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Freedom in Whittier, California

9/15/2021

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"Freedom" by Jane DeDecker and the National Sculptors' Guild is installed at York Field Sports Complex.
Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities. This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting. "Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
Please join us at York Field for the dedication of
Please join us at York Field for the dedication of "Freedom" by Jane DeDecker and the National Sculptors' Guild on September 16, 2021 at 1 p.m. 9110 Santa Fe Springs Road, Whittier, CA 90606.

The City of Whittier selected this bronze sculpture for its public art program in December of 2020. We're set to install mid-September.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
Picture
Update 8/3/2021: 
"Freedom" is cast and awaiting the site to be prepped. We temporarily have it on display in the NSG garden during our 29th Annual Show.

We'll install in Whittier, California in a just a few weeks. Make sure if you're in Northern Colorado that you get a peek before it leaves.
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place "Freedom" at York Field Sports Complex. The multi-figure bronze sculpture will be placed in the large planter located between the ballpark and playground adjacent the parking lot.

​The sculpture will be installed in late-summer 2021.
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Clay enlargement in progress
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place


#PublicArt #JaneDeDecker #NationalSculptorsGuild #NSG #Whittier #California #YorkFieldSportsComplex #Freedom #KidsAtPlay #Baseball #Softball #DogArt #Bronze #Sculpture
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Gary Alsum's Mother Cabrini

9/2/2021

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Just completed our installation of Gary Alsum's bronze
We just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Thanks everyone who helped make this placement a success!
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
UPDATE 8/15/21: Looking pretty finished in bronze with a fresh patina at Bronze Services of Colorado UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
UPDATE 8/15/21: Looking pretty finished in bronze with a fresh patina at Bronze Services of Colorado
Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.Conceptual rendering of proposed Mother Cabrini sculpture,
UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado.  Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. 

About Cabrini... 
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Process, from maquette to cast bronze enlargement

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.
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Paramount's Event Horizon

9/1/2021

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Event Horizon by Mark Leichliter, National Sculptors' Guild We're heading to Paramount, California again soon, the city has just selected Mark Leichliter's Event Horizon for a placement in Para​mount's Progress Park. The 7-foot stainless steel sculpture will join some of our past placements in the same park. The installation is planned for later this year. Event Horizon by Mark Leichliter, National Sculptors' Guild
We're heading to Paramount, California again soon, the city has just selected Mark Leichliter's Event Horizon for a placement in Para​mount's Progress Park. The 7-foot stainless steel sculpture will join some of our past placements in the same park. The installation is planned for later this year.

"The concept behind the sculpture has to do with the theorized existence of a gravitational border around a black hole beyond which nothing can escape. I wondered what it might look like to see something torn apart but not completely consumed by the black hole; what might the remnants look like as they were spun off into space?"

#NationalSculptorsGuild #NSG #PublicArt #SculptureIsATeamSport #ArtistDriven #ClientMinded
Event Horizon by Mark Leichliter, National Sculptors' Guild We're heading to Paramount, California again soon, the city has just selected Mark Leichliter's Event Horizon for a placement in Para​mount's Progress Park. The 7-foot stainless steel sculpture will join some of our past placements in the same park. The installation is planned for later this year.
Proposed placement of Event Horizon by Mark Leichliter, National Sculptors' Guild
Event Horizon by Mark Leichliter, National Sculptors' Guild We're heading to Paramount, California again soon, the city has just selected Mark Leichliter's Event Horizon for a placement in Para​mount's Progress Park. The 7-foot stainless steel sculpture will join some of our past placements in the same park. The installation is planned for later this year.
Proposed placement of Event Horizon by Mark Leichliter, National Sculptors' Guild
Event Horizon by Mark Leichliter, National Sculptors' Guild We're heading to Paramount, California again soon, the city has just selected Mark Leichliter's Event Horizon for a placement in Para​mount's Progress Park. The 7-foot stainless steel sculpture will join some of our past placements in the same park. The installation is planned for later this year.
Proposed placement of Event Horizon by Mark Leichliter, National Sculptors' Guild
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Two new placements in Downey, CA

7/9/2021

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The sculptures are in! The National Sculptors' Guild installed
The sculptures are in! The National Sculptors' Guild installed "In the Wings" by Jane DeDecker and Alyson Kinkade, and "The Conductor" by Jane DeDecker at the Downey Theatre plaza yesterday. We so enjoy working with the City of Downey as they continue to grow their public art collection. Special thanks to Capitol Crane for lifting the custom stone bases from Tribble Stone over Embassy Suites' wall; it was quite a feat. The dancer's tutus add a splash of color, and the conductor's flair enlivens the space.
The sculptures are in! The National Sculptors' Guild installed
The sculptures are in! The National Sculptors' Guild installed
These smaller works accompany the Fountain feature "Tree of Life" by Clay Enoch that the Guild previously installed. Additional sculptures are planned for the near future, and seating will allow guests to the theatre to enjoy the surrounding beauty of the plaza.
The sculptures are in! The National Sculptors' Guild installed
​
Material shortages and covid shutdowns delayed this installation. We are thrilled to have it them in place as a display of the return to post-pandemic life. We can't wait to see the plaza filled with theater-goers.

NSG Public Art Placements #532 & 533

#NationalSculptorsGuild #NSG #PublicArt #SculptureIsATeamSport #ArtistDriven #ClientMinded
#JaneDeDecker #AlysonKinkade #InTheWings #Conductor #DowneyTheatre #CityOfDowney #DowneyCA
Two new pieces will be placed at the Theatre Plaza Sculpture Garden.
Two new pieces will be placed at the Theatre Plaza Sculpture Garden.
10/27/2020: Two new pieces will be placed at the Theatre Plaza Sculpture Garden. "In the Wings" by Jane DeDecker and Alyson Kinkade, and "The Conductor" by Jane DeDecker. These smaller artworks join Clay Enoch's "Tree of Life" fountain in the center of the Downey Theatre Plaza.

There are plans for additional placements in the near future that will depict the varied performing arts for the Theatre Plaza Sculpture Garden. From musicians and actors; to dancers and comics; these sculpted entertainers will activate the space. Below is a suggested plan, each work is subject to change.
Two new pieces will be placed at the Theatre Plaza Sculpture Garden.
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Synergy Little Rock, AR

6/21/2021

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Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy
Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy
Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy
Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy
Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! 

We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out.

Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured below)
Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing
Fabrication of the sculpture was with Western Steel and Boiler in Denver. And we worked with Fulton Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the artwork. ​
Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing
Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing
As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation.
Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing
NSG Public Art Installation #531
​
#NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock
#WestCentralCommunityCenter #Synergy #ArtistDriven #ClientMinded
Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR. ​
5/15/2020: Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR.
​
"The West Central Community Center is a place where people come and go on an everyday basis to enjoy everything the center has to offer. The inspiration for this sculpture is to express the motion of the activities which take place in the Center and the connection it makes among community members. Designed with energy, this tall metal sculpture shows the excitement of the expression of motion. These forms, as simple as they might look, depict the complex movements of athletes and the togetherness of a lively community.

​Standing tall, and easy to see, Caricof’s bright sculpture is perfectly suited as a landmark for the nearby pickup and drop off spot by the West Central Community Center’s entrance.”

Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR. ​
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Macro/Micro Discoveries at Surprise Lake Middle School

6/16/2021

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Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place Macro/Micro Discoveries by Clay Enoch and the National Sculptors' Guild
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year.

“Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery.

This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination.

Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shown by a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks.

The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, and explore how they may relate to the figures that are depicted.
Enlargement:
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Maquette:
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
Clay Enoch and the National Sculptors' Guild were selected by Washington State Arts Commission to place "Macro/Micro Discoveries" at the new Surprise Lake Middle School in Milton, Washington. The sculpture is planned for installation later this year. “Macro/Micro Discoveries” is a statement about the explorative nature of learning, where new worlds open up, big and small, with a simple shift in perspective. The student body is represented by two bronze figures. Glass elements symbolize the abstract subject. The figures are united by a stainless steel architectural frame, the window to the worlds of discovery. This unique composition meets the committee’s desires for the project: bringing excitement and interest for education, being relatable to students, encouraging interaction and gatherings, playing on dynamics of gravity, relating to nature, and inspiring the imagination. Macro is depicted by a young boy telescopically looking through a cylinder at the broader universe. Micro shows a young girl investigating a cube within a cube. The use of geometry in the forms further ties to learning from nature's building blocks. The frame of the sculpture invites students to become part of the composition, gather around it, take selfies, explore how they may relate to the figures that are depicted. Multiple gender and races are represented to embrace diversity and inclusion.
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Protect in Tulsa, OK

6/9/2021

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Joe Norman's
Joe Norman's "Protect" is earmarked for placement in front of the City of Tulsa's Fire Department 33. The 8-ft tall stainless steel sculpture depicts the silhouette of a firefighter from one angle, and the word protect from another. The National Sculptors' Guild's proposal of Norman's work was selected from an open call to artists to place "Protect".
Joe Norman's
Our initial approach for this site is to place a free-standing sculpture from Norman's word play series activating as much of the site as possible. The iconic sculpture will be fabricated from stainless steel,
with one side painted in durable epoxy paint to tie into the building's aesthetic. The first thing that comes to mind for us when thinking about a fire-fighter is the word "Protect" so that word is viewed from one direction. The other perspective shows the silhouette of a fire-fighter approaching their call to action.
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A little bit of magic for Little Rock

6/1/2021

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Craig Campbell and the National Sculptors' Guild will be placing a new bronze in the Little Rock, Arkansas public art collection,
Craig Campbell and the National Sculptors' Guild will be placing a new bronze in the Little Rock, Arkansas public art collection, "Abracadabra" will soon add a bit more magic to the area.

This sculpture depicts an aspiring Magician whimsically practicing his tricks for an attentive audience of his dog, a mouse, and a stuffed bunny. My inspiration in creating Abracadabra is as a reminder that there is a power greater than us all and it is important to look for the “magic” in everything. In this piece I set out to create a fun, approachable, engaging monument to the simple joys of life, and the belief that with friends, focus, practice, and perhaps a bit of magic we can overcome all difficulties.

A smile can be contagious! Abracadabra is meant to spread a bit of happiness and hopefully share a smile with all who engage with it.
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Paramount Commemorative Ratification Flag

5/25/2021

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Jane DeDecker and the National Sculptors' Guild have been selected to create a Commemorative Sculpture honoring the ratification of the 19th Amendment & Paramount's 2020 election of an all-female City Council for the City of Paramount, California. The 12-ft high bronze sculpture will be placed in Progress Park later this year.
Jane DeDecker and the National Sculptors' Guild have been selected to create a Commemorative Sculpture honoring the ratification of the 19th Amendment & Paramount's 2020 election of an all-female City Council for the City of Paramount, California.

​The 12-ft high bronze sculpture will be placed in Progress Park later this year.
​In 1919, the National Woman's Party led by Alice Paul began sewing stars on a giant purple, white, and gold flag. Each time a state ratified the Nineteenth Amendment, a new star would be sewn on the flag. Inspired by the Suffrage Movement flag of the early 1900's, we propose the flag be placed singularly as a monolithic form sculpted in bronze. This sculpture honors the 100 year commemoration of the ratification of the 19th Amendment: Women's right to vote. It also represents the present day progress, and serves as a reminder of the continued efforts being made toward equality. This commemorative placement honoring women's rights is particularly fitting for the City of Paramount as they celebrate its 2020 election of an all-female City Council. ​The Flag Complete. Alice Paul Unfurls the Ratification Flag with 36 Stars. National Photo Co., Washington, D. C.
​In 1919, the National Woman's Party led by Alice Paul began sewing stars on a giant purple, white, and gold flag. Each time a state ratified the Nineteenth Amendment, a new star would be sewn on the flag. 

Inspired by the Suffrage Movement flag of the early 1900's, we propose the flag be placed singularly as a monolithic form sculpted in bronze. This sculpture honors the 100 year commemoration of the ratification of the 19th Amendment: Women's right to vote. It also represents the present day progress, and serves as a reminder of the continued efforts being made toward equality. 
​

This commemorative placement honoring women's rights is particularly fitting for the City of Paramount as they celebrate its 2020 election of an all-female City Council. ​
Wording to be included on the back: “In commemoration of the ratification of the 19th Amendment to the United States Constitution on August 18, 1920 that provided all women of our nation with the right to vote. Upon this Centennial, the City of Paramount celebrates its 2020 election of an all-female City Council, only the fifth such Council in the history of the State of California. The City’s record of inclusiveness dates back to its incorporation in 1957 when Gladys Iliff was elected to the first City Council and named Paramount’s first Vice Mayor. Councilmember Isabel Aguayo Councilmember Laurie Guillen Councilmember Vilma Cuellar Stallings Vice Mayor Brenda Olmos Mayor Peggy Lemons Wording to be included on the back
 “In commemoration of the ratification of the 19th Amendment to the United States Constitution on August 18, 1920 that provided all women of our nation with the right to vote. Upon this Centennial, the City of Paramount celebrates its 2020 election of an all-female City Council, only the fifth such Council in the history of the State of California. The City’s record of inclusiveness dates back to its incorporation in 1957 when Gladys Iliff was elected to the first City Council and named Paramount’s first Vice Mayor.

Councilmember Isabel Aguayo
Councilmember Laurie Guillen
Councilmember Vilma Cuellar Stallings
Vice Mayor Brenda Olmos
Mayor Peggy Lemons

"The best protection any woman can have... is courage."
—Elizabeth Cady Stanton, chief philosopher of the woman’s suffrage movement”
Jane has already begun sculpting the front of the flag as it is part of the composition for the National Women's Suffrage Monument. ​Working off of a wax from the mold of the study for the Washington DC Memorial, the maquette gives an idea of how the flag will look. We are suggesting that the 19th Amendment go on the detailed side of the ratification flag and narrative for Paramount go on the other side where there is more room. She has put wording on the model, but on the enlargement the text will be smaller and more contained as detailing will be easier to achieve on the larger piece. The stars will be on only one side of the banner as historically this was how it was created. The narrative for the city will go on the flattest area of the side without stars. We may also want to have a plaque elsewhere on the plaza explaining the significance of the flag and its 36 stars.Jane in her studio with a replica flag sewn by her sisters.
Jane has already begun sculpting the front of the flag as it is part of the composition for the National Women's Suffrage Monument.

​Working off of a wax from the mold of the study for the Washington DC Memorial, the maquette gives an idea of how the flag will look. 

We are suggesting that the 19th Amendment go on the detailed side of the ratification flag and narrative for Paramount go on the other side where there is more room. She has put wording on the model, but on the enlargement the text will be smaller and more contained as detailing will be easier to achieve on the larger piece. 

The stars will be on only one side of the banner as historically this was how it was created. The narrative for the city will go on the flattest area of the side without stars. We may also want to have a plaque elsewhere on the plaza explaining the significance of the flag and its 36 stars.

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62nd Winter Park Sidewalk Art Festival

5/14/2021

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J.K. Designs' Principal and Executive Director of the National Sculptors' Guild's John Kinkade will be in Winter Park, Florida for the long anticipated judging of the 62nd Winter Park Sidewalk Art Festival. The festival was cancelled last year due to the Corona Virus, so the artists who were juried in were invited back to exhibit this year. These artist's are eager to show and sell their creations: while John and the two other judges are excited to select and present the 63 artist awards that total $74,500. ​John is honored to have been invited to judge this exceptional art festival and we hope those in the area will get a chance to view the exhibit, plus experience the many other activities offered, like Music and Food, the Children’s Workshop and the Leon Theodore Schools Exhibit.... click here to learn more.
J.K. Designs' Principal and Executive Director of the National Sculptors' Guild's John Kinkade will be in Winter Park, Florida for the long anticipated judging of the 62nd Winter Park Sidewalk Art Festival. The festival was cancelled last year due to the Corona Virus, so the artists who were juried in were invited back to exhibit this year. These artist's are eager to show and sell their creations: while John and the two other judges are excited to select and present the 63 artist awards that total $74,500. 

​John is honored to have been invited to judge this exceptional art festival and we hope those in the area will get a chance to view the exhibit, plus experience the many other activities offered, like Music and Food, the Children’s Workshop and the Leon Theodore Schools Exhibit.... click here to learn more.
Where: In Central Park and along Park Avenue in Winter Park, FL When: May 14, 15, 16, 2021 Hours: 9 a.m. – 6 p.m., Friday and Saturday; 9 a.m. – 5 p.m., Sunday ​ The Winter Park Sidewalk Art Festival is one of the nation’s oldest, largest and most prestigious outdoor art festivals. The Festival debuted in March 1960 as a community project to bring local artists and art lovers together. It is produced by an all-volunteer board and draws more than 350,000 visitors each year. Over 1,100 artists from around the world apply for the Festival each year. Festival. An independent panel of three judges select the 225 artists who will exhibit their works. The Festival consistently ranks as one of the top juried fine art festivals in the country with high rankings in Art Fair Calendar’s “2019 Best Art Fairs”, Art Fair Source Book’s rankings and Sunshine Artist Magazine’s “Top 100” lists. The 2021 Artists Application is by invitation only this year and is being extended to the final 2020 accepted artists. The Festival features a wide variety of fine arts and crafts in the following categories: clay, digital art, drawings & pastels, fiber-glass, graphics & printmaking, jewelry, leather, metal, mixed media 2D, mixed media 3D, painting, photography, sculpture, watercolor and wood, along with a special category for Emerging Artists. The Best of Show winner is purchased for $12,000 by The Winter Park Sidewalk Art Festival Board and donated to the City of Winter Park. Previous Best of Show winners are on permanent display at the Winter Park Public Library. A $5,000 “Art of Philanthropy” Purchase Award is sponsored by the Edyth Bush Charitable Foundation. A $2,500 “Distinguished Work of Art” Award is presented through The Charles Hosmer Morse Museum of American Art. There are 10 Awards of Excellence of $2,000 each, 20 Awards of Distinction of $1,000 each and 30 Awards of Merit of $500 each. In addition to these awards, the Patrons Program generates another $80,000 in Art Bucks that are dedicated to the purchase of artwork.
Where: In Central Park and along Park Avenue in Winter Park, FL
When: May 14, 15, 16, 2021
Hours: 9 a.m. – 6 p.m., Friday and Saturday; 9 a.m. – 5 p.m., Sunday
​

The Winter Park Sidewalk Art Festival is one of the nation’s oldest, largest and most prestigious outdoor art festivals. The Festival debuted in March 1960 as a community project to bring local artists and art lovers together. It is produced by an all-volunteer board and draws more than 350,000 visitors each year. Over 1,100 artists from around the world apply for the Festival each year. An independent panel of three judges select the 225 artists who will exhibit their works. The Festival consistently ranks as one of the top juried fine art festivals in the country with high rankings in Art Fair Calendar’s “2019 Best Art Fairs”, Art Fair Source Book’s rankings and Sunshine Artist Magazine’s “Top 100” lists. The 2021 Artists Application is by invitation only this year and is being extended to the final 2020 accepted artists. 

The Festival features a wide variety of fine arts and crafts in the following categories: clay, digital art, drawings & pastels, fiber-glass, graphics & printmaking, jewelry, leather, metal, mixed media 2D, mixed media 3D, painting, photography, sculpture, watercolor and wood, along with a special category for Emerging Artists.

The Best of Show winner is purchased for $12,000 by The Winter Park Sidewalk Art Festival Board and donated to the City of Winter Park. Previous Best of Show winners are on permanent display at the Winter Park Public Library. A $5,000 “Art of Philanthropy” Purchase Award is sponsored by the Edyth Bush Charitable Foundation. A $2,500 “Distinguished Work of Art” Award is presented through The Charles Hosmer Morse Museum of American Art. There are 10 Awards of Excellence of $2,000 each, 20 Awards of Distinction of $1,000 each and 30 Awards of Merit of $500 each. In addition to these awards, the Patrons Program generates another $80,000 in Art Bucks that are dedicated to the purchase of artwork.
J.K. Designs' Principal and Executive Director of the National Sculptors' Guild's John Kinkade will be in Winter Park, Florida for the long anticipated judging of the 62nd Winter Park Sidewalk Art Festival. The festival was cancelled last year due to the Corona Virus, so the artists who were juried in were invited back to exhibit this year. These artist's are eager to show and sell their creations: while John and the two other judges are excited to select and present the 63 artist awards that total $74,500. ​John is honored to have been invited to judge this exceptional art festival and we hope those in the area will get a chance to view the exhibit, plus experience the many other activities offered, like Music and Food, the Children’s Workshop and the Leon Theodore Schools Exhibit.... click here to learn more. Where: In Central Park and along Park Avenue in Winter Park, FL When: May 14, 15, 16, 2021 Hours: 9 a.m. – 6 p.m., Friday and Saturday; 9 a.m. – 5 p.m., Sunday ​ The Winter Park Sidewalk Art Festival is one of the nation’s oldest, largest and most prestigious outdoor art festivals. The Festival debuted in March 1960 as a community project to bring local artists and art lovers together. It is produced by an all-volunteer board and draws more than 350,000 visitors each year. Over 1,100 artists from around the world apply for the Festival each year. An independent panel of three judges select the 225 artists who will exhibit their works. The Festival consistently ranks as one of the top juried fine art festivals in the country with high rankings in Art Fair Calendar’s “2019 Best Art Fairs”, Art Fair Source Book’s rankings and Sunshine Artist Magazine’s “Top 100” lists. The 2021 Artists Application is by invitation only this year and is being extended to the final 2020 accepted artists. The Festival features a wide variety of fine arts and crafts in the following categories: clay, digital art, drawings & pastels, fiber-glass, graphics & printmaking, jewelry, leather, metal, mixed media 2D, mixed media 3D, painting, photography, sculpture, watercolor and wood, along with a special category for Emerging Artists. The Best of Show winner is purchased for $12,000 by The Winter Park Sidewalk Art Festival Board and donated to the City of Winter Park. Previous Best of Show winners are on permanent display at the Winter Park Public Library. A $5,000 “Art of Philanthropy” Purchase Award is sponsored by the Edyth Bush Charitable Foundation. A $2,500 “Distinguished Work of Art” Award is presented through The Charles Hosmer Morse Museum of American Art. There are 10 Awards of Excellence of $2,000 each, 20 Awards of Distinction of $1,000 each and 30 Awards of Merit of $500 each. In addition to these awards, the Patrons Program generates another $80,000 in Art Bucks that are dedicated to the purchase of artwork.
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    JK Designs, Inc.

    JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to 
    over 40 contracted sculptors and painters, displayed year-round at Columbine Gallery;  plus an extended network of over 200 artists that our design team works with on a regular basis to meet each project's unique needs.

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JK Designs, Fine Art Consultation since 1992 Our purpose is to champion a community of artists and to serve as a bridge between these artists and the public. We approach all aspects as a team which offers the client a wide variety of creative solutions to fulfill each unique need. Our primary goal is to allow the artists to stick to their strength - creating great artwork. We also coordinate the many aspects involved in completing large-scale projects.
JK Designs and the National Sculptors' Guild at Columbine Gallery. Columbine is the Colorado State flower and symbol for Spirit. Our Loveland location of Columbine Art Gallery and the National Sculptors' Guild has quickly become the largest original fine art source in Colorado located across the street from Sculpture in the Park events at Benson Park, we feature artwork by 50 represented artists year round, ship worldwide.