-we-utter  #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  So many more women were involved than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.  #ThanksFable #ArtDog #RhodesianRidgeback
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Leaps and Bounds

8/26/2019

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This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado

“Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.

We hope you’ll get a chance to enjoy these placements soon. For now the shelter recommends adopting online as construction finishes up, and as we all await a vaccine for in-person adoptions.

NSG Public Art Placements
​ #518 & 519


#PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds 
#SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop
#AdamsCounty #JustInstalled #Bronze #StainlessSteel
#ArtistDriven #ClientMinded
This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado  “Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.  We hope you’ll get a chance to enjoy these placements soon. For now the shelter recommends adopting online as construction finishes up, and as we all await a vaccine for in-person adoptions.  NSG Public Art Placements ​ #518 & 519  #PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds  #SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop #AdamsCounty #JustInstalled #Bronze #StainlessSteel #ArtistDriven #ClientMinded
Leaps and Bounds, Daniel Glanz, NSG
This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado  “Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.  NSG Public Art Placements ​ #518 & 519       #PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds #SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop #AdamsCounty #JustInstalled #Bronze #StainlessSteel #ArtistDriven #ClientMinded
Sweet Dreams, Daniel Glanz, NSG
This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado  “Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.  NSG Public Art Placements ​ #518 & 519       #PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds #SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop #AdamsCounty #JustInstalled #Bronze #StainlessSteel #ArtistDriven #ClientMinded
Grassland Trio, Daniel Glanz, NSG
Leaps and Bounds, Daniel Glanz, NSG
This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado

“Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.

We hope you’ll get a chance to enjoy these placements soon. For now the shelter recommends adopting online as construction finishes up, and as we all await a vaccine for in-person adoptions.

NSG Public Art Placements
​ #518 & 519

#PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds 
#SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop
#AdamsCounty #JustInstalled #Bronze #StainlessSteel
#ArtistDriven #ClientMinded
This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado

“Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.

We hope you’ll get a chance to enjoy these placements soon. For now the shelter recommends adopting online as construction finishes up, and as we all await a vaccine for in-person adoptions.

NSG Public Art Placements
​ #518 & 519

#PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds 
#SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop
#AdamsCounty #JustInstalled #Bronze #StainlessSteel
#ArtistDriven #ClientMinded
This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado

“Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.

We hope you’ll get a chance to enjoy these placements soon. For now the shelter recommends adopting online as construction finishes up, and as we all await a vaccine for in-person adoptions.

NSG Public Art Placements
​ #518 & 519

#PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds 
#SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop
#AdamsCounty #JustInstalled #Bronze #StainlessSteel
#ArtistDriven #ClientMinded
This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado

“Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.

We hope you’ll get a chance to enjoy these placements soon. For now the shelter recommends adopting online as construction finishes up, and as we all await a vaccine for in-person adoptions.

NSG Public Art Placements
​ #518 & 519

#PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds 
#SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop
#AdamsCounty #JustInstalled #Bronze #StainlessSteel
#ArtistDriven #ClientMinded
This morning we installed multiple pieces by NSG Fellow Daniel Glanz at the new Riverdale Animal Shelter in Adams County, Colorado

“Leaps and Bounds” at the entry. And “Sweet Dreams” with “Grassland Trio” in the nearby calming garden.

We hope you’ll get a chance to enjoy these placements soon. For now the shelter recommends adopting online as construction finishes up, and as we all await a vaccine for in-person adoptions.

NSG Public Art Placements
​ #518 & 519

#PublicArt #NSG #DanielGlanz #NationalSculptorsGuild #LeapsAndBounds 
#SweetDreams #GrasslandTrio #RiverdaleAnimalShelter #AdoptDontShop
#AdamsCounty #JustInstalled #Bronze #StainlessSteel
#ArtistDriven #ClientMinded

11/3/2019: The last several months have been filled with sculpting and casting for this project. #process.

Picture
6/20/2019:
The Adam's County Arts Committee has approved our proposal for the second area for art at the new Riverdale Animal Shelter. Two sculptures by 
​Daniel Glanz and the National Sculptors' Guild will be placed in the calming garden.

​​In this quieter placement we have a mouse curled up next to a sleeping cat in this unlikely pairing as they take a break from the ‘race’. The bronze is placed on a large sandstone natural bench, inviting visitors to sit next to Sweet Dreams for a moment of respite.
​
Finally, Grassland Trio again combines stainless steel with bronze, depicting a rabbit, lizard and bird united by tall grasses representing the natural beauty of the area, and a few of the other (maybe lesser known) pets that the shelter assists.

Picture
Picture
Daniel Glanz and the National Sculptors' Guild are happy to announce our design for Adams County's new Riverdale Animal Shelter was accepted and will be realized in the coming year. We will post updates here as the sculpture evolves.  Energetic and enthusiastically welcoming, this piece creates an immediate connection for the public with the shelter; becoming an iconic entrance piece for the Riverdale Animal Shelter.  A dog leaps in the air to catch a frisbee. Across the entry one sees the young child that threw the frisbee. In-between, a cat sitting on the provided bench has it’s paw up in a futile attempt to intercept. The dog and cat will include sculpted details specific to Riverdale, including the names “River” and “Dale” inscribed on collars – reinforcing proper care of pets. The frisbee may include the Riverdale logo.   The sculptures will be cast in bronze and scaled at life-size, the frisbee and abstract element that the dog attaches to will be fabricated stainless steel. Patina on the bronze will be warm-browns. The breeds of the cat and dog will be nondescript for universal appeal. The child will be sculpted gender neutral and racially ambiguous for optimum inclusiveness of all visitors to the Riverdale Animal Shelter.  Utilizing the existing bench for the cat invites visitors to sit next to the sculpture and be part of the composition. The artwork provides multiple photo opportunities to capture happy adoption moments.  The term 'Leaps and Bounds' is used to emphasize that someone or something is improving or increasing quickly and greatly... this absolutely rings true for the animals that are sheltered and adopted here. The sculpture demonstrates the health and vitality that comes from our connection with our pets. It also sets the tone for visitors to the shelter; as one enters the facility; they know this to be a place where animals thrive.Leaps & Bounds design for the Adams County Riverdale Animal Shelter
2/8/2019:
​Daniel Glanz and the National Sculptors' Guild are happy to announce our design for Adams County's new Riverdale Animal Shelter was accepted and will be realized in the coming year. We will post updates here as the sculpture evolves.

Energetic and enthusiastically welcoming, this piece creates an immediate connection for the public with the shelter; becoming an iconic entrance piece for the Riverdale Animal Shelter.

A dog leaps in the air to catch a frisbee. Across the entry one sees the young child that threw the frisbee. In-between, a cat sitting on the provided bench has it’s paw up in a futile attempt to intercept. The dog and cat will include sculpted details specific to Riverdale, including the names “River” and “Dale” inscribed on collars – reinforcing proper care of pets. The frisbee may include the Riverdale logo. 

The sculptures will be cast in bronze and scaled at life-size, the frisbee and abstract element that the dog attaches to will be fabricated stainless steel. Patina on the bronze will be warm-browns. The breeds of the cat and dog will be nondescript for universal appeal. The child will be sculpted gender neutral and racially ambiguous for optimum inclusiveness of all visitors to the Riverdale Animal Shelter.

Utilizing the existing bench for the cat invites visitors to sit next to the sculpture and be part of the composition. The artwork provides multiple photo opportunities to capture happy adoption moments.

The term 'Leaps and Bounds' is used to emphasize that someone or something is improving or increasing quickly and greatly... this absolutely rings true for the animals that are sheltered and adopted here. The sculpture demonstrates the health and vitality that comes from our connection with our pets. It also sets the tone for visitors to the shelter; as one enters the facility; they know this to be a place where animals thrive.


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Infinite Dance in Little Rock

5/2/2019

0 Comments

 
The National Sculptors' Guild is in Little Rock for this year’s Sculpture at the River Market and to install Carol Gold’s “Infinite Dance” ​ Watch for more images of the finished product. ​#FeedYourCreativeSpirit #PublicArt  Carol Gold's INFINITE DANCE, proposal won the 2018 competition. Inspiration springs from notions of equilibrium and transformation, ideas that are necessary for the sustained health of society The joyfully dancing figure represents the vibrant cultural scene of the Riverfront Park. The sculpture’s ring shape ties into the curving bridges surrounding the site. The shape of a circle holds deep symbolism, referring to concepts such as: inclusion, unity, and wholeness.
The National Sculptors' Guild is in Little Rock for this year’s Sculpture at the River Market and to install Carol Gold’s “Infinite Dance”
​
Watch for more images of the finished product.
​#FeedYourCreativeSpirit #PublicArt

Carol Gold's INFINITE DANCE proposal won the 2018 competition. Inspiration springs from notions of equilibrium and transformation, ideas that are necessary for the sustained health of society The joyfully dancing figure represents the vibrant cultural scene of the Riverfront Park. The sculpture’s ring shape ties into the curving bridges surrounding the site. The shape of a circle holds deep symbolism, referring to concepts such as: inclusion, unity, and wholeness.
​


Loaded onto the truck at Art Castings of Colorado in Loveland with a beautiful custom crate by Shipper's Supply, "Infinite Dance" is on its way to its new home in Little Rock, Arkansas. #SculptureIsATeamSport
see our post Little Rock Finalists Announced to learn more
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Every Word We Utter

3/15/2019

0 Comments

 

Their Movement, Our Monument

Be Part of the Circle
Printable Version
Contributions to the monument may be made here. A 501(c)(3) status is pending. Proceeds from the sales of the maquettes make the monument possible. Please contact the National Sculptors' Guild to be part of the circle.

Every Word We Utter bronze study
"Every Word We Utter" is a Monument to the Women's Suffrage Movement.  The monument commemorates the largest nonviolent revolution in our nation’s history — the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. 

DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc).  Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. 

“Every word we utter, every act we perform … are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott.

"When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women...,  little girls." - Jane DeDecker 

Jane with the clay busts of the commemorated women for the monument.
Jane with the clay busts of the women being commemorated in the monument

​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter

DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress:  

The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Proceeds from the maquette sales make the monument possible. Please contact the National Sculptors' Guild to be part of the circle.

​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Every Word We Utter 5ft version in clay
​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Sojourner Truth's portrait taking shape
​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Every Word We Utter study in bronze
​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Every Word We Utter study in bronze
​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Every Word We Utter 5ft version in clay
DESCRIPTION AND SYMBOLISM OF THE MONUMENT:
Anthony and Stanton writing the Nineteenth Amendment is the nucleus,  the beginning of the women’s movement. To the side of the authors stands the elder Sojourner Truth, a beacon for the movement. The young Harriet Stanton Blatch represents the future. From them rises the next generation of the movement, the “daughters” who ratified the nineteenth amendment, represented by Ida B. Wells and Alice Paul. Standing on the shoulders of giants, these women were elevated by what came before. From this height, the ratification flag cascades to the innumerable circles that ripple outwards.

Sojourner Truth, an African-American abolitionist and women’s right activist, was among the first voices of the women’s movement.  She propelled the movement in its early days because she was willing to speak at time when few women did so.  I have depicted her standing on a pulpit to illustrate how she willingly projected her voice against injustices. Her gaze is to the future – to the horizon – looking to a place where women – together – will turn the world “right side up again.”  In my composition, I have sculpted her in her early 50’s, around the time she would have delivered her seminal speech, “Ain’t I a Woman?” Within the composition, she is a guardian of the belief that women should have the right to vote.

I used the same iconic photograph of the coauthors of the Declaration of Sentiments as inspiration for Elizabeth Cady Stanton and Susan B. Anthony, but I depicted them at their age at the time of the writing of the Sentiments. The two women are physically connected in the sculpture, forming a unified force that truly speaks of the oneness of their purpose. Their words, speeches and wisdom launched a worldwide, peaceful revolution. Even today, these two women offer us the courage and the tools to be the stewards of human rights.

At a joint appearance for Hilary Clinton’s campaign, Michelle Obama echoed Stanton’s words: “With every action we take, with every word we utter, we think about the millions of children who are watching us, who hang onto our every word, looking at us to show them who they can and should be.” Just so, Harriet Stanton Blatch hangs on the words of her mother. She has a look of intensity. She feels it. Blatch is nestled between her mother’s hand that holds a pen and foot that breaks the conformities of the base. She holds onto a bonnet, a symbol of the suffragist she will become. Blatch literally grew up during the suffragist movement, and when it was her time, she absorbed the sentiments of her mother’s words: “We’ve got to bring to the President, individually, day by day, week in and week out, the idea that great numbers of women want to be free, will be free.”

Alice Paul and Ida B. Wells are at the peak of the coalescence, one in their mission. Although these two women would not have marched side by side, their juxtaposition at the height of the sculpture, symbolizes their shared vision of equal rights. Neither one of these women would take no for an answer. In the photos of the suffragist women marching, they are wearing elaborate hats, an announcement of their presence in the movement. I have depicted Alice Paul and Ida B. Wells wearing such hats. Both women also hold a flag.

The portrait of Alice Paul is inspired by the photo of her draping the ratification flag with its 36th star over the balcony of the suffrage headquarters in Washington D.C. I chose to depict Paul and this celebratory moment to capture the monumental triumph of the nineteenth amendment, an accumulation of the efforts of thousands of American women. She appears youthful and weightless in this monument, and yet she was militant in her efforts. She dedicated her life to the movement and after the vote continued until her death the work for the equal rights amendment.

Ida B. Wells began her career as an activist at a young age. She fervently rallied against the practice of lynching even with the threat of being lynched herself.  Wells was known for using the pen and her voice to battle sexism, racism, and violence. In this sculpture Wells stands proudly with a flag of the United States, representing the hope for justice and the rights of every human being. The open gesture of her hand outstretched to the other women around her in this monument reinforces the invitation to join the cause.
Contributions to the monument may be made here. A 501(c)(3) status is pending. Proceeds from the sales of the maquettes make the monument possible. Please contact the National Sculptors' Guild to place the 5ft maquette in your public art program. #BePartOfTheCircle
Contributions to the monument may be made here. A 501(c)(3) status is pending. Proceeds from the sales of the maquettes make the monument possible. Please contact the National Sculptors' Guild to place the 5ft maquette in your public art program. #BePartOfTheCircle

​Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement.
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement.
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement.
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
This post is an update to a previous one; see the original from 2018 here
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Reaching Our Goal

11/20/2018

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Update 12/6/2018: The Legacy Project is our 500th Public Art Placement!
More elements and finish work has been going in since placing the sculpture. We anticipate a great celebration once the plaza of The Foundry opens to the public.
The Legacy Project is our 500th Public Art Placement!
. 
More elements and finish work has been going in since placing the sculpture. We anticipate a great celebration once the plaza of The Foundry opens to the public.
.
​“Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the bronze element of The Rotary Club of Thompson Valley's Legacy Project at the Foundry. ​
.
We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992. We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.
.
#FullCircle #ReachingOurGoal
.
http://www.jk-designs-inc.com/project-feed/reaching-our-goal
.
We are happy to share this pivotal moment with fellow Lovelanders:
Denny Haskew - NSG Charter Member
The Rotary Club of Thompson Valley
The Foundry - Downtown Loveland's newest development
Art Castings of Colorado - Foundry, casting art since 1972
And all the other talented artists and subcontractors who make our creations come to life for the public to enjoy.
.
#PublicArt #LovelandColorado #DennyHaskew #ReachingOurGoal #Bronze #RotaryClub #ThompsonValley #Legacy #Brinkman #TheFoundry #ArtCastingsOfColorado #FineArt #NSG #NationalSculptorsGuild #ILiveLoveland #LovelandArt #ConnectingPeopleWithArt #Sculpture @ The Foundry
The Legacy Project is our 500th Public Art Placement!
. 
More elements and finish work has been going in since placing the sculpture. We anticipate a great celebration once the plaza of The Foundry opens to the public.
.
​“Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the bronze element of The Rotary Club of Thompson Valley's Legacy Project at the Foundry. ​
.
We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992. We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.
.
#FullCircle #ReachingOurGoal
.
http://www.jk-designs-inc.com/project-feed/reaching-our-goal
.
We are happy to share this pivotal moment with fellow Lovelanders:
Denny Haskew - NSG Charter Member
The Rotary Club of Thompson Valley
The Foundry - Downtown Loveland's newest development
Art Castings of Colorado - Foundry, casting art since 1972
And all the other talented artists and subcontractors who make our creations come to life for the public to enjoy.
.
#PublicArt #LovelandColorado #DennyHaskew #ReachingOurGoal #Bronze #RotaryClub #ThompsonValley #Legacy #Brinkman #TheFoundry #ArtCastingsOfColorado #FineArt #NSG #NationalSculptorsGuild #ILiveLoveland #LovelandArt #ConnectingPeopleWithArt #Sculpture @ The Foundry
The Legacy Project is our 500th Public Art Placement!
. 
More elements and finish work has been going in since placing the sculpture. We anticipate a great celebration once the plaza of The Foundry opens to the public.
.
​“Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the bronze element of The Rotary Club of Thompson Valley's Legacy Project at the Foundry. ​
.
We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992. We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.
.
#FullCircle #ReachingOurGoal
.
http://www.jk-designs-inc.com/project-feed/reaching-our-goal
.
We are happy to share this pivotal moment with fellow Lovelanders:
Denny Haskew - NSG Charter Member
The Rotary Club of Thompson Valley
The Foundry - Downtown Loveland's newest development
Art Castings of Colorado - Foundry, casting art since 1972
And all the other talented artists and subcontractors who make our creations come to life for the public to enjoy.
.
#PublicArt #LovelandColorado #DennyHaskew #ReachingOurGoal #Bronze #RotaryClub #ThompsonValley #Legacy #Brinkman #TheFoundry #ArtCastingsOfColorado #FineArt #NSG #NationalSculptorsGuild #ILiveLoveland #LovelandArt #ConnectingPeopleWithArt #Sculpture @ The Foundry
The Legacy Project is our 500th Public Art Placement!
. 
More elements and finish work has been going in since placing the sculpture. We anticipate a great celebration once the plaza of The Foundry opens to the public.
.
​“Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the bronze element of The Rotary Club of Thompson Valley's Legacy Project at the Foundry. ​
.
We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992. We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.
.
#FullCircle #ReachingOurGoal
.
http://www.jk-designs-inc.com/project-feed/reaching-our-goal
.
We are happy to share this pivotal moment with fellow Lovelanders:
Denny Haskew - NSG Charter Member
The Rotary Club of Thompson Valley
The Foundry - Downtown Loveland's newest development
Art Castings of Colorado - Foundry, casting art since 1972
And all the other talented artists and subcontractors who make our creations come to life for the public to enjoy.
.
#PublicArt #LovelandColorado #DennyHaskew #ReachingOurGoal #Bronze #RotaryClub #ThompsonValley #Legacy #Brinkman #TheFoundry #ArtCastingsOfColorado #FineArt #NSG #NationalSculptorsGuild #ILiveLoveland #LovelandArt #ConnectingPeopleWithArt #Sculpture @ The Foundry

Update 11/20/2018: We were downtown completing the installation this afternoon.   ​The bronze is in! A view of "Reaching Our Goal" from one of the narrative stones.
Update 11/20/2018: We were downtown completing the installation this afternoon.

​The bronze is in! "Reaching Our Goal" by 
Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry 
​​

The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!

We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.

​We have donated our portion of the project back to the placement to give back to the communit
y that has supported us through the years.

 #FullCircle #ReachingOurGoal



Update 11/20/2018: We were downtown completing the installation this afternoon.

​The bronze is in! "Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry 
​​
The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!

We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.

​We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.

 #FullCircle #ReachingOurGoal
Update 11/20/2018: We were downtown completing the installation this afternoon.

​The bronze is in! "Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry 
​​
The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!

We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.

​We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.

 #FullCircle #ReachingOurGoal
Update 11/20/2018: We were downtown completing the installation this afternoon.

​The bronze is in! "Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry 
​​
The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!

We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.

​We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.

 #FullCircle #ReachingOurGoal
Update 11/20/2018: We were downtown completing the installation this afternoon.

​The bronze is in! "Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry 
​​
The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!

We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.

​We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.

 #FullCircle #ReachingOurGoal
Update 11/20/2018: We were downtown completing the installation this afternoon.

​The bronze is in! "Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry 
​​
The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!

We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.

​We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.

 #FullCircle #ReachingOurGoal
Update 11/20/2018: We were downtown completing the installation this afternoon.

​The bronze is in! "Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry 
​​
The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!

We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.

​We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.

 #FullCircle #ReachingOurGoal

Update 11/16/2018: Today was a huge step in the installation of The Legacy Project. Over 68,000 lbs of Dakota sandstone was craned into the site and set by Denny Haskew and the National Sculptors' Guild. Next week the final stone and bronze element will be placed.  The Rotary Club of Thompson Valley's Denny Haskew and the National Sculptors' Guild crew align and level 2 of the monolithic stones for The Legacy Project
Update 11/16/2018: Today was a huge step in the installation of The Legacy Project. Over 68,000 lbs of Dakota sandstone was craned into the site and set by Denny Haskew and the National Sculptors' Guild. Next week the final stone and bronze element will be placed.

The Rotary Club of Thompson Valley's "Legacy Project" will activate the plaza of The Foundry, a new development that is transforming Loveland's historic downtown. The installation includes "Reaching Our Goal" bronze sculpture by National Sculptors' Guild Charter Member Denny Haskew

Update 11/16/2018: Today was a huge step in the installation of The Legacy Project. Over 68,000 lbs of Dakota sandstone was craned into the site and set by Denny Haskew and the National Sculptors' Guild. Next week the final stone and bronze element will be placed.

The Rotary Club of Thompson Valley's "Legacy Project" will activate the plaza of The Foundry, a new development that is transforming Loveland's historic downtown. The installation includes "Reaching Our Goal" bronze sculpture by National Sculptors' Guild Charter Member Denny Haskew
Update 11/16/2018: Today was a huge step in the installation of The Legacy Project. Over 68,000 lbs of Dakota sandstone was craned into the site and set by Denny Haskew and the National Sculptors' Guild. Next week the final stone and bronze element will be placed.

The Rotary Club of Thompson Valley's "Legacy Project" will activate the plaza of The Foundry, a new development that is transforming Loveland's historic downtown. The installation includes "Reaching Our Goal" bronze sculpture by National Sculptors' Guild Charter Member Denny Haskew
Update 11/16/2018: Today was a huge step in the installation of The Legacy Project. Over 68,000 lbs of Dakota sandstone was craned into the site and set by Denny Haskew and the National Sculptors' Guild. Next week the final stone and bronze element will be placed.

The Rotary Club of Thompson Valley's "Legacy Project" will activate the plaza of The Foundry, a new development that is transforming Loveland's historic downtown. The installation includes "Reaching Our Goal" bronze sculpture by National Sculptors' Guild Charter Member Denny Haskew
Update 11/16/2018: Today was a huge step in the installation of The Legacy Project. Over 68,000 lbs of Dakota sandstone was craned into the site and set by Denny Haskew and the National Sculptors' Guild. Next week the final stone and bronze element will be placed.

The Rotary Club of Thompson Valley's "Legacy Project" will activate the plaza of The Foundry, a new development that is transforming Loveland's historic downtown. The installation includes "Reaching Our Goal" bronze sculpture by National Sculptors' Guild Charter Member Denny Haskew

Update 11/14/2018: Our 500th Public Art Placement is going in this week! Stay tuned to our social media posts for updates. We're so excited that we're celebrating this moment in Loveland, CO where we've been headquartered since 1992. #FullCircle  Pictured to the left is the top stone being drilled at Art Castings of Colorado where the bronze was cast. The bronze is cast and ready for patina.   The other stone monoliths are being loaded to deliver to the site. The installation will take a couple of days of craning in 68 tons of stone. The bronze is scheduled to go in next Tuesday to finish it off.  ​​#ReachingOurGoalTony Workman of Art Castings of Colorado drilling the stone.
Update 11/14/2018: Our 500th Public Art Placement is going in this week! Stay tuned to our social media posts for updates. We're so excited that we're celebrating this moment in Loveland, CO where we've been headquartered since 1992. #FullCircle

Pictured to the left is the top stone being drilled at Art Castings of Colorado where the bronze was cast. The bronze is cast and ready for patina. 

The other stone monoliths are being loaded to deliver to the site. The installation will take a couple of days of craning in 34 tons of stone. The bronze is scheduled to go in next Tuesday to finish it off.  ​​#ReachingOurGoal


Update 10/15/2018: The metal has been poured, time to put the pieces back together.   Pictured is artist Denny Haskew at Art Castings of Colorado where the bronze is being cast.  ​#ReachingOurGoalDenny Haskew at Art Castings of Colorado
Update 10/15/2018: The metal has been poured, time to put the pieces back together. 

Pictured is artist Denny Haskew at Art Castings of Colorado where the bronze is being cast.

​#ReachingOurGoal

Update 10/15/2018: The metal has been poured, time to put the pieces back together.   Pictured is artist Denny Haskew at Art Castings of Colorado where the bronze is being cast.  ​#ReachingOurGoal

Update 8/23/18: Appropriately so, the National Sculptors' Guild anticipates this placement, which we are contributing our share to, to be our 500th public art monumental placement. What better place for such a milestone than in our backyard.  We are happy to share this pivotal moment with Lovelanders: Denny Haskew - NSG Charter Member The Rotary Club of Thompson Valley ​The Foundry - downtown Loveland's newest development Art Castings of Colorado - Foundry, since 1972 And all the other talented artists and subcontractors who make our creations come to life for the public to enjoy. ​#ReachingOurGoalNSG's 500th Public Art Placement
Update 8/23/18: Appropriately so, the National Sculptors' Guild anticipates this placement, which we are contributing our share to, to be our 500th public art monumental placement. What better place for such a milestone than in our backyard.

We are happy to share this pivotal moment with Lovelanders:
Denny Haskew - NSG Charter Member
The Rotary Club of Thompson Valley
​
The Foundry - downtown Loveland's newest development
Art Castings of Colorado - Foundry, since 1972
And all the other talented artists and subcontractors who make our creations come to life for the public to enjoy.
​#ReachingOurGoal


Update 8/20/18: We're working on some of the details that will be part of the overall placement. Look for the Rotary wheel to be incorporated throughout The Legacy plaza. Some will highlight the contributors that are making this placement possible. Thanks Rotary Club of Thompson Valley!
Rotary International Wheel
Update 8/20/18: We're working on some of the smaller details that will be part of the overall placement. Look for the Rotary wheel to be incorporated throughout The Legacy plaza. Some will highlight the contributors that are making this art placement possible. Thanks Rotary Club of Thompson Valley!
Update 8/20/18: We're working on some of the details that will be part of the overall placement. Look for the Rotary wheel to be incorporated throughout The Legacy plaza. Some will highlight the contributors that are making this placement possible. Thanks Rotary Club of Thompson Valley!
Stainless Steel Rotary Wheel

Update 6/5/18: It may not look like much yet, but we have over 60 tons of stone going into this art placement. Many of the sandstone monoliths will be etched with information about the successes of the Rotary Club of Thompson Valley.  This image shows laying out templates in preparation of sandblasting the narrative into one of the stones. Template on second stone
Update 6/5/18: It may not look like much yet, but we have over 60,000 pounds of stone going into this art placement. Many of the sandstone monoliths will be etched with information about the successes of the Rotary Club of Thompson Valley.

This image shows laying out templates in preparation of sandblasting the narrative into one of the stones. 


5/15/2018: Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on their
5/15/2018: Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on their
5/15/2018: Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on their "Legacy Project" in Loveland, Colorado. 

The Legacy Project celebrates the 30th Anniversary (2019) of the Rotary Club of Thompson Valley. The larger-than-life bronze sculpture depicts a woman helping a teenage boy surmount a stone precipice tying into the Rotary motto, "Service Above Self". Part of this service has been the club's support of Polio Plus, a major contributor to the eradication of Polio world-wide.

"Reaching Our Goal" by NSG Fellow Denny Haskew will be placed in the plaza of The Foundry, a new development that is transforming Loveland's historic downtown, set to open Fall 2018. The art placement will coincide with the opening.

The National Sculptors' Guild designed additional stone elements to activate the plaza and provide area's of recognition to donors and the club's efforts. 

We have contributed $50,000 plus design work to the project, our way of giving back to community for all the support we've received over the past 26 years. 

Haskew is a renowned figurative artist and a Charter Member of the National Sculptors' Guild. His work is in numerous prestigious collections including the Smithsonian Institution, DC; the Gilcrease Museum, OK; and the Boulder and Colorado Springs campuses of the University of Colorado.

​Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. 

Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah.  After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg.  Since 1987, Denny has created and placed dozens of monumental compositions; spanning the spectrum of the figurative genre.


The project budget is $180,000 of which 50% has been raised. Please help the Thompson Valley Rotary Foundation Reach their Goal. email for details.
​
Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on
Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on "The Legacy Project" in Loveland, Colorado. 

The Legacy Project celebrates the 30th anniversary (2019) of the Rotary Club of Thompson Valley. The bronze sculpture depicts a woman helping a teenage boy surmount a stone precipice tying into the Rotary motto, "Service Above Self". Part of this service has been the club's support of Polio Plus, a major contributor to the eradication of Polio world-wide.

"Reaching our Goal" by NSG Fellow Denny Haskew will be placed in the plaza of The Foundry, a new development that is transforming Loveland's historic downtown, set to open Fall 2018. The art placement will coincide with the opening.

The National Sculptors' Guild designed additional stone elements to activate the plaza and provide area's of recognition to the club's efforts. 

We have contributed $50,000 to the project, our way of giving back to the support we've received from this community over the past 26 years. 

Haskew is a renowned figurative artist and a Charter Member of the National Sculptors' Guild. His work is in the numerous prestigious collections including the Smithsonian Institution, the Gilcrease Museum, OK and the Boulder and Colorado Springs campuses of the University of Colorado.

​Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. 

Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah.  After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg.  Since 1987, Denny has created and placed dozens of monumental compositions; spanning the spectrum of the figurative genre.
Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on "The Legacy Project" in Loveland, Colorado. 

The Legacy Project celebrates the 30th anniversary (2019) of the Rotary Club of Thompson Valley. The bronze sculpture depicts a woman helping a teenage boy surmount a stone precipice tying into the Rotary motto, "Service Above Self". Part of this service has been the club's support of Polio Plus, a major contributor to the eradication of Polio world-wide.

"Reaching our Goal" by NSG Fellow Denny Haskew will be placed in the plaza of The Foundry, a new development that is transforming Loveland's historic downtown, set to open Fall 2018. The art placement will coincide with the opening.

The National Sculptors' Guild designed additional stone elements to activate the plaza and provide area's of recognition to the club's efforts. 

We have contributed $50,000 to the project, our way of giving back to the support we've received from this community over the past 26 years. 

Haskew is a renowned figurative artist and a Charter Member of the National Sculptors' Guild. His work is in the numerous prestigious collections including the Smithsonian Institution, the Gilcrease Museum, OK and the Boulder and Colorado Springs campuses of the University of Colorado.

​Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. 

Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah.  After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg.  Since 1987, Denny has created and placed dozens of monumental compositions; spanning the spectrum of the figurative genre.
Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on "The Legacy Project" in Loveland, Colorado. 

The Legacy Project celebrates the 30th anniversary (2019) of the Rotary Club of Thompson Valley. The bronze sculpture depicts a woman helping a teenage boy surmount a stone precipice tying into the Rotary motto, "Service Above Self". Part of this service has been the club's support of Polio Plus, a major contributor to the eradication of Polio world-wide.

"Reaching our Goal" by NSG Fellow Denny Haskew will be placed in the plaza of The Foundry, a new development that is transforming Loveland's historic downtown, set to open Fall 2018. The art placement will coincide with the opening.

The National Sculptors' Guild designed additional stone elements to activate the plaza and provide area's of recognition to the club's efforts. 

We have contributed $50,000 to the project, our way of giving back to the support we've received from this community over the past 26 years. 

Haskew is a renowned figurative artist and a Charter Member of the National Sculptors' Guild. His work is in the numerous prestigious collections including the Smithsonian Institution, the Gilcrease Museum, OK and the Boulder and Colorado Springs campuses of the University of Colorado.

​Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. 

Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah.  After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg.  Since 1987, Denny has created and placed dozens of monumental compositions; spanning the spectrum of the figurative genre.
Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on "The Legacy Project" in Loveland, Colorado. 

The Legacy Project celebrates the 30th anniversary (2019) of the Rotary Club of Thompson Valley. The bronze sculpture depicts a woman helping a teenage boy surmount a stone precipice tying into the Rotary motto, "Service Above Self". Part of this service has been the club's support of Polio Plus, a major contributor to the eradication of Polio world-wide.

"Reaching our Goal" by NSG Fellow Denny Haskew will be placed in the plaza of The Foundry, a new development that is transforming Loveland's historic downtown, set to open Fall 2018. The art placement will coincide with the opening.

The National Sculptors' Guild designed additional stone elements to activate the plaza and provide area's of recognition to the club's efforts. 

We have contributed $50,000 to the project, our way of giving back to the support we've received from this community over the past 26 years. 

Haskew is a renowned figurative artist and a Charter Member of the National Sculptors' Guild. His work is in the numerous prestigious collections including the Smithsonian Institution, the Gilcrease Museum, OK and the Boulder and Colorado Springs campuses of the University of Colorado.

​Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. 

Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah.  After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg.  Since 1987, Denny has created and placed dozens of monumental compositions; spanning the spectrum of the figurative genre.
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TCNJ Lion

10/22/2017

1 Comment

 
10/22/17: National Sculptors' Guild John Kinkade is in NJ for the unveiling of The College of New Jersey’s new Bronze mascot by NSG fellow Herb Mignery. The 8ft Lion served as the official greeter to homecoming fans at the game. The sculpture will be stored until the permanent site at the Brower Student Center is ready in Spring. The sculpture was generously presented to the school by alumnus William McLagan. #GoLions
10/22/17: National Sculptors' Guild John Kinkade is in NJ for the unveiling of The College of New Jersey’s new Bronze mascot by NSG fellow #HerbMignery. The 8ft Lion served as the official greeter to homecoming fans at the game. The sculpture will be stored until the permanent site at the Brower Student Center is ready in Spring. The sculpture was generously presented to the school by alumnus William McLagan. #GoLions
10/22/17: National Sculptors' Guild John Kinkade is in NJ for the unveiling of The College of New Jersey’s new Bronze mascot by NSG fellow #HerbMignery. The 8ft Lion served as the official greeter to homecoming fans at the game. The sculpture will be stored until the permanent site at the Brower Student Center is ready in Spring. The sculpture was generously presented to the school by alumnus William McLagan. #GoLions
10/22/17: National Sculptors' Guild John Kinkade is in NJ for the unveiling of The College of New Jersey’s new Bronze mascot by NSG fellow #HerbMignery. The 8ft Lion served as the official greeter to homecoming fans at the game. The sculpture will be stored until the permanent site at the Brower Student Center is ready in Spring. The sculpture was generously presented to the school by alumnus William McLagan. #GoLions
10/22/17: National Sculptors' Guild John Kinkade is in NJ for the unveiling of The College of New Jersey’s new Bronze mascot by NSG fellow #HerbMignery. The 8ft Lion served as the official greeter to homecoming fans at the game. The sculpture will be stored until the permanent site at the Brower Student Center is ready in Spring. The sculpture was generously presented to the school by alumnus William McLagan. #GoLions
10/22/17: National Sculptors' Guild John Kinkade is in NJ for the unveiling of The College of New Jersey’s new Bronze mascot by NSG fellow #HerbMignery. The 8ft Lion served as the official greeter to homecoming fans at the game. The sculpture will be stored until the permanent site at the Brower Student Center is ready in Spring. The sculpture was generously presented to the school by alumnus William McLagan. #GoLions
10/22/17: National Sculptors' Guild John Kinkade is in NJ for the unveiling of The College of New Jersey’s new Bronze mascot by NSG fellow #HerbMignery. The 8ft Lion served as the official greeter to homecoming fans at the game. The sculpture will be stored until the permanent site at the Brower Student Center is ready in Spring. The sculpture was generously presented to the school by alumnus William McLagan. #GoLions

Herb Mignery has been making room for a lion. He recently moved out of a spacious studio thinking he wasn't going to sculpt monuments anymore - but then we called saying - we need a life-sized lion. Luckily he had room in his garage.  The lion is based on a maquette Herb sculpted a few years ago. When alumni Bill McLagan came into the gallery, he knew that was the piece to enlarge for The College of New Jersey's campus. Stay tuned to see updates and installation images... ​TCNJ Donor Bill McLagan with Artist Herb Mignery reviewing the progress on the sculpted clay.
3/15/17: Herb Mignery has been making room for a lion. He recently moved out of a spacious studio thinking he wasn't going to sculpt monuments anymore - then we called saying - want to sculpt a life-sized lion.?! Luckily he had room in his garage.

The lion is based on a maquette Herb sculpted a few years ago. When TCNJ alumni Bill McLagan visited the gallery, he knew this was the piece to enlarge for The College of New Jersey's campus. Stay tuned to see updates as the lion is cast in bronze and installed... ​

1 Comment

On the Edge in Edmond, Oklahoma

5/24/2016

0 Comments

 
John Kinkade and Clay Enoch from the National Sculptors' Guild are returning from Oklahoma today after another successful NSG public art placement. 
On the Edge bronze sculpture by Clay Enoch and the National Sculptors' Guild public art placement 464 Mitch Park YMCA rec and aquatic center Edmond Oklahoma celebrating cultural diversity
On the Edge by Clay Enoch and the National Sculptors' Guild
Edmond, Oklahoma commissioned the sculpture "ON THE EDGE" by CLAY ENOCH, NATIONAL SCULPTORS' GUILD for its new YMCA Recreation & Aquatic Center - Mitch Park YMCA 
A clever composition giving a glimpse of what's happening below the waterline for a group of young swimmers. The multi-figure monumental bronze celebrates cultural diversity, featuring 5 children total; African-American, Caucasion, Hispanic, Native American and Asian-American.
Learn more about the new facility and Edmond's Public Art program
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    JK Designs, Inc.

    JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to 
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JK Designs, Fine Art Consultation since 1992 Our purpose is to champion a community of artists and to serve as a bridge between these artists and the public. We approach all aspects as a team which offers the client a wide variety of creative solutions to fulfill each unique need. Our primary goal is to allow the artists to stick to their strength - creating great artwork. We also coordinate the many aspects involved in completing large-scale projects.
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