JK DESIGNS Fine Art Consulting
970.667.2015
  • Home
    • National Sculptors' Guild
  • Store
    • 3D
  • About
    • The Team >
      • John Kinkade
      • Alyson Kinkade
      • Jerome Meyer
      • Wallis Osborn
      • Greg Hebert
      • Russ Martino
      • Greg Luth
      • The Artists
  • Artists
    • Sculptors >
      • Gary Alsum
      • Craig Campbell
      • Tim Cherry
      • Dee Clements
      • Darrell Davis
      • Jane DeDecker
      • Clay Enoch
      • Ted Fleming
      • Dan Glanz
      • Carol Gold
      • Denny Haskew
      • Mark Leichliter
      • Herb Mignery
      • Joe Norman
      • Leo Osborne 3D
      • Don Rambadt
      • Wayne Salge 3D
      • Sandy Scott
      • Steve Shachtman
      • Michael Warrick
      • CT Whitehouse
    • Painters >
      • Dan Augenstein
      • James Biggers
      • Amelia Caruso
      • Bob Coonts
      • Kim English
      • Cathy Goodale
      • Lu Haskew
      • Alyson Kinkade
      • Gary Miller
      • Chris Nelson
      • Leo Osborne 2D
      • Jean Perry
      • Tony Pridham
      • Wayne Salge 2D
      • Teresa Vito
      • Tal Walton
      • Roy Wilce
  • Placements
    • Public Art
  • Artful News
    • New and Featured
  • Services
    • Public Art Consultation >
      • Master Planning
      • Maintenance Support
  • Contact
    • Join Our Newsletter
  • FAQ
    • Hours and Location

Daisy Bates to be Honored in Little Rock

5/20/2022

0 Comments

 
update 5/20/22: The bust and plaques have been cast in bronze and shipped to Little Rock. We will update with photos once the city has installed the memorial. 
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.   The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.  ​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.  ​
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.   The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.  ​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.  ​Jane DeDecker's composition of Daisy Bates
10/15/21: National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by a wall of bronze plaques featuring quotations by the great Civil Rights Activist.


​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"
I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.

​Daisy Lee Gatson Bates
Mentor to the Little Rock Nine
Advocate for Equality

About Daisy Lee Gatson Bates...

National Sculptors' Guild Fellow Jane DeDecker has been selected by the State of Arkansas to sculpt Daisy Lee Gatson Bates for placement in the National Statuary Hall. We presented models early this month to the selection committee created by the Secretary of State administration along with 2 other finalists. The announcement was made earlier today.  The honor to portray such an important figure in the state capitol is a true highlight for our entire design team. Jane will begin the enlargement in the coming months and we will provide updates here as this project develops. Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.  It is important to express Mrs. Bates' power through her stance since she is structurally smaller than the counterparts she will be placed near within the Statuary Hall. Her face lifted to take on oppressors, her hand shooing away the past as her steps create the movement necessary for generations to follow are just a few ways this composition expresses her power. She has shattered the glass ceiling without scars showing from the enduring path it took.  No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.  Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.  Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.  She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts. ​ She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.  Her image in the National Statuary Hall will serve well to inspire next generations to take her lead to end racial injustice.

​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.
0 Comments

International Sculpture Day 2020

4/25/2020

0 Comments

 
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!

#InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!   #InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
Mockingbird/Orange Tree by Michael Warrick and the National Sculptors' Guild in Whittier, CA
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!   #InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
Community by Clay Enoch and the National Sculptors' Guild in Little Rock, AR
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!   #InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
Homeward/Monarch by Joe Norman and the National Sculptors' Guild in Downey, CA
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!   #InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
My Heart is in Your Hands by Jane DeDecker and the National Sculptors' Guild in Downey, CA
0 Comments

Community in Little Rock, AR

12/12/2019

0 Comments

 
Community by Clay Enoch and the National Sculptor's Guild was placed in Little Rock, AR November 2019.  Community creates a welcoming space and impression which reflects my experiences here.  Many stages and aspects of life are represented in
Community by Clay Enoch and the National Sculptor's Guild was placed in Little Rock, AR December 2019.

Community creates a welcoming space and impression which reflects my experiences here.

Many stages and aspects of life are represented in "Community"; baby and family, sports and nutrition,
reaching out and education; all lending to portraying playfulness, warmth, hospitality, and love. These are the building blocks for a thriving community and are all present in Little Rock.

NSG Public Art Placement #512

0 Comments

Little Rock Zoo Lion Pride 

6/10/2019

0 Comments

 
"Lion Pride" by Darrell Davis and the National Sculptors' Guild  is installed at the roundabout as you enter the Little Rock Zoo. NSG Director John Kinkade made multiple trips to Little Rock to pick out the natural stone that is strategically placed to create the levels needed to match the artist's initial composition. The cast aluminum really sets off against the warm colors in the stone. And the strong glance of the lions is intense. We love how it turned out and hope you can make a trip to see in person. #PublicArt NSG-505
"Lion Pride" by Darrell Davis and the National Sculptors' Guild  is installed at the roundabout as you enter the Little Rock Zoo. NSG Director John Kinkade made multiple trips to Little Rock to pick out the natural stone that is strategically placed to create the levels needed to match the artist's initial composition. The cast aluminum really sets off against the warm colors in the stone. And the strong glance of the lions is intense. We love how it turned out and hope you can make a trip to see in person. #PublicArt NSG-505
"Lion Pride" by Darrell Davis and the National Sculptors' Guild  is installed at the roundabout as you enter the Little Rock Zoo. NSG Director John Kinkade made multiple trips to Little Rock to pick out the natural stone that is strategically placed to create the levels needed to match the artist's initial composition. The cast aluminum really sets off against the warm colors in the stone. And the strong glance of the lions is intense. We love how it turned out and hope you can make a trip to see in person. #PublicArt NSG-505
"Lion Pride" by Darrell Davis and the National Sculptors' Guild  is installed at the roundabout as you enter the Little Rock Zoo. NSG Director John Kinkade made multiple trips to Little Rock to pick out the natural stone that is strategically placed to create the levels needed to match the artist's initial composition. The cast aluminum really sets off against the warm colors in the stone. And the strong glance of the lions is intense. We love how it turned out and hope you can make a trip to see in person. #PublicArt NSG-505
"Lion Pride" by Darrell Davis and the National Sculptors' Guild  is installed at the roundabout as you enter the Little Rock Zoo. NSG Director John Kinkade made multiple trips to Little Rock to pick out the natural stone that is strategically placed to create the levels needed to match the artist's initial composition. The cast aluminum really sets off against the warm colors in the stone. And the strong glance of the lions is intense. We love how it turned out and hope you can make a trip to see in person. #PublicArt NSG-505
"Lion Pride" by Darrell Davis and the National Sculptors' Guild  is installed at the roundabout as you enter the Little Rock Zoo. NSG Director John Kinkade made multiple trips to Little Rock to pick out the natural stone that is strategically placed to create the levels needed to match the artist's initial composition. The cast aluminum really sets off against the warm colors in the stone. And the strong glance of the lions is intense. We love how it turned out and hope you can make a trip to see in person. #PublicArt NSG-505

Update 6/7/19: The site is ready and so is the Lion. He is on the trailer in Colorado ready to head to Arkansas to be installed at the Little Rock Zoo entry roundabout with the two lioness sculptures.
Update 6/7/19: The site is ready and so is the Lion. He is on the trailer in Colorado ready to head to Arkansas to be installed at the Little Rock Zoo entry roundabout with the two lioness sculptures.
Update 6/7/19: The site is ready and so is the Lion. He is on the trailer in Colorado ready to head to Arkansas to be installed at the Little Rock Zoo entry roundabout with the two lioness sculptures.


Update 11/1/18: ​Yes, that’s a lioness in the gallery!
​
We have National Sculptors' Guild Fellow Darrell Davis’ monumental sculpture here temporarily as we wait for the site and the other two pieces to be cast. We didn’t have a stone to anchor her on in the NSG sculpture garden, so, here she is visiting Columbine Gallery

Part of our public art projects, Davis’ “Lion Pride” will be installed in the roundabout as you enter the Little Rock Zoo soon. We love this first lion. She’s a big beauty!
Update 11/1/18: ​Yes, that’s a lioness in the gallery!
​
We have National Sculptors' Guild Fellow Darrell Davis’ monumental sculpture here temporarily as we wait for the site and the other two pieces to be cast. We didn’t have a stone to anchor her on in the NSG sculpture garden, so, here she is visiting Columbine Gallery

Part of our public art projects, Davis’ “Lion Pride” will be installed in the roundabout as you enter the Little Rock Zoo soon. We love this first lion. She’s a big beauty!
Update 11/1/18: ​Yes, that’s a lioness in the gallery!
​
We have National Sculptors' Guild Fellow Darrell Davis’ monumental sculpture here temporarily as we wait for the site and the other two pieces to be cast. We didn’t have a stone to anchor her on in the NSG sculpture garden, so, here she is visiting Columbine Gallery

Part of our public art projects, Davis’ “Lion Pride” will be installed in the roundabout as you enter the Little Rock Zoo soon. We love this first lion. She’s a big beauty!
Update 11/1/18: ​Yes, that’s a lioness in the gallery!
​
We have National Sculptors' Guild Fellow Darrell Davis’ monumental sculpture here temporarily as we wait for the site and the other two pieces to be cast. We didn’t have a stone to anchor her on in the NSG sculpture garden, so, here she is visiting Columbine Gallery

Part of our public art projects, Davis’ “Lion Pride” will be installed in the roundabout as you enter the Little Rock Zoo soon. We love this first lion. She’s a big beauty!

Update 10/5/18: The first lioness is in metal... she's looking great!
Picture
Picture
Update 1/15/18: Progress image of the enlargement of Darrell Davis' life-size Lion Pride
This is sculpture is part of the Zoo's master plan. The City of Little Rock Board of Directors along with the Zoo Board of Governors approved in 2014 the following master plan for the growth and development of the Little Rock Zoo. This exciting plan outlines renovations and updates to several Zoo facilities and provides thematic concepts for how we meet our mission of providing engaging experiences that inspire people to value and conserve our natural world. Most recently, the zoo opened the new Arkansas Heritage Farm based on this plan and is in the process of planning for its next major development. Coming soon... Lion Pride by National Sculptors' Guild Associate Darrell Davis has been approved for the Little Rock Zoo.  The life-size lion's will be cast in aluminum. It is anticipated to be placed on the Fair Park Road roundabout at the Zoo's entrance in 2018.
Coming soon... Lion Pride by National Sculptors' Guild Associate Darrell Davis has been approved for the Little Rock Zoo.  The life-size lion's will be cast in aluminum. It is anticipated to be placed on the Fair Park Road roundabout at the Zoo's entrance in 2018.
1/27/17: Coming soon...
Lion Pride by National Sculptors' Guild Associate Darrell Davis has been approved for the Little Rock Zoo.  The life-size lion's will be cast in aluminum. It is anticipated to be placed on the Fair Park Road roundabout at the Zoo's entrance in 2019.
This is sculpture is part of the Zoo's master plan. The City of Little Rock Board of Directors along with the Zoo Board of Governors approved in 2014 the following master plan for the growth and development of the Little Rock Zoo. This exciting plan outlines renovations and updates to several Zoo facilities and provides thematic concepts for how we meet our mission of providing engaging experiences that inspire people to value and conserve our natural world. Most recently, the zoo opened the new Arkansas Heritage Farm based on this plan and is in the process of planning for its next major development.
0 Comments

Revisiting Harriet Tubman

10/10/2018

0 Comments

 
Here is a video we just ran across by a student digesting and discussing NSG Fellow Jane DeDecker’s Harriet Tubman sculpture that we placed in Little Rock in 2004, part of a series of sculptures that lead to the Clinton Presidential Center see more about our installation ​ Our sculpture placements continue to move and educate people. #PublicArt #FeedYourCreativeSpirit
Here is a video we just ran across by a student digesting and discussing NSG Fellow Jane DeDecker’s Harriet Tubman sculpture that we placed inLittle Rock in 2004, part of a series of sculptures that lead to the Clinton Presidential Center see more about our installation 
​

Our sculpture placements continue to move and educate people. #PublicArt #FeedYourCreativeSpirit

0 Comments

Arkansas A

4/24/2018

0 Comments

 
April 24, 2018 Update: It's happening now.... NSG's Stephen Shachtman's
April 24, 2018 Update: It's happening now.... NSG's Stephen Shachtman's "Arkansas A" is being installed at it’s new home by the Southwest Community Center in Little Rock, Arkansas.
​
Thanks to the City of Little Rock for the installation help, and Sculpture at the River Market for the placement.

At the heart of the three forms is a sphere representing the community. The #Steel/#Bronze portion of the “A” represents #Arkansas while the pieces of the #sandstone sphere make up its people. 

April 24, 2018 Update: It's happening now.... Arkansas A is being installed at it’s new home by the Southwest Community Center in Little Rock, Arkansas. ​ Thanks to the City of Little Rock for the installation help, and Sculpture at the River Market for the placement.
April 24, 2018 Update: It's happening now.... Arkansas A is being installed at it’s new home by the Southwest Community Center in Little Rock, Arkansas. ​ Thanks to the City of Little Rock for the installation help, and Sculpture at the River Market for the placement.
April 24, 2018 Update: It's happening now.... Arkansas A is being installed at it’s new home by the Southwest Community Center in Little Rock, Arkansas. ​ Thanks to the City of Little Rock for the installation help, and Sculpture at the River Market for the placement.
4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people. Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people. Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
April 21, 2018 Update: NSG's Stephen Shachtman’s #ArkansasA is loaded up and heading to it’s new home in Little Rock, Arkansas. Stay tuned for pics of the installation next week.
April 21, 2018 Update: NSG's Stephen Shachtman’s #ArkansasA is loaded up and heading to it’s new home in Little Rock, Arkansas. Stay tuned for pics of the installation next week.
10/25/17 Update: Fabrication is nearing completion. We will be heading to Little Rock for installation soon.
10/25/17 Update: Fabrication is nearing completion. We will be heading to Little Rock for installation soon. 4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people. Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
10/25/17 Update: Fabrication is nearing completion. We will be heading to Little Rock for installation soon. 4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people. Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
10/25/17 Update: Fabrication is nearing completion. We will be heading to Little Rock for installation soon. 4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people. Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
10/25/17 Update: Fabrication is nearing completion. We will be heading to Little Rock for installation soon. 4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people. Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
10/25/17 Update: Fabrication is nearing completion. We will be heading to Little Rock for installation soon. 4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people. Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
10/25/17 Update: Fabrication is nearing completion. We will be heading to Little Rock for installation soon. 4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people. Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.

4/23/17: We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center.

This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result.

The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers.

At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion of its people.

Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. 

I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
Stephen Shachtman, National Sculptors' Guild, Arkansas A. This sculpture represents a culmination of parts forming a stronger, more impactful unit as a result. The graphic nature of the sculpture is ideal for both ease of viewing while in motion and creating an iconic sculpture for the Community Center campus. Because this site incorporates so many activities and houses several public buildings, the convergence of this is represented in this form - a central piece acts as the hub of all the opportunities the campus offers. At the heart of the three steel forms is a sphere representing the community. The Steel/Bronze portion of the “A” represents Arkansas. While the individual pieces of the flagstone sphere make up my notion its people.
Stephen Shachtman, National Sculptors' Guild, Arkansas A, Fabricated in CorTen steel, with a Bronze cap at the point of each pillar. The tallest form measures approximately 16-feet high. The overall footprint will span approximately 10ft wide. The center sphere is composed of stacked flagstone pieces which create the stepped sphere form. (Not a perfect smooth sphere, but stepped to create sphere appearance.) The sphere structurally helps connect the three legs, which are then bolted into cement piers. I recommend contextualizing the artwork within the broader site by placing it in a large gravel circle of grey breeze, and planting karl foerster grasses within.
We're pleased to announce that NSG's Stephen Shachtman won this year's Sculpture at the River Market public art competition. Stay tuned to see it actualized and installed at the Southwest Community Center.
0 Comments

Little Rock's Central High Public Art - United

9/22/2017

1 Comment

 
09/22/2017 UPDATE: Honored to have seven of the Little Rock Nine at the Unveiling and Dedication of United by Clay Enoch and the National Sculptors' Guild at Central High School, Little Rock, AR. Clay states about the sculpture... “I wanted to try to shift the focus from the historical to the contemporary. There has been so much progress made. I wanted to create something that showed the strides that have been made -- something hopeful and uplifting.”   The design features allegorical figures with raised arms working to interlock their respective rings in the effort to be
09/22/2017 UPDATE: Honored to have seven of the Little Rock Nine at the Unveiling and Dedication of United by Clay Enoch and the National Sculptors' Guild at Central High School, Little Rock, AR.


United by Clay Enoch and the National Sculptors' Guild The 10-foot bronze commemorates the 60th Anniversary of the integration of Central High. Clay states about the sculpture... “I wanted to try to shift the focus from the historical to the contemporary. There has been so much progress made. I wanted to create something that showed the strides that have been made -- something hopeful and uplifting.”   The design features allegorical figures with raised arms working to interlock their respective rings in the effort to be
09/21/2017 UPDATE: We are in Little Rock for the installation of United by Clay Enoch and the National Sculptors' Guild The 10-foot bronze commemorates the 60th Anniversary of the integration of Central High. Clay states about the sculpture... “I wanted to try to shift the focus from the historical to the contemporary. There has been so much progress made. I wanted to create something that showed the strides that have been made -- something hopeful and uplifting.”   The design features allegorical figures with raised arms working to interlock their respective rings in the effort to be
"United" pictured with the installation team at Central High, Little Rock, AR
09/21/2017 UPDATE: We are in Little Rock for the installation of United by Clay Enoch and the National Sculptors' Guild The 10-foot bronze commemorates the 60th Anniversary of the integration of Central High.

Clay states about the sculpture... “I wanted to try to shift the focus from the historical to the contemporary. There has been so much progress made. I wanted to create something that showed the strides that have been made — something hopeful and uplifting.” 


The design features allegorical figures with raised arms working to interlock their respective rings in the effort to be "UNITED". Incomplete rings indicate that there is still progress to be made. A secondary narrative built on the surface of each figure demonstrates that both sides have a foundation of ideals spanning generations that must be transformed into building blocks toward something greater

The dedication for this important monument is Friday September 22nd at Central High School where additional commemorations are happening this month to recognize the 60th anniversary of the integration of Central High.
 click for more info


9/15/17 UPDATE: United by Clay Enoch and the National Sculptors' Guild was loaded onto the truck this morning and is on its way to Little Rock. The dedication for this important monument is Friday September 22nd at Central High School.  ​Clay Enoch and the National Sculptors' Guild's
09/15/17 UPDATE: United by Clay Enoch and the National Sculptors' Guild was loaded onto the truck this morning and is on its way to Little Rock. The 10-foot bronze will be installed next week. The dedication for this important monument is Friday September 22nd at Central High School.


04/25/16
​
Clay Enoch and the National Sculptors' Guild's "United" has been selected for the 2017 Public Monument installation for a site at the historic Central High School in Little Rock, Arkansas.
The winner was announced at the Sculpture at the River Market show Sunday at 3pm.

"Our similarities are more striking than our subtle differences"

Allegorical figures raise their arms to interlock their respective rings in the effort to be "UNITED". Incomplete rings indicate that there is still progress to be made. A secondary narrative demonstrates that both sides have a foundation of ideals spanning generations that must be transformed into building blocks toward something greater.


Clay Enoch National Sculptors' Guild UNITED selected for Central High School Little Rock Arkansas Public Art competition winner Our Similarities are more striking than our subtle Differences
Two identical allegorical figures with subtle racial differences face each other raising their arms to interlock their respective rings and create this "United" composition.  The rings are incomplete circles to indicate that there is still progress to be made in this endeavor. The figures face each other to symbolize the importance of removing preconceptions and discovering the reality that we are all the same and all deserve equal opportunities.

A secondary narrative is etched onto the surface of the figures to be discovered close-up. These smaller figures demonstrate that both sides have a foundation of ideals spanning generations that must be transformed into building blocks towards something greater. The blocks are mirror finished so that the viewer can see themselves in the piece and understand we each have a role to play in the continued efforts that began with the Civil Rights Movement. 
National Sculptors' Guild Clay Enoch's UNITED, the winner of Sculpture at the River Market's 2016 Monument Sculpture Commission Competition, to be installed on the grounds of Little Rock's Central High School next spring.
Rendering for UNITED by Clay Enoch
PictureAbbie Powers (left), an installation and performance artist, and sculptor Denny Haskew, both of Loveland, Colo., experiment with wrapping silk around a piece Sunday during the Sculpture at the River Market Show and Sale in Little Rock.

Art celebrates post-integration progress
Story published monday in LR demgazette...... By Jeannie Roberts Arkansas Democrat-Gazette
This article was published April 25, 2016 at 5:45 a.m.

PHOTO BY ARKANSAS DEMOCRAT-GAZETTE / MITCHELL PE MASILUN

Little Rock contest’s winner to sculpt piece marking 60 years since Central High crisis
Shifting the focus from the historical scar on Little Rock to the strides that have been made in the nearly 60 years since Central High School was integrated was the goal of this year’s winner of the 2016 Sculpture at the River Market competition.
National Sculptors' Guild fellow Clay Enoch of Colorado Springs, Colo., was named Sunday as the recipient of a public art commission for his proposed piece called United. The sculpture, which will be 10 feet, 2 inches tall and 6 feet wide, will be installed in 2017 on the grounds of Central High School to commemorate the 60th anniversary of the desegregation crisis. The state gained national attention when on Sept. 4, 1957, nine black students attempted to enter the high school but were turned away by the Arkansas National Guard and an angry mob. On Sept. 25, 1957, U.S. Army troops, under orders from President Dwight Eisenhower, escorted the “Little Rock Nine” through the mobs and into the high school, officially ending segregation for the state. Enoch’s piece, which he will compose from silicon bronze and structural stainless steel, depicts two figures working together to connect two circles. “The thing that struck me is the history is kind of ugly,” Enoch said. “I wanted to try to shift the focus from the historical to the contemporary. There has just been so much progress made. I wanted to create something that showed the strides that have been made — something hopeful and uplifting.” 

Enoch and two other finalists — Kathleen Caricof and Denny Haskew, both of Colorado — were selected from 28 submissions. “This is cliche, but you’d like to be able to give all three of them the commission to do all three pieces because they were all three superb in every way,” said Dean Kumpuris, the founder of Sculpture at the River Market and a member of the Little Rock Board of Directors. Little Rock Central Principal Nancy Rousseau said she was thrilled about the commissioned piece and is eager to have it installed. “There were so many good pieces,” she said. “They’re all timeless. All had great concepts.”
Joseph Wright, a Central High senior, said the many sculptures to commemorate the desegregation crisis were inspiring to him not only as a black student at the school, but also as an aspiring artist. “The name United and the sculpture is very fitting,” Wright said. “I’ve taken an art class at Central every year. Sculpting is a passion of mine.”

Artist Longhua Xu of Hot Springs said the subject of the competition was especially meaningful to him as a 1989 immigrant from Shanghai. His piece Freedom commemorates the Central High School integration with a clay, three-sided sculpture of three representative students. One is a girl with a book held in the air, balanced on the tips of her fingers like a bird to illustrate the heights to which an education can take her. Another is a black male student with a backpack and the word “Explore” chiseled behind him. The third is a female Chinese student with a pen and notebook in her hand with the word “Express” embossed behind her. The last is representative of Xu’s daughter, Ann Xu, a 2010 graduate of the Arkansas School for Mathematics, Sciences and the Arts in Hot Springs whom Gov. Asa Hutchinson appointed to the school’s Board of Visitors last year. “As an Asian-American, I had to teach her that she needs to speak up, to have her voice heard,” Longhua Xu said. “She wanted to be class president but said that you had to be popular, smart and white to get the spot. I told her to speak up. She became student body president. Now she’s in medical school at Baylor.”

More than 800 sculptures from 48 juried artists from around the nation were displayed at the RiverMarket pavilions during the two-day show. It was the ninth show organized by the Sculpture at the River Market committee, which commissions artwork and then donates it to the city to be placed in various locations around Little Rock. Last year’s winner, Michael Warrick’s Mockingbird Tree, was installed last week at the northwest corner of Chenal Parkway and Chenal Valley Drive.

1 Comment

Hippo Bench

7/11/2017

1 Comment

 
Update 8/28/2018: Our bronze Hippo #RoundBottomusHippopotamus by Tim Cherry Sculpture Designs has found its new home in Riverfront Park. Thanks Sculpture at the River Market and the City of Little Rock, AR #PublicArt #Bronze #Sculpture #Hippo #Bench #RiverfrontPark#LIttleRock #Art This is the National Sculptors' Guild's 499th monumental Public Art Placement!
Update 8/28/2018: Our bronze Hippo #RoundBottomusHippopotamus by NSG Fellow Tim Cherry has found its new home in Riverfront Park. Thanks Sculpture at the River Market and the City of Little Rock, AR #PublicArt #Bronze #Sculpture #Hippo #Bench #RiverfrontPark#LIttleRock #Art This is the National Sculptors' Guild's 499th monumental Public Art Placement!

Update 8/28/2018: Our bronze Hippo #RoundBottomusHippopotamus by Tim Cherry Sculpture Designs has found its new home in Riverfront Park. Thanks Sculpture at the River Market and the City of Little Rock, AR #PublicArt #Bronze #Sculpture #Hippo #Bench #RiverfrontPark#LIttleRock #Art This is the National Sculptors' Guild's 499th monumental Public Art Placement!
Update 8/28/2018: Our bronze Hippo #RoundBottomusHippopotamus by Tim Cherry Sculpture Designs has found its new home in Riverfront Park. Thanks Sculpture at the River Market and the City of Little Rock, AR #PublicArt #Bronze #Sculpture #Hippo #Bench #RiverfrontPark#LIttleRock #Art This is the National Sculptors' Guild's 499th monumental Public Art Placement!
Update 8/28/2018: Our bronze Hippo #RoundBottomusHippopotamus by Tim Cherry Sculpture Designs has found its new home in Riverfront Park. Thanks Sculpture at the River Market and the City of Little Rock, AR #PublicArt #Bronze #Sculpture #Hippo #Bench #RiverfrontPark#LIttleRock #Art This is the National Sculptors' Guild's 499th monumental Public Art Placement!
Update 8/28/2018: Our bronze Hippo #RoundBottomusHippopotamus by Tim Cherry Sculpture Designs has found its new home in Riverfront Park. Thanks Sculpture at the River Market and the City of Little Rock, AR #PublicArt #Bronze #Sculpture #Hippo #Bench #RiverfrontPark#LIttleRock #Art This is the National Sculptors' Guild's 499th monumental Public Art Placement!
Update 08/23/2018: Our Hippo friend Roundbottomus Hippopotamus #bronze by Tim Cherry took a snooze under #BlueNorth in the National Sculptors' Guild #sculpturegarden after a busy summer greeting people and enjoying the great amenities at Embassy Suites by Hilton Loveland Hotel Conference Center & Spa. She’s now ready for a drive to her new home in #LittleRock thanks to Sculpture at the River Market
.
You can see we are delivering some Little (big) Rocks to Little Rock too and our #zen tea master #Sculpture Afternoon Sun by Dee Clements is joining them. Plus a few paintings. Thanks for loving Art Little Rock, Arkansas!
.
#RoadTrip #SculptureDelivery #MonumentalSculpture #PublicArt#FeedYourCreativeSpirit #LiveWithArt #NSG #Installation #HippoLove #TimCherry
Update 08/23/2018: 
Our Hippo friend Roundbottomus Hippopotamus #bronze by Tim Cherry took a snooze under #BlueNorth in the National Sculptors' Guild #sculpturegarden after a busy summer greeting people and enjoying the great amenities at Embassy Suites by Hilton Loveland Hotel Conference Center & Spa. She’s now ready for a drive to her new home in #LittleRock thanks to Sculpture at the River Market
.
You can see we are delivering some Little (big) Rocks to Little Rock and our #zen tea master #Sculpture Afternoon Sun by Dee Clements is joining them. Plus a few paintings. Thanks for loving Art Little Rock, Arkansas!
.
#RoadTrip #SculptureDelivery #MonumentalSculpture #PublicArt#FeedYourCreativeSpirit #LiveWithArt #NSG #Installation #HippoLove #TimCherry
Update 08/23/2018: 
Our Hippo friend Roundbottomus Hippopotamus #bronze by Tim Cherry took a snooze under #BlueNorth in the National Sculptors' Guild #sculpturegarden after a busy summer greeting people and enjoying the great amenities at Embassy Suites by Hilton Loveland Hotel Conference Center & Spa. She’s now ready for a drive to her new home in #LittleRock thanks to Sculpture at the River Market
.
You can see we are delivering some Little (big) Rocks to Little Rock and our #zen tea master #Sculpture Afternoon Sun by Dee Clements is joining them. Plus a few paintings. Thanks for loving Art Little Rock, Arkansas!
.
#RoadTrip #SculptureDelivery #MonumentalSculpture #PublicArt#FeedYourCreativeSpirit #LiveWithArt #NSG #Installation #HippoLove #TimCherry
Update 08/23/2018: 
Our Hippo friend Roundbottomus Hippopotamus #bronze by Tim Cherry took a snooze under #BlueNorth in the National Sculptors' Guild #sculpturegarden after a busy summer greeting people and enjoying the great amenities at Embassy Suites by Hilton Loveland Hotel Conference Center & Spa. She’s now ready for a drive to her new home in #LittleRock thanks to Sculpture at the River Market
.
You can see we are delivering some Little (big) Rocks to Little Rock and our #zen tea master #Sculpture Afternoon Sun by Dee Clements is joining them. Plus a few paintings. Thanks for loving Art Little Rock, Arkansas!
.
#RoadTrip #SculptureDelivery #MonumentalSculpture #PublicArt#FeedYourCreativeSpirit #LiveWithArt #NSG #Installation #HippoLove #TimCherry
Update 08/23/2018: 
Our Hippo friend Roundbottomus Hippopotamus #bronze by Tim Cherry took a snooze under #BlueNorth in the National Sculptors' Guild #sculpturegarden after a busy summer greeting people and enjoying the great amenities at Embassy Suites by Hilton Loveland Hotel Conference Center & Spa. She’s now ready for a drive to her new home in #LittleRock thanks to Sculpture at the River Market
.
You can see we are delivering some Little (big) Rocks to Little Rock and our #zen tea master #Sculpture Afternoon Sun by Dee Clements is joining them. Plus a few paintings. Thanks for loving Art Little Rock, Arkansas!
.
#RoadTrip #SculptureDelivery #MonumentalSculpture #PublicArt#FeedYourCreativeSpirit #LiveWithArt #NSG #Installation #HippoLove #TimCherry
Update 08/23/2018: 
Our Hippo friend Roundbottomus Hippopotamus #bronze by Tim Cherry took a snooze under #BlueNorth in the National Sculptors' Guild #sculpturegarden after a busy summer greeting people and enjoying the great amenities at Embassy Suites by Hilton Loveland Hotel Conference Center & Spa. She’s now ready for a drive to her new home in #LittleRock thanks to Sculpture at the River Market
.
You can see we are delivering some Little (big) Rocks to Little Rock and our #zen tea master #Sculpture Afternoon Sun by Dee Clements is joining them. Plus a few paintings. Thanks for loving Art Little Rock, Arkansas!
.
#RoadTrip #SculptureDelivery #MonumentalSculpture #PublicArt#FeedYourCreativeSpirit #LiveWithArt #NSG #Installation #HippoLove #TimCherry
Update 08/23/2018: 
Our Hippo friend Roundbottomus Hippopotamus #bronze by Tim Cherry took a snooze under #BlueNorth in the National Sculptors' Guild #sculpturegarden after a busy summer greeting people and enjoying the great amenities at Embassy Suites by Hilton Loveland Hotel Conference Center & Spa. She’s now ready for a drive to her new home in #LittleRock thanks to Sculpture at the River Market
.
You can see we are delivering some Little (big) Rocks to Little Rock and our #zen tea master #Sculpture Afternoon Sun by Dee Clements is joining them. Plus a few paintings. Thanks for loving Art Little Rock, Arkansas!
.
#RoadTrip #SculptureDelivery #MonumentalSculpture #PublicArt#FeedYourCreativeSpirit #LiveWithArt #NSG #Installation #HippoLove #TimCherry
Update 12/07/2017: Tim Cherry has finished Roundbottomus Hippopotamus in a beautiful Pat Kipper patina. The first in the edition was commissioned through the National Sculptors' Guild for the City of Little Rock, Arkansas and will be installed in the spring once the site is ready. The sculpture is designed to be played on and around, placed directly on the ground, bands of different colors of concrete will surround the bronze to give the sense of rings of water. The donor has named her "Annaba" after the modern city built over the ruins of Hippo Regius in Algeria, Africa where their father spent time in the 1940s.
Want one of your own? click here
Update 12/07/2017: Tim Cherry has finished Roundbottomus Hippopotamus in a beautiful Pat Kipper patina. The first in the edition was commissioned through the National Sculptors' Guild for the City of Little Rock, Arkansas and will be installed in the spring once the site is ready. The sculpture is designed to be played on and around, placed directly on the ground, bands of different colors of concrete will surround the bronze to give the sense of rings of water. The donor has named her
Tim Cherry and The National Sculptors' Guild is working on a fun placement with Tim Cherry. A Hippo Bench for Little Rock, AR. The bronze sculpture will depict a hippo wading in water - in a shape and size that invites interaction - seating and playing on/around. Measuring approximately 6x3ft.  Stay tuned for images as we progress.
Update 07/11/2017: Tim Cherry has been sculpting the Hippo that will head to Little Rock. The finished clay is shown here.
#WIP coming soon.... The National Sculptors' Guild is working on a fun placement with Tim Cherry. A Hippo Bench for Little Rock, AR.initial clay sketch
7/26/2016   #WIP coming soon.... The National Sculptors' Guild is working on a fun placement with Tim Cherry. A Hippo Bench for Little Rock, AR. The bronze sculpture will depict a hippo appearing to be wading in water - in a shape and size that invites interaction - seating and playing on/around. Measuring approximately 6x3ft.

Stay tuned for images as we progress.

1 Comment

Vogel Schwartz Garden Grows

6/20/2017

0 Comments

 
The Vogel Schwartz Sculpture Garden is expanding to showcase additional artwork acquired through proceeds from the Sculpture at the River Market Exhibit. Quickly outgrown, the additional space will allow for more than a dozen sculpture placements. To start, NSG has placed Jane DeDecker's Shortcuts, Lil' Sis; Leo Osborne's Of Grace, a Dan Ostermiller bear - Le Grand Pere; and Big Bill by Tim Cotterill (the Frogman)
Click here to see more of the garden and artwork
​

The sculpture garden features natural terraces and walkways designed by City of Little Rock's Leland Couch, Mark Webre & National Sculptors' Guild's John Kinkade. The design creates a more intimate space to view smaller works within the Riverfront Park and is ideal for hosting receptions, as well as, allowing visitors to enjoy the sculptures in solitude. The sculpture garden is located northeast of The Marriott in Riverfront Park and is just one stop of many public art placements along the Arkansas river to enjoy artist's sculptures from across the nation. ‪#‎SculptureGarden‬ ‪#‎ArkansasArt‬ ‪#‎RiverfrontPark
Jane DeDecker's Shortcut in the expanded Vogel Schwartz Sculpture Garden The Vogel Schwartz Sculpture Garden is expanding to showcase additional artwork acquired through proceeds from the Sculpture at the River Market Exhibit. Quickly outgrown, the additional space will allow for more than a dozen sculpture placements. To start, NSG has placed Jane DeDecker's Shortcuts, Lil' Sis; Leo Osborne's Of Grace, a Dan Ostermiller bear - Le Grand Pere; and Big Bill by Tim Cotterill (the Frogman) Click here to see more of the garden and artwork ​ The sculpture garden features natural terraces and walkways designed by City of Little Rock's Leland Couch, Mark Webre & National Sculptors' Guild's John Kinkade. The design creates a more intimate space to view smaller works within the Riverfront Park and is ideal for hosting receptions, as well as, allowing visitors to enjoy the sculptures in solitude. The sculpture garden is located northeast of The Marriott in Riverfront Park and is just one stop of many public art placements along the Arkansas river to enjoy artist's sculptures from across the nation. ‪#‎SculptureGarden‬ ‪#‎ArkansasArt‬ ‪#‎RiverfrontPark
Jane DeDecker's Shortcut
The Vogel Schwartz Sculpture Garden is expanding to showcase additional artwork acquired through proceeds from the Sculpture at the River Market Exhibit. Quickly outgrown, the additional space will allow for more than a dozen sculpture placements. To start, NSG has placed Jane DeDecker's Shortcuts, Lil' Sis; Leo Osborne's Of Grace, a Dan Ostermiller bear - Le Grand Pere; and Big Bill by Tom Cotterill (the Frog man) Click here to see more of the garden and artwork ​ The sculpture garden features natural terraces and walkways designed by City of Little Rock's Leland Couch, Mark Webre & National Sculptors' Guild's John Kinkade. The design creates a more intimate space to view smaller works within the Riverfront Park and is ideal for hosting receptions, as well as, allowing visitors to enjoy the sculptures in solitude. The sculpture garden is located northeast of The Marriott in Riverfront Park and is just one stop of many public art placements along the Arkansas river to enjoy artist's sculptures from across the nation. ‪#‎SculptureGarden‬ ‪#‎ArkansasArt‬ ‪#‎RiverfrontPark
Tim Cotterill's Big Bill
National Sculptors' Guild and Jane DeDecker's Lil Sis in the expanded Vogel Schwartz Sculpture Garden
Jane DeDecker's Lil' Sis
0 Comments

10th Anniversary Sculpture at the River Market

4/20/2017

0 Comments

 
When Dean Kumpuris asked John Kinkade and the National Sculptors' Guild to establish an outdoor sculpture show for Little Rock ten years ago; we didn't anticipate how much fun we'd have in the process. For a weekend every year downtown Little Rock has become home for the Guild, the people embrace us as much as they do the Arts, and show this appreciation in a huge way at Sculpture at the River Market. So much so that we have artists that don't typically do the show circuit make an exception for this top notch show. John continues to serve as the show's consultant. ​ We love hitting our favorite cultural highlights like The Museum of Discovery, the William J Clinton Library and Museum, grabbing a bite at the Little Rock River Market, Sonny Williams, The Flying Fish, or indulging in a pint at The Flying Saucer, or a drink at Big Whiskey's; and maybe go a bit off the beaten path to Copper Grill. If you have not experienced Little Rock, this is just a small sampling of what they offer.   Several NSG members are in Little Rock preparing for the start of the 10th Annual show. If you are in the Little Rock area, we hope you'll stop by... click here for the schedule of events
When Dean Kumpuris asked John Kinkade and the National Sculptors' Guild to establish an outdoor sculpture show for Little Rock ten years ago; we didn't anticipate how much fun we'd have in the process. For a weekend every year downtown Little Rock has become home for the Guild, we've found the people embrace us as much as they do the Arts, and show this appreciation in a huge way at Sculpture at the River Market. So much so, that we have artists that don't typically do the show circuit make an exception for this top notch show. John continues to serve as the show's consultant.

When Dean Kumpuris asked John Kinkade and the National Sculptors' Guild to establish an outdoor sculpture show for Little Rock ten years ago; we didn't anticipate how much fun we'd have in the process. For a weekend every year downtown Little Rock has become home for the Guild, we've found the people embrace us as much as they do the Arts, and show this appreciation in a huge way at Sculpture at the River Market. So much so, that we have artists that don't typically do the show circuit make an exception for this top notch show. John continues to serve as the show's consultant.
We love hitting our favorite cultural highlights like The Museum of Discovery, the William J Clinton Library and Museum, grabbing a bite at the Little Rock River Market, Sonny Williams, The Flying Fish, or indulging in a pint at The Flying Saucer, or a drink at Big Whiskey's; and maybe go a bit off the beaten path to Copper Grill. If you have not experienced Little Rock, this is just a small sampling of what they offer. 
​
Several NSG members are in Little Rock preparing for the start of the 10th Annual show. If you are in the Little Rock area, we hope you'll stop by... 
click here for the schedule of events

Since our first Little Rock placements in 2004 for the pedestrian entry to the Clinton Center, the Guild has placed over 30 monuments and numerous smaller works with the City of Little Rock. These public art placements are made possible with private funds and proceeds from the Sculpture at the River Market show. The enthusiasm the city has for the Arts is palpable and we hope it spreads to other communities. ​
We have 4 of the 7 finalists in this year's public art competition for the city. Vote for your favorite at the preview party April 21st, click here to purchase tickets. Sculpture at the River Market National Sculptors' Guild
We have 4 of the 7 finalists in this year's public art competition for the city. Vote for your favorite at the preview party April 21st..., click here to purchase tickets. Or visit the River Market Saturday and Sunday to see whose proposal won. ​
0 Comments
<<Previous
    Picture
    Check out our placements on Wescover, find art close to you.

    JK Designs, Inc.

    JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to 
    over 40 contracted sculptors and painters, displayed year-round at Columbine Gallery;  plus an extended network of over 200 artists that our design team works with on a regular basis to meet each project's unique needs.

    Archives

    January 2023
    December 2022
    November 2022
    September 2022
    August 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    November 2021
    September 2021
    July 2021
    June 2021
    May 2021
    February 2021
    January 2021
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    July 2018
    April 2018
    February 2018
    January 2018
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    July 2014
    April 2014
    June 2013
    March 2013
    June 2012
    March 2011
    December 2010
    July 2010
    June 2010
    May 2010
    December 2009
    November 2009
    October 2009
    September 2009
    August 2009
    July 2009
    June 2009
    December 2008
    October 2006
    November 2004
    July 2004
    October 2003
    February 2002
    January 2002
    June 2001
    December 1997
    October 1997
    August 1997
    June 1997
    January 1997
    November 1996
    July 1996
    May 1996
    April 1996
    November 1995
    October 1995
    September 1995
    August 1995
    July 1995
    June 1995
    April 1995
    March 1995
    August 1994
    June 1994
    May 1994
    April 1994
    March 1993
    February 1993
    January 1993

    Categories

    All
    Advanced Aquatics
    Alaska
    Alsum
    Arizona
    Arkansas
    Art Fair
    Augenstein
    Award
    Barlock
    Betti
    Biggers
    Bond
    Boulder
    Box
    Bronze
    California
    Call For Artist
    Campbell
    Caricof
    Chapel
    Cherry
    Children's Hospital
    Clements
    Clinton
    Colorado
    ColorInTheWings
    Community Center
    Davis
    DeDecker
    Denver
    Design
    Downey
    Edmond
    Enoch
    Events
    Feature
    Figurative
    Figure
    Florida
    Fort Collins
    Fountain
    Garden Art
    Gateway
    Georgia
    Glanz
    Gold
    Governors Art Show
    Grand Junction
    Greeley
    Greg Hebert Landscape Architect
    Haskew
    Hill
    Historic
    IAFF
    Idaho
    Illinois
    Indiana
    Install
    Intimate Garden
    Introductory
    Jackson Hole
    JK Designs
    Kentucky
    Kids
    Kinkade
    Leichliter
    Linke
    Little Rock
    Living With Art
    Loveland
    Mascot
    Master Plan
    McLeod
    Memorial
    Michigan
    Mignery
    Military Memorial
    Minnesota
    Missouri
    Monument
    National Sculptors' Guild
    Nebraska
    Nelson
    New Jersey
    New Mexico
    News
    Norman
    NSG
    Obelisk
    Ohio
    Oklahoma
    Omaha
    Public Art
    Rambadt
    Religious
    Residential
    Rosetta
    Salge
    San Diego
    Sandy Scott
    San Luis Obispo
    Sculpture
    Shachtman
    Sharles
    Southlake
    Southwest Art
    Stainless Steel
    Texas
    Ullberg
    Virginia
    Wall Art
    Warrick
    Washington
    Whimsical
    Whitehouse
    Wildlife
    World Trade Center
    Wyoming
    YMCA

    RSS Feed

JK Designs, Fine Art Consultation since 1992 Our purpose is to champion a community of artists and to serve as a bridge between these artists and the public. We approach all aspects as a team which offers the client a wide variety of creative solutions to fulfill each unique need. Our primary goal is to allow the artists to stick to their strength - creating great artwork. We also coordinate the many aspects involved in completing large-scale projects.
Specialists in Public Art Since 1992
970-667-2015  W-Sat 11-4