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Carol Rosenstein Gold : Celebration of Life Event

12/9/2022

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The family has requested we share this event with the artworld, please attend if you are able.
​John will be speaking on behalf of the National Sculptors' Guild and Columbine Gallery.  

Celebration of Life for Carol Gold
January 28, 2023, 11 a.m. at the Pavilion in Fairfax, California

The Pavilion is located at: 142 Bolinas Road, Fairfax CA 94930
The family has requested we share this event with the artworld, please attend if you are able. ​John will be speaking on behalf of the National Sculptors' Guild and Columbine Gallery.    Celebration of Life for Carol Gold January 28, 2023, 11 a.m. at the Pavillion in Fairfax, California The family requests that in lieu of flowers, donations are made in Carol’s honor to Democracy Now! KPFA, The Sierra Club, the Marin Land Trust or Planned Parenthood.  click here to read our other posts if you would like to learn more about Carol.
Carol Gold working on "Time" in 2010
The family requests that in lieu of flowers, donations are made in Carol’s honor to Democracy Now! KPFA, The Sierra Club, the Marin Land Trust or Planned Parenthood.

click here to read our other posts if you would like to learn more about Carol.
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Carol Rosenstein Gold, 1937 - 2022

8/18/2022

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click here to learn about the Celebration of Life Event, January 28, 2023
Artist Carol Gold, It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,

It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel, "The hole she has left is huge." This is true for us on a personal level, as much as it is, a loss to the  art community at large.

Over the past thirty years, Fairfax, California artist, Carol Gold's work has been widely exhibited in the U.S. and Canada. Her sculpture has received numerous accolades at national exhibitions including the John Cavanaugh Memorial Award from the National Sculpture Society and multiple feature articles in renowned publications.

Carol has been a fellow with the National Sculptors' Guild since 1996. With our design team, the prolific sculptor placed hundreds of smaller works and dozens of public art commissions. Each monumental placement promote a sense of pride and community cohesion where they are installed 

Early on we placed a jovial depiction of two figures in a sort of kite-like dance called "Wind" in Coos-Bay, Oregon.

​Another vibrant sculpture "Fiesta" was first placed at the pedestrian entry to the William Jefferson Clinton Presidential Library. This sculpture has since also been added to the permanent collections of the city's of Cerritos, California and Loveland, Colorado. 

Her monumental "Story Teller" has greeted visitors to the Whittwood Branch Library in Whittier, CA since 2007. This exuberant figure brings their narrative to life; stone benches provide a spot for visitors to sit and read, or listen to library orators. 

"Conversation" has been placed in Paramount, California and Boulder, Colorado where two figures face each other, connecting through thoughtful discussion. And the bronze figures in "Communion" take in the view and create a quiet area in a natural space of a Northern Colorado residential park for visitors to take a rest from the trail.

In 2010, her 13-foot tall bronze and stainless steel sculpture, "Time" was installed at North Central Michigan College in Petoskey, MI. This quickly became a favorite “photo op” destination for students and visitors to the campus. Additional castings were later added to the City's of Bend, Oregon and Loveland, Colorado.

Perhaps the least expected monument is "Belle", a larger-than-life sized Holstein cow commissioned by the City of Bellflower, CA as a nod to their start as a dairy-producing town. Since Gold grew up on a dairy farm in western Massachusetts, this subject was actually not a far stretch for her; she annually included an animal sculpture or two in her portfolio of small works. 

Her 14-foot tall sculpture "Infinite Dance" was added to the Town of Pittsfield, MA in the town’s central common, the heart of the community; followed by placements in Little Rock, Arkansas and her final installation in Downey, California. This is perhaps the closest to a self-portrait of the monuments - depicting a figure dancing joyfully on the top of a stainless steel ring. Carol was both a serious and studious person, she stayed current with politics and social issues, but that glint in her eye as she looks up at you (for most of us) showed her wisdom about the balance of life; to sometimes set all that aside and move to the music.

We are so grateful for the time we have known and worked with Carol Gold to share her creative energy and vision; her artistic legacy will contribute for generations to come.  - Alyson and John Kinkade, National Sculptors' Guild

It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
It saddens us to share that Carol Gold passed away August 18, 2022. Her daughter's words embody the loss we all feel,
The family requests that in lieu of flowers, donations are made in Carol’s honor to Democracy Now! KPFA, The Sierra Club, the Marin Land Trust or Planned Parenthood.
Carol Rosenstein Gold Obituary
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Finalists named in bid to sculpt Daisy Gatson Bates, Johnny Cash statues for Capitol

2/3/2021

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The National Sculptors' Guild design team is so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months.
read the article by Rachel Herzog for more info: https://www.arkansasonline.com/.../finalists-named-in.../
We are so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. https://www.arkansasonline.com/.../finalists-named-in.../
NSG Fellow Jane DeDecker with some of her recent historic portraits as part of the Women's Suffrage Movement Monument slated for Washington, DC.
We are so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. https://www.arkansasonline.com/.../finalists-named-in.../
NSG Associate Craig Campbell working on monuments in his studio.
The National Sculptors' Guild design team is so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. read the article by Rachel Herzog for more infor: https://www.arkansasonline.com/.../finalists-named-in.../ #Finalist #JaneDeDecker #CraigCampbell #NSG #Arkansas #Portraits #NationalStatuaryHall #FingersCrossed
Daisy Lee Bates and Johnny Cash to be commemorated in the National Statuary Hall by one of three finalists each, including Jane DeDecker and Craig Campbell, Fingers crossed we get to honor these extraordinary individuals!
#Finalist #JaneDeDecker #CraigCampbell #NSG #Arkansas #Portraits #NationalStatuaryHall #FingersCrossed
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Newly Elected NSG Associate Craig Campbell

6/1/2020

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The National Sculptors' Guild Fellows have elected Craig Campbell as an Associate Member, His work is expressive and covers the gamut of subjects from strong and serious, to playful and imaginative; figurative or wildlife. We can't wait to see what new creations come from his studio. Shop his artwork online  Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture  from Wichita State University. To further his  goal to create figurative and representational  work, he began a rigorous program of self-study in the areas of human and animal anatomy,  movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including  work for The Hobbit, Elysium and Mad Max. He  was a featured artist in the HISTORY channel’s  “Monument Guys” TV series. ​ learn more about Craig
The National Sculptors' Guild Fellows have elected Craig Campbell as an Associate Member, His work is expressive and covers the gamut of subjects from strong and serious, to playful and imaginative; figurative or wildlife. We can't wait to see what new creations come from his studio and are eager to place some fantastic public art with Craig.

Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture  from Wichita State University. To further his  goal to create figurative and representational  work, he began a rigorous program of self-study in the areas of human and animal anatomy,  movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including  work for The Hobbit, Elysium and Mad Max. He  was a featured artist in the HISTORY channel’s  “Monument Guys” TV series. ​ learn more about Craig

The National Sculptors' Guild Fellows have elected Craig Campbell as an Associate Member, His work is expressive and covers the gamut of subjects from strong and serious, to playful and imaginative; figurative or wildlife. We can't wait to see what new creations come from his studio. Shop his artwork online

Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture  from Wichita State University. To further his  goal to create figurative and representational  work, he began a rigorous program of self-study in the areas of human and animal anatomy,  movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including  work for The Hobbit, Elysium and Mad Max. He  was a featured artist in the HISTORY channel’s  “Monument Guys” TV series. ​ learn more about Craig
The National Sculptors' Guild Fellows have elected Craig Campbell as an Associate Member, His work is expressive and covers the gamut of subjects from strong and serious, to playful and imaginative; figurative or wildlife. We can't wait to see what new creations come from his studio. Shop his artwork online

Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture  from Wichita State University. To further his  goal to create figurative and representational  work, he began a rigorous program of self-study in the areas of human and animal anatomy,  movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including  work for The Hobbit, Elysium and Mad Max. He  was a featured artist in the HISTORY channel’s  “Monument Guys” TV series. ​ learn more about Craig
The National Sculptors' Guild Fellows have elected Craig Campbell as an Associate Member, His work is expressive and covers the gamut of subjects from strong and serious, to playful and imaginative; figurative or wildlife. We can't wait to see what new creations come from his studio. Shop his artwork online

Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture  from Wichita State University. To further his  goal to create figurative and representational  work, he began a rigorous program of self-study in the areas of human and animal anatomy,  movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including  work for The Hobbit, Elysium and Mad Max. He  was a featured artist in the HISTORY channel’s  “Monument Guys” TV series. ​ learn more about Craig
The National Sculptors' Guild Fellows have elected Craig Campbell as an Associate Member, His work is expressive and covers the gamut of subjects from strong and serious, to playful and imaginative; figurative or wildlife. We can't wait to see what new creations come from his studio. Shop his artwork online

Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture  from Wichita State University. To further his  goal to create figurative and representational  work, he began a rigorous program of self-study in the areas of human and animal anatomy,  movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including  work for The Hobbit, Elysium and Mad Max. He  was a featured artist in the HISTORY channel’s  “Monument Guys” TV series. ​ learn more about Craig
The National Sculptors' Guild Fellows have elected Craig Campbell as an Associate Member, His work is expressive and covers the gamut of subjects from strong and serious, to playful and imaginative; figurative or wildlife. We can't wait to see what new creations come from his studio. Shop his artwork online

Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture  from Wichita State University. To further his  goal to create figurative and representational  work, he began a rigorous program of self-study in the areas of human and animal anatomy,  movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including  work for The Hobbit, Elysium and Mad Max. He  was a featured artist in the HISTORY channel’s  “Monument Guys” TV series. ​ learn more about Craig
The National Sculptors' Guild Fellows have elected Craig Campbell as an Associate Member, His work is expressive and covers the gamut of subjects from strong and serious, to playful and imaginative; figurative or wildlife. We can't wait to see what new creations come from his studio. Shop his artwork online

Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture  from Wichita State University. To further his  goal to create figurative and representational  work, he began a rigorous program of self-study in the areas of human and animal anatomy,  movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including  work for The Hobbit, Elysium and Mad Max. He  was a featured artist in the HISTORY channel’s  “Monument Guys” TV series. ​ learn more about Craig
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Michael  Warrick named Arkansas Living Treasure

3/24/2020

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We are very pleased to share that National Sculptors' Guild Fellow Michael Warrick has been recognized by the Arkansas Arts Council as the 2020 Arkansas Living Treasure for his work and dedication to the craft of metalworking.  “Creating and teaching are very important to me,” Warrick said. “I have made it a personal goal to help others learn and create through the craft of metalworking. In my own creative metalwork, it is my hope that I can bring elements of our humanity and history through the craft.”  Warrick, who teaches at the University of Arkansas at Little Rock, has been shown locally and internationally. His work was shown in a solo touring exhibition in 1996 that appeared in the Strause Gallery of the Arkansas Arts Center. A recent sample of Warrick’s work sits in front of the main entrance to the new Windgate Art + Design building at the University of Arkansas at Fort Smith.  Warrick’s work has appeared in exhibitions and public installations locally and worldwide. He regularly does commission work, including a piece he created in 2017 for the Little Rock Sister City Commission to give to the City of Hanam in South Korea. A video about that project is available via UALRTV. Warrick also is finishing up an 18-foot orange tree sculpture, complete with gold leaf, that will be delivered to California.  Warrick has studied his craft for more than 30 years. He started learning metalworking in 1967, when he took an industrial arts class in high school that included welding. He became a certified welder in 1972 and worked on large-scale mining equipment trucks, industrial fixtures and railroad cars.  He attended Illinois State University as an art student in 1976. There, he learned metal casting and sculpting, and as a graduate student, he learned to work with cast iron. By 1995, he had picked up the technique of ceramic shell casting, which allowed him to cast finer and thinner bronze works.  Warrick is constantly learning, experimenting and evolving. In 2015, he learned 3D printing with polylactic acid plastic (PLA) and used the new technology in tandem with traditional lost wax casting for his metalwork. The resulting large-scale, 21-by-15-by-15-foot sculpture sits today outside the Statehouse Convention Center in Little Rock. The sculpture is a fascinating mix of stainless steel, bronze, glass and concrete that celebrates the Louisiana Purchase.  “I am a firm believer that there is much value to learning traditional methods for creating in cast metal,” Warrick said. “I am also curious about contemporary techniques in the production of objects and how they might be enhanced by joining old and new techniques.”  Warrick is committed to maintaining and advancing his craft through mentoring, teaching, lecturing, demonstrating and building through teamwork. Since joining UALR in the fall of 1990, Warrick has been instrumental in securing grants, including one to build a foundry and kilns for metal casting for the university. Another grant allowed him to bring in renowned lecturers in metalworking. He also sat on a committee that brought public sculptures to the university to “embellish the culturally rich environment.”   Warrick is known as a dedicated instructor who teaches multiple metalworking courses. He said being a mentor to metalworking students is vital because mentors perpetuate the craft and can change lives. He has mentored students at ULAR, supervised interns from the University of Central Arkansas and taught students from his home studio. He has consulted and taught workshops and classes in Indiana and Tennessee.
We are very pleased to share that National Sculptors' Guild Fellow Michael Warrick has been recognized by the Arkansas Arts Council as the 2020 Arkansas Living Treasure for his work and dedication to the craft of metalworking.  “Creating and teaching are very important to me,” Warrick said. “I have made it a personal goal to help others learn and create through the craft of metalworking. In my own creative metalwork, it is my hope that I can bring elements of our humanity and history through the craft.”  Warrick, who teaches at the University of Arkansas at Little Rock, has been shown locally and internationally. His work was shown in a solo touring exhibition in 1996 that appeared in the Strause Gallery of the Arkansas Arts Center. A recent sample of Warrick’s work sits in front of the main entrance to the new Windgate Art + Design building at the University of Arkansas at Fort Smith.  Warrick’s work has appeared in exhibitions and public installations locally and worldwide. He regularly does commission work, including a piece he created in 2017 for the Little Rock Sister City Commission to give to the City of Hanam in South Korea. A video about that project is available via UALRTV. Warrick also is finishing up an 18-foot orange tree sculpture, complete with gold leaf, that will be delivered to California.  Warrick has studied his craft for more than 30 years. He started learning metalworking in 1967, when he took an industrial arts class in high school that included welding. He became a certified welder in 1972 and worked on large-scale mining equipment trucks, industrial fixtures and railroad cars.  He attended Illinois State University as an art student in 1976. There, he learned metal casting and sculpting, and as a graduate student, he learned to work with cast iron. By 1995, he had picked up the technique of ceramic shell casting, which allowed him to cast finer and thinner bronze works.  Warrick is constantly learning, experimenting and evolving. In 2015, he learned 3D printing with polylactic acid plastic (PLA) and used the new technology in tandem with traditional lost wax casting for his metalwork. The resulting large-scale, 21-by-15-by-15-foot sculpture sits today outside the Statehouse Convention Center in Little Rock. The sculpture is a fascinating mix of stainless steel, bronze, glass and concrete that celebrates the Louisiana Purchase.  “I am a firm believer that there is much value to learning traditional methods for creating in cast metal,” Warrick said. “I am also curious about contemporary techniques in the production of objects and how they might be enhanced by joining old and new techniques.”  Warrick is committed to maintaining and advancing his craft through mentoring, teaching, lecturing, demonstrating and building through teamwork. Since joining UALR in the fall of 1990, Warrick has been instrumental in securing grants, including one to build a foundry and kilns for metal casting for the university. Another grant allowed him to bring in renowned lecturers in metalworking. He also sat on a committee that brought public sculptures to the university to “embellish the culturally rich environment.”   Warrick is known as a dedicated instructor who teaches multiple metalworking courses. He said being a mentor to metalworking students is vital because mentors perpetuate the craft and can change lives. He has mentored students at ULAR, supervised interns from the University of Central Arkansas and taught students from his home studio. He has consulted and taught workshops and classes in Indiana and Tennessee.
We are very pleased to share that National Sculptors' Guild Fellow Michael Warrick has been recognized by the Arkansas Arts Council as the 2020 Arkansas Living Treasure for his work and dedication to the craft of metalworking.  “Creating and teaching are very important to me,” Warrick said. “I have made it a personal goal to help others learn and create through the craft of metalworking. In my own creative metalwork, it is my hope that I can bring elements of our humanity and history through the craft.”  Warrick, who teaches at the University of Arkansas at Little Rock, has been shown locally and internationally. His work was shown in a solo touring exhibition in 1996 that appeared in the Strause Gallery of the Arkansas Arts Center. A recent sample of Warrick’s work sits in front of the main entrance to the new Windgate Art + Design building at the University of Arkansas at Fort Smith.  Warrick’s work has appeared in exhibitions and public installations locally and worldwide. He regularly does commission work, including a piece he created in 2017 for the Little Rock Sister City Commission to give to the City of Hanam in South Korea. A video about that project is available via UALRTV. Warrick also is finishing up an 18-foot orange tree sculpture, complete with gold leaf, that will be delivered to California.  Warrick has studied his craft for more than 30 years. He started learning metalworking in 1967, when he took an industrial arts class in high school that included welding. He became a certified welder in 1972 and worked on large-scale mining equipment trucks, industrial fixtures and railroad cars.  He attended Illinois State University as an art student in 1976. There, he learned metal casting and sculpting, and as a graduate student, he learned to work with cast iron. By 1995, he had picked up the technique of ceramic shell casting, which allowed him to cast finer and thinner bronze works.  Warrick is constantly learning, experimenting and evolving. In 2015, he learned 3D printing with polylactic acid plastic (PLA) and used the new technology in tandem with traditional lost wax casting for his metalwork. The resulting large-scale, 21-by-15-by-15-foot sculpture sits today outside the Statehouse Convention Center in Little Rock. The sculpture is a fascinating mix of stainless steel, bronze, glass and concrete that celebrates the Louisiana Purchase.  “I am a firm believer that there is much value to learning traditional methods for creating in cast metal,” Warrick said. “I am also curious about contemporary techniques in the production of objects and how they might be enhanced by joining old and new techniques.”  Warrick is committed to maintaining and advancing his craft through mentoring, teaching, lecturing, demonstrating and building through teamwork. Since joining UALR in the fall of 1990, Warrick has been instrumental in securing grants, including one to build a foundry and kilns for metal casting for the university. Another grant allowed him to bring in renowned lecturers in metalworking. He also sat on a committee that brought public sculptures to the university to “embellish the culturally rich environment.”   Warrick is known as a dedicated instructor who teaches multiple metalworking courses. He said being a mentor to metalworking students is vital because mentors perpetuate the craft and can change lives. He has mentored students at ULAR, supervised interns from the University of Central Arkansas and taught students from his home studio. He has consulted and taught workshops and classes in Indiana and Tennessee.
We are very pleased to share that National Sculptors' Guild Fellow Michael Warrick has been recognized by the Arkansas Arts Council as the 2020 Arkansas Living Treasure for his work and dedication to the craft of metalworking.  “Creating and teaching are very important to me,” Warrick said. “I have made it a personal goal to help others learn and create through the craft of metalworking. In my own creative metalwork, it is my hope that I can bring elements of our humanity and history through the craft.”  Warrick, who teaches at the University of Arkansas at Little Rock, has been shown locally and internationally. His work was shown in a solo touring exhibition in 1996 that appeared in the Strause Gallery of the Arkansas Arts Center. A recent sample of Warrick’s work sits in front of the main entrance to the new Windgate Art + Design building at the University of Arkansas at Fort Smith.  Warrick’s work has appeared in exhibitions and public installations locally and worldwide. He regularly does commission work, including a piece he created in 2017 for the Little Rock Sister City Commission to give to the City of Hanam in South Korea. A video about that project is available via UALRTV. Warrick also is finishing up an 18-foot orange tree sculpture, complete with gold leaf, that will be delivered to California.  Warrick has studied his craft for more than 30 years. He started learning metalworking in 1967, when he took an industrial arts class in high school that included welding. He became a certified welder in 1972 and worked on large-scale mining equipment trucks, industrial fixtures and railroad cars.  He attended Illinois State University as an art student in 1976. There, he learned metal casting and sculpting, and as a graduate student, he learned to work with cast iron. By 1995, he had picked up the technique of ceramic shell casting, which allowed him to cast finer and thinner bronze works.  Warrick is constantly learning, experimenting and evolving. In 2015, he learned 3D printing with polylactic acid plastic (PLA) and used the new technology in tandem with traditional lost wax casting for his metalwork. The resulting large-scale, 21-by-15-by-15-foot sculpture sits today outside the Statehouse Convention Center in Little Rock. The sculpture is a fascinating mix of stainless steel, bronze, glass and concrete that celebrates the Louisiana Purchase.  “I am a firm believer that there is much value to learning traditional methods for creating in cast metal,” Warrick said. “I am also curious about contemporary techniques in the production of objects and how they might be enhanced by joining old and new techniques.”  Warrick is committed to maintaining and advancing his craft through mentoring, teaching, lecturing, demonstrating and building through teamwork. Since joining UALR in the fall of 1990, Warrick has been instrumental in securing grants, including one to build a foundry and kilns for metal casting for the university. Another grant allowed him to bring in renowned lecturers in metalworking. He also sat on a committee that brought public sculptures to the university to “embellish the culturally rich environment.”   Warrick is known as a dedicated instructor who teaches multiple metalworking courses. He said being a mentor to metalworking students is vital because mentors perpetuate the craft and can change lives. He has mentored students at ULAR, supervised interns from the University of Central Arkansas and taught students from his home studio. He has consulted and taught workshops and classes in Indiana and Tennessee.
We are very pleased to share that National Sculptors' Guild Fellow Michael Warrick has been recognized by the Arkansas Arts Council as the 2020 Arkansas Living Treasure for his work and dedication to the craft of metalworking.  “Creating and teaching are very important to me,” Warrick said. “I have made it a personal goal to help others learn and create through the craft of metalworking. In my own creative metalwork, it is my hope that I can bring elements of our humanity and history through the craft.”  Warrick, who teaches at the University of Arkansas at Little Rock, has been shown locally and internationally. His work was shown in a solo touring exhibition in 1996 that appeared in the Strause Gallery of the Arkansas Arts Center. A recent sample of Warrick’s work sits in front of the main entrance to the new Windgate Art + Design building at the University of Arkansas at Fort Smith.  Warrick’s work has appeared in exhibitions and public installations locally and worldwide. He regularly does commission work, including a piece he created in 2017 for the Little Rock Sister City Commission to give to the City of Hanam in South Korea. A video about that project is available via UALRTV. Warrick also is finishing up an 18-foot orange tree sculpture, complete with gold leaf, that will be delivered to California.  Warrick has studied his craft for more than 30 years. He started learning metalworking in 1967, when he took an industrial arts class in high school that included welding. He became a certified welder in 1972 and worked on large-scale mining equipment trucks, industrial fixtures and railroad cars.  He attended Illinois State University as an art student in 1976. There, he learned metal casting and sculpting, and as a graduate student, he learned to work with cast iron. By 1995, he had picked up the technique of ceramic shell casting, which allowed him to cast finer and thinner bronze works.  Warrick is constantly learning, experimenting and evolving. In 2015, he learned 3D printing with polylactic acid plastic (PLA) and used the new technology in tandem with traditional lost wax casting for his metalwork. The resulting large-scale, 21-by-15-by-15-foot sculpture sits today outside the Statehouse Convention Center in Little Rock. The sculpture is a fascinating mix of stainless steel, bronze, glass and concrete that celebrates the Louisiana Purchase.  “I am a firm believer that there is much value to learning traditional methods for creating in cast metal,” Warrick said. “I am also curious about contemporary techniques in the production of objects and how they might be enhanced by joining old and new techniques.”  Warrick is committed to maintaining and advancing his craft through mentoring, teaching, lecturing, demonstrating and building through teamwork. Since joining UALR in the fall of 1990, Warrick has been instrumental in securing grants, including one to build a foundry and kilns for metal casting for the university. Another grant allowed him to bring in renowned lecturers in metalworking. He also sat on a committee that brought public sculptures to the university to “embellish the culturally rich environment.”   Warrick is known as a dedicated instructor who teaches multiple metalworking courses. He said being a mentor to metalworking students is vital because mentors perpetuate the craft and can change lives. He has mentored students at ULAR, supervised interns from the University of Central Arkansas and taught students from his home studio. He has consulted and taught workshops and classes in Indiana and Tennessee.
We are very pleased to share that National Sculptors' Guild Fellow Michael Warrick has been recognized by the Arkansas Arts Council as the 2020 Arkansas Living Treasure for his work and dedication to the craft of metalworking.  “Creating and teaching are very important to me,” Warrick said. “I have made it a personal goal to help others learn and create through the craft of metalworking. In my own creative metalwork, it is my hope that I can bring elements of our humanity and history through the craft.”  Warrick, who teaches at the University of Arkansas at Little Rock, has been shown locally and internationally. His work was shown in a solo touring exhibition in 1996 that appeared in the Strause Gallery of the Arkansas Arts Center. A recent sample of Warrick’s work sits in front of the main entrance to the new Windgate Art + Design building at the University of Arkansas at Fort Smith.  Warrick’s work has appeared in exhibitions and public installations locally and worldwide. He regularly does commission work, including a piece he created in 2017 for the Little Rock Sister City Commission to give to the City of Hanam in South Korea. A video about that project is available via UALRTV. Warrick also is finishing up an 18-foot orange tree sculpture, complete with gold leaf, that will be delivered to California.  Warrick has studied his craft for more than 30 years. He started learning metalworking in 1967, when he took an industrial arts class in high school that included welding. He became a certified welder in 1972 and worked on large-scale mining equipment trucks, industrial fixtures and railroad cars.  He attended Illinois State University as an art student in 1976. There, he learned metal casting and sculpting, and as a graduate student, he learned to work with cast iron. By 1995, he had picked up the technique of ceramic shell casting, which allowed him to cast finer and thinner bronze works.  Warrick is constantly learning, experimenting and evolving. In 2015, he learned 3D printing with polylactic acid plastic (PLA) and used the new technology in tandem with traditional lost wax casting for his metalwork. The resulting large-scale, 21-by-15-by-15-foot sculpture sits today outside the Statehouse Convention Center in Little Rock. The sculpture is a fascinating mix of stainless steel, bronze, glass and concrete that celebrates the Louisiana Purchase.  “I am a firm believer that there is much value to learning traditional methods for creating in cast metal,” Warrick said. “I am also curious about contemporary techniques in the production of objects and how they might be enhanced by joining old and new techniques.”  Warrick is committed to maintaining and advancing his craft through mentoring, teaching, lecturing, demonstrating and building through teamwork. Since joining UALR in the fall of 1990, Warrick has been instrumental in securing grants, including one to build a foundry and kilns for metal casting for the university. Another grant allowed him to bring in renowned lecturers in metalworking. He also sat on a committee that brought public sculptures to the university to “embellish the culturally rich environment.”   Warrick is known as a dedicated instructor who teaches multiple metalworking courses. He said being a mentor to metalworking students is vital because mentors perpetuate the craft and can change lives. He has mentored students at ULAR, supervised interns from the University of Central Arkansas and taught students from his home studio. He has consulted and taught workshops and classes in Indiana and Tennessee.
We are very pleased to share that National Sculptors' Guild Fellow Michael Warrick has been recognized by the Arkansas Arts Council as the 2020 Arkansas Living Treasure for his work and dedication to the craft of metalworking.

“Creating and teaching are very important to me,” Warrick said. “I have made it a personal goal to help others learn and create through the craft of metalworking. In my own creative metalwork, it is my hope that I can bring elements of our humanity and history through the craft.”

Warrick, who teaches at the University of Arkansas at Little Rock, has been shown locally and internationally. His work was shown in a solo touring exhibition in 1996 that appeared in the Strause Gallery of the Arkansas Arts Center. A recent sample of Warrick’s work sits in front of the main entrance to the new Windgate Art + Design building at the University of Arkansas at Fort Smith.

Warrick’s work has appeared in exhibitions and public installations locally and worldwide. He regularly does commission work, including a piece he created in 2017 for the Little Rock Sister City Commission to give to the City of Hanam in South Korea. A video about that project is available via UALRTV.

Warrick is currently completing an 18-foot stainless-steel with gold leaf sculpture "Mockingbird/Orange Tree" commissioned through the National Sculptors' Guild for The Groves in Whittier, California.

Warrick has studied his craft for more than 30 years. He started learning metalworking in 1967, when he took an industrial arts class in high school that included welding. He became a certified welder in 1972 and worked on large-scale mining equipment trucks, industrial fixtures and railroad cars.

He attended Illinois State University as an art student in 1976. There, he learned metal casting and sculpting, and as a graduate student, he learned to work with cast iron. By 1995, he had picked up the technique of ceramic shell casting, which allowed him to cast finer and thinner bronze works.

Warrick is constantly learning, experimenting and evolving. In 2015, he learned 3D printing with polylactic acid plastic (PLA) and used the new technology in tandem with traditional lost wax casting for his metalwork. The resulting large-scale, 21-by-15-by-15-foot sculpture sits today outside the Statehouse Convention Center in Little Rock. The sculpture is a fascinating mix of stainless steel, bronze, glass and concrete that celebrates the Louisiana Purchase.

“I am a firm believer that there is much value to learning traditional methods for creating in cast metal,” Warrick said. “I am also curious about contemporary techniques in the production of objects and how they might be enhanced by joining old and new techniques.”

Warrick is committed to maintaining and advancing his craft through mentoring, teaching, lecturing, demonstrating and building through teamwork. Since joining UALR in the fall of 1990, Warrick has been instrumental in securing grants, including one to build a foundry and kilns for metal casting for the university. Another grant allowed him to bring in renowned lecturers in metalworking. He also sat on a committee that brought public sculptures to the university to “embellish the culturally rich environment.” 

Warrick is known as a dedicated instructor who teaches multiple metalworking courses. He said being a mentor to metalworking students is vital because mentors perpetuate the craft and can change lives. He has mentored students at ULAR, supervised interns from the University of Central Arkansas and taught students from his home studio. He has consulted and taught workshops and classes in Indiana and Tennessee.
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Joe Norman Elected NSG Associate

3/10/2020

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​The National Sculptors 'Guild’s board of directors nominated Joe Norman to move up from Affiliate to Associate within our organization. This passed with over two-thirds support by the current Fellows.  We have had amazing success from the start with Joe, placing public art in Texas, Georgia and California. The latest project was a 12-ft tall sculpture Homeward/Monarch for the City of Downey, CA. We have really enjoyed working with Joe, he always brings a creative twist to a call for art, and always with a smile.  With a background in engineering, design consulting and product design plus a degree from Stanford and a bit of Middle School teaching in the mix, Joe Norman approaches art from a different perspective than most artists, and that’s the focus of the majority of his sculptures - the viewer’s perspective. How you stand in the environment of the sculpture, dictates what you see. Adjust to another side, you see something else. This can be a girl who transforms into a monarch butterfly, or words of opposing meaning living in the same space like ‘peace’ and ‘chaos’. We hope you get the chance to interact with his art, it can change ones perspective on their place in nature.  “My intent is to make art that contributes to a wider conversation about justice and care and our impact on the world. I hope it helps people think and be happy; I hope it helps people be important to each other.
​The National Sculptors 'Guild’s board of directors nominated Joe Norman to move up from Affiliate to Associate within our organization. This passed with over two-thirds support by the current Fellows.

We have had amazing success from the start with Joe, placing public art in Texas, Georgia and California. The latest project was a 12-ft tall sculpture Homeward/Monarch for the City of Downey, CA. We have really enjoyed working with Joe, he always brings a creative twist to a call for art, and always with a smile. 

With a background in engineering, design consulting and product design plus a degree from Stanford and a bit of Middle School teaching in the mix, Joe Norman approaches art from a different perspective than most artists, and that’s the focus of the majority of his sculptures - the viewer’s perspective. How you stand in the environment of the sculpture, dictates what you see. Adjust to another side, you see something else. This can be a girl who transforms into a monarch butterfly, or words of opposing meaning living in the same space like ‘peace’ and ‘chaos’. We hope you get the chance to interact with his art, it can change ones perspective on their place in nature.

“My intent is to make art that contributes to a wider conversation about justice and care and our impact on the world. I hope it helps people think and be happy; I hope it helps people be important to each other." -
Joe Norman

Shop online
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Dan Glanz elected Fellow

2/14/2020

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The National Sculptors’ Guild’s board of directors nominated Daniel Glanz to move up from Associate to Fellow within our organization. This passed with over two-thirds support by the current Fellows.   Fellows exemplify the best qualities of the National Sculptors’ Guild through their exceptional merit of work as well as esteem in the sculpture community.  Dan captures a timeless intimacy for the viewer.  His art is known for its energy, movement and technical mastery.  Both his figurative and his wildlife work share a powerful yet elegant quality, drawn from his classical approach to sculpture. ​ We have seen great success with Dan, below are images of some of the current large-scale commissions we working on together. Stay tuned for completion images of these and more.
The National Sculptors’ Guild’s board of directors nominated Daniel Glanz to move up from Associate to Fellow within our organization. This passed with over two-thirds support by the current Fellows.
 
Fellows exemplify the best qualities of the National Sculptors’ Guild through their exceptional merit of work as well as esteem in the sculpture community.

Dan captures a timeless intimacy for the viewer.  His art is known for its energy, movement and technical mastery.  Both his figurative and his wildlife work share a powerful yet elegant quality, drawn from his classical approach to sculpture.
​
We have seen great success with Dan, below are images of some of the current large-scale commissions we working on together. Stay tuned for completion images of these and more.

The National Sculptors’ Guild’s board of directors nominated Daniel Glanz to move up from Associate to Fellow within our organization. This passed with over two-thirds support by the current Fellows.   Fellows exemplify the best qualities of the National Sculptors’ Guild through their exceptional merit of work as well as esteem in the sculpture community.  Dan captures a timeless intimacy for the viewer.  His art is known for its energy, movement and technical mastery.  Both his figurative and his wildlife work share a powerful yet elegant quality, drawn from his classical approach to sculpture. ​ We have seen great success with Dan, below are images of some of the current large-scale commissions we working on together. Stay tuned for completion images of these and more.
The National Sculptors’ Guild’s board of directors nominated Daniel Glanz to move up from Associate to Fellow within our organization. This passed with over two-thirds support by the current Fellows.   Fellows exemplify the best qualities of the National Sculptors’ Guild through their exceptional merit of work as well as esteem in the sculpture community.  Dan captures a timeless intimacy for the viewer.  His art is known for its energy, movement and technical mastery.  Both his figurative and his wildlife work share a powerful yet elegant quality, drawn from his classical approach to sculpture. ​ We have seen great success with Dan, below are images of some of the current large-scale commissions we working on together. Stay tuned for completion images of these and more.
The National Sculptors’ Guild’s board of directors nominated Daniel Glanz to move up from Associate to Fellow within our organization. This passed with over two-thirds support by the current Fellows.   Fellows exemplify the best qualities of the National Sculptors’ Guild through their exceptional merit of work as well as esteem in the sculpture community.  Dan captures a timeless intimacy for the viewer.  His art is known for its energy, movement and technical mastery.  Both his figurative and his wildlife work share a powerful yet elegant quality, drawn from his classical approach to sculpture. ​ We have seen great success with Dan, below are images of some of the current large-scale commissions we working on together. Stay tuned for completion images of these and more.
The National Sculptors’ Guild’s board of directors nominated Daniel Glanz to move up from Associate to Fellow within our organization. This passed with over two-thirds support by the current Fellows.   Fellows exemplify the best qualities of the National Sculptors’ Guild through their exceptional merit of work as well as esteem in the sculpture community.  Dan captures a timeless intimacy for the viewer.  His art is known for its energy, movement and technical mastery.  Both his figurative and his wildlife work share a powerful yet elegant quality, drawn from his classical approach to sculpture. ​ We have seen great success with Dan, below are images of some of the current large-scale commissions we working on together. Stay tuned for completion images of these and more.
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National Sculptors' Guild welcomes Joe Norman

9/28/2018

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The National Sculptors 'Guild is pleased to announce our newest Affiliate member, Joe Norman.   Joe graduated with a degree in Product Design from Stanford and worked with design consulting firms for a number of years before teaching middle school and customizing vintage motorcycles. For the past ten years he has been a full-time sculptor, focusing on handmade and site-specific works informed by the intersection of the natural and human-made environment.  Joe was the Artist-In-Residence at Great Basin National Park and frequently speaks on art and its role in social justice. His work is in permanent public and private collections across the United States. He currently maintains his studio at Artworks Loveland. We're excited by Joe's diverse exploration of material and imaginative approach to varied subject matter. From word play, to morphing silhouettes; magnified microcosms to figurative renderings from reclaimed bicycle parts, Joe fills the public space with a bit more wonder through sophisticated form. His work  makes interaction unavoidable and we're pleased to add him to our team.  Smaller works are also available for the home collector. You'll start seeing his sculpture at Columbine Gallery and in the National Sculptors' Guild sculpture garden by mid-October, and can start ordering online now.... click here to shopJoe Norman with his sculpture "Fear and Love"
The National Sculptors 'Guild is pleased to announce our newest Affiliate member, Joe Norman. 

Joe graduated with a degree in Product Design from Stanford and worked with design consulting firms for a number of years before teaching middle school and customizing vintage motorcycles. For the past ten years he has been a full-time sculptor, focusing on handmade and site-specific works informed by the intersection of the natural and human-made environment.

Joe was the Artist-In-Residence at Great Basin National Park and frequently speaks on art and its role in social justice. His work is in permanent public and private collections across the United States. He currently maintains his studio at Artworks Loveland.

One of Joe Norman's most recent installations,
One of Joe Norman's most recent installations, "Taft Bridge Wings" was commissioned by the city of Loveland featuring a set of 8 wing patterns of critical waterway bird and insect species of Northern Colorado.
Joe Norman's latest public art project is in-the-works for Golden, Colorado, Installation is slated for Spring 2019, on hwy 93 across from the North Table Mountain trail head. Shown here are the latest scale prototypes and engineering drawings for the sculptures. The composition depicts three running children or a red-tailed hawk in flight depending on the viewed angle. We're excited by Joe's diverse exploration of material and imaginative approach to varied subject matter. From word play, to morphing silhouettes; magnified microcosms to figurative renderings from reclaimed bicycle parts, Joe fills the public space with a bit more wonder through sophisticated form. His work  makes interaction unavoidable and we're pleased to add him to our team.  Smaller works are also available for the home collector. You'll start seeing his sculpture at Columbine Gallery and in the National Sculptors' Guild sculpture garden by mid-October, and can start ordering online now.... click here to shop
Joe Norman's latest public art project is in-the-works for Golden, Colorado, Installation is slated for Spring 2019, on hwy 93 across from the North Table Mountain trail head. Shown here are the latest scale prototypes and engineering drawings for the sculptures. The composition depicts three running children or a red-tailed hawk in flight depending on the viewed angle. 

Joe Norman's latest public art project is in-the-works for Golden, Colorado, Installation is slated for Spring 2019, on hwy 93 across from the North Table Mountain trail head. Shown here are the latest scale prototypes and engineering drawings for the sculptures. The composition depicts three running children or a red-tailed hawk in flight depending on the viewed angle.  We're excited by Joe's diverse exploration of material and imaginative approach to varied subject matter. From word play, to morphing silhouettes; magnified microcosms to figurative renderings from reclaimed bicycle parts, Joe fills the public space with a bit more wonder through sophisticated form. His work  makes interaction unavoidable and we're pleased to add him to our team.  Smaller works are also available for the home collector. You'll start seeing his sculpture at Columbine Gallery and in the National Sculptors' Guild sculpture garden by mid-October, and can start ordering online now.... click here to shop
Joe Norman's latest public art project is in-the-works for Golden, Colorado, Installation is slated for Spring 2019, on hwy 93 across from the North Table Mountain trail head. Shown here are the latest scale prototypes and engineering drawings for the sculptures. The composition depicts three running children or a red-tailed hawk in flight depending on the viewed angle.  We're excited by Joe's diverse exploration of material and imaginative approach to varied subject matter. From word play, to morphing silhouettes; magnified microcosms to figurative renderings from reclaimed bicycle parts, Joe fills the public space with a bit more wonder through sophisticated form. His work  makes interaction unavoidable and we're pleased to add him to our team.  Smaller works are also available for the home collector. You'll start seeing his sculpture at Columbine Gallery and in the National Sculptors' Guild sculpture garden by mid-October, and can start ordering online now.... click here to shop
We're excited by Joe Norman's diverse exploration of material and imaginative approach to varied subject matter. From word play, to morphing silhouettes; magnified microcosms to figurative renderings from reclaimed bicycle parts, Joe fills the public space with a bit more wonder through sophisticated form. His work  makes interaction unavoidable and we're pleased to add him to our team.

Smaller works are also available for the home collector. You'll start seeing Joe's sculpture at Columbine Gallery and in the National Sculptors' Guild sculpture garden by mid-October, and can start ordering online now.... click here to shop
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National Sculptors' Guild welcome Christopher Owen Nelson

6/10/2016

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Christopher Owen Nelson is the newest National Sculptors' Guild member, providing some incredible solutions for upcoming public art placements. Geode
Deep Roots Christopher Owen Nelson National Sculptors' Guild public art solutions
Aspen trunks by Christopher Owen Nelson, National Sculptors' Guild Colorado
Christopher Owen Nelson is the newest National Sculptors' Guild member, providing some incredible solutions for upcoming public art placements. We are excited to introduce Christopher's unique approach depicting nature in an innovative, contemporary context.

"Through my art, I continue to explore man’s obsession to re-create and perfect nature. My artwork creates a bridge or transition between the man-made and natural worlds.

Through prestigious exhibitions and collections, my artworks have traveled the globe. Already in my career I have presented over a dozen solo exhibitions. Boulder Museum of Art, Boulder, Colorado; The Art Museum at the University of Kentucky, Lexington, Kentucky, and St. John’s College, Annapolis, Maryland are among the many museums and universities who have exhibited my work.

I continually look forward to exploring the possibilities that come with developing my craft, creating challenging pieces, forming new ideas, and extending my pursuit of expression through sculpture." -Christopher Owen Nelson

Learn more about Christopher Owen Nelson
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Some Pig... Sandy Scott's art gets a tweet from Tim McGraw

6/5/2015

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Picture
Acclaimed Country music artist Tim McGraw spotted our Sandy Scott River Market Pig public art placement in Little Rock, AR while performing in the city during his Shotgun Rider Tour. Thanks for the sweet tweet! Check out more National Sculptors' Guild placements in this great city. #LittleRock
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    JK Designs, Inc.

    JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to 
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JK Designs, Fine Art Consultation since 1992 Our purpose is to champion a community of artists and to serve as a bridge between these artists and the public. We approach all aspects as a team which offers the client a wide variety of creative solutions to fulfill each unique need. Our primary goal is to allow the artists to stick to their strength - creating great artwork. We also coordinate the many aspects involved in completing large-scale projects.
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