PROJECTS JK Designs, Inc. National Sculptors' Guild Columbine Gallery Significant Art Statements since 1992 - JK DESIGNS Fine Art Consulting

The Maya Angelou Quarter

1/18/2022

We could not be more proud of National Sculptors' Guild member Craig Campbell who had the privilege and honor to sculpt the Maya Angelou quarter. She is the first black woman to be depicted on a US quarter. The reverse (tails), designed by United States Mint Artistic Infusion Program Artist Emily Damstra and sculpted by United States Mint Medallic Artist Craig A. Campbell, depicts Maya Angelou with her arms uplifted. Behind her are a bird in flight and a rising sun, images inspired by her poetry and symbolic of the way she lived. A writer, poet, performer, social activist, and teacher, Angelou rose to international prominence as an author after the publication of her groundbreaking autobiography, “I Know Why the Caged Bird Sings.” Angelou’s published works of verse, non-fiction, and fiction include more than 30 bestselling titles. Her remarkable career encompasses dance, theater, journalism, and social activism. The recipient of more than 30 honorary degrees, Angelou read “On the Pulse of Morning” at the 1992 inauguration of President Bill Clinton. Angelou’s reading marked the first time an African American woman wrote and presented a poem at a Presidential inauguration. In 2010, President Barack Obama awarded Angelou the Presidential Medal of Freedom, and she was the 2013 recipient of the Literarian Award, an honorary National Book Award for contributions to the literary community.

We could not be more proud of National Sculptors' Guild member Craig Campbell who had the privilege and honor to sculpt the Maya Angelou quarter. She is the first black woman to be depicted on a US quarter. The reverse (tails), designed by United States Mint Artistic Infusion Program Artist Emily Damstra and sculpted by United States Mint Medallic Artist Craig A. Campbell, depicts Maya Angelou with her arms uplifted. Behind her are a bird in flight and a rising sun, images inspired by her poetry and symbolic of the way she lived. A writer, poet, performer, social activist, and teacher, Angelou rose to international prominence as an author after the publication of her groundbreaking autobiography, “I Know Why the Caged Bird Sings.” Angelou’s published works of verse, non-fiction, and fiction include more than 30 bestselling titles. Her remarkable career encompasses dance, theater, journalism, and social activism. The recipient of more than 30 honorary degrees, Angelou read “On the Pulse of Morning” at the 1992 inauguration of President Bill Clinton. Angelou’s reading marked the first time an African American woman wrote and presented a poem at a Presidential inauguration. In 2010, President Barack Obama awarded Angelou the Presidential Medal of Freedom, and she was the 2013 recipient of the Literarian Award, an honorary National Book Award for contributions to the literary community.

We could not be more proud of National Sculptors' Guild member Craig Campbell who had the privilege and honor to sculpt the Maya Angelou quarter. She is the first black woman to be depicted on a US quarter.

The reverse (tails), designed by United States Mint Artistic Infusion Program Artist Emily Damstra and sculpted by United States Mint Medallic Artist Craig A. Campbell, depicts Maya Angelou with her arms uplifted. Behind her are a bird in flight and a rising sun, images inspired by her poetry and symbolic of the way she lived.

A writer, poet, performer, social activist, and teacher, Angelou rose to international prominence as an author after the publication of her groundbreaking autobiography, “I Know Why the Caged Bird Sings.” Angelou’s published works of verse, non-fiction, and fiction include more than 30 bestselling titles. Her remarkable career encompasses dance, theater, journalism, and social activism. The recipient of more than 30 honorary degrees, Angelou read “On the Pulse of Morning” at the 1992 inauguration of President Bill Clinton. Angelou’s reading marked the first time an African American woman wrote and presented a poem at a Presidential inauguration. In 2010, President Barack Obama awarded Angelou the Presidential Medal of Freedom, and she was the 2013 recipient of the Literarian Award, an honorary National Book Award for contributions to the literary community."

Tried and True at University of Central Oklahoma

11/11/2021

Gary Alsum’s “Tried and True” was dedicated November 11, 2021 at the University of Central Oklahoma in Edmond during their Veteran's Memorial Service. The two soldiers are sculpted back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures creates a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection. This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, and fellow service people, creating a space for reflection from any path of life. The National Sculptors' Guild has had the honor of placing a number of monuments commemorating Veteran’s across the nation. We extend our gratitude and respect to all Veteran’s. Thank you for your services. NSG Public Placement #530

Gary Alsum’s “Tried and True” was dedicated at the University of Central Oklahoma in Edmond during their Veteran's Memorial Service.

The two soldiers are sculpted back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures creates a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, and fellow service people, creating a space for reflection from any path of life.

The National Sculptors' Guild has had the honor of placing a number of monuments commemorating Veteran’s across the nation. We extend our gratitude and respect to all Veteran’s. Thank you for your services.

NSG Public Placement #530

Gary Alsum's Tried and True has been completed in bronze and is on it's way to the University of Central Oklahoma. The sculpture will be stored there until the site is completed and can be placed. Thanks to Bronze Services of Colorado for another job well done. Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled

Update 12/17/2020: Gary Alsum's Tried and True has been completed in bronze and is on it's way to the University of Central Oklahoma. The sculpture will be stored there until the site is completed and can be placed. Thanks to Bronze Services of Colorado for another job well done.

Tried and True by Gary Alsum and the National Sculptors' Guild Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled

Tried and True by Gary Alsum and the National Sculptors' Guild

5/24/2020:: Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures creates a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, and fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown below...

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Daisy Bates to be Honored in Little Rock

10/15/2021

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist. The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist. The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

Jane DeDecker's composition of Daisy Bates

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.

The life-sized bronze bust will be accompanied by a wall of bronze plaques featuring quotations by the great Civil Rights Activist.

The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.

Daisy Lee Gatson Bates
Mentor to the Little Rock Nine
Advocate for Equality

About Daisy Lee Gatson Bates...

National Sculptors' Guild Fellow Jane DeDecker has been selected by the State of Arkansas to sculpt Daisy Lee Gatson Bates for placement in the National Statuary Hall. We presented models early this month to the selection committee created by the Secretary of State administration along with 2 other finalists. The announcement was made earlier today. The honor to portray such an important figure in the state capitol is a true highlight for our entire design team. Jane will begin the enlargement in the coming months and we will provide updates here as this project develops. Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond. It is important to express Mrs. Bates' power through her stance since she is structurally smaller than the counterparts she will be placed near within the Statuary Hall. Her face lifted to take on oppressors, her hand shooing away the past as her steps create the movement necessary for generations to follow are just a few ways this composition expresses her power. She has shattered the glass ceiling without scars showing from the enduring path it took. No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement. Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful. Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement. She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts. She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights. Her image in the National Statuary Hall will serve well to inspire next generations to take her lead to end racial injustice.

Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.

She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.

She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.

She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.

She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.

She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.

Freedom in Whittier, California

9/15/2021

"Freedom" by Jane DeDecker and the National Sculptors' Guild is installed at York Field Sports Complex.

Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

Please join us at York Field for the dedication of

Please join us at York Field for the dedication of "Freedom" by Jane DeDecker and the National Sculptors' Guild on September 16, 2021 at 1 p.m. 9110 Santa Fe Springs Road, Whittier, CA 90606.

The City of Whittier selected this bronze sculpture for its public art program in December of 2020. We're set to install mid-September.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

Update 8/3/2021:
"Freedom" is cast and awaiting the site to be prepped. We temporarily have it on display in the NSG garden during our 29th Annual Show.

We'll install in Whittier, California in a just a few weeks. Make sure if you're in Northern Colorado that you get a peek before it leaves.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place "Freedom" at York Field Sports Complex. The multi-figure bronze sculpture will be placed in the large planter located between the ballpark and playground adjacent the parking lot.

The sculpture will be installed in late-summer 2021.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Clay enlargement in progress

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

#PublicArt #JaneDeDecker #NationalSculptorsGuild #NSG #Whittier #California #YorkFieldSportsComplex #Freedom #KidsAtPlay #Baseball #Softball #DogArt #Bronze #Sculpture

Gary Alsum's Mother Cabrini

9/2/2021

Just completed our installation of Gary Alsum's bronze

We just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Thanks everyone who helped make this placement a success!

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

UPDATE 8/15/21: Looking pretty finished in bronze with a fresh patina at Bronze Services of Colorado UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

UPDATE 8/15/21: Looking pretty finished in bronze with a fresh patina at Bronze Services of Colorado

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Conceptual rendering of proposed Mother Cabrini sculpture,

UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Process, from maquette to cast bronze enlargement

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Two new placements in Downey, CA

7/9/2021

The sculptures are in! The National Sculptors' Guild installed

The sculptures are in! The National Sculptors' Guild installed "In the Wings" by Jane DeDecker and Alyson Kinkade, and "The Conductor" by Jane DeDecker at the Downey Theatre plaza yesterday. We so enjoy working with the City of Downey as they continue to grow their public art collection. Special thanks to Capitol Crane for lifting the custom stone bases from Tribble Stone over Embassy Suites' wall; it was quite a feat. The dancer's tutus add a splash of color, and the conductor's flair enlivens the space.

The sculptures are in! The National Sculptors' Guild installed

The sculptures are in! The National Sculptors' Guild installed

These smaller works accompany the Fountain feature "Tree of Life" by Clay Enoch that the Guild previously installed. Additional sculptures are planned for the near future, and seating will allow guests to the theatre to enjoy the surrounding beauty of the plaza.

The sculptures are in! The National Sculptors' Guild installed

Material shortages and covid shutdowns delayed this installation. We are thrilled to have it them in place as a display of the return to post-pandemic life. We can't wait to see the plaza filled with theater-goers.

NSG Public Art Placements #532 & 533

#NationalSculptorsGuild #NSG #PublicArt #SculptureIsATeamSport #ArtistDriven #ClientMinded
#JaneDeDecker #AlysonKinkade #InTheWings #Conductor #DowneyTheatre #CityOfDowney #DowneyCA

Two new pieces will be placed at the Theatre Plaza Sculpture Garden.

Two new pieces will be placed at the Theatre Plaza Sculpture Garden.

10/27/2020: Two new pieces will be placed at the Theatre Plaza Sculpture Garden. "In the Wings" by Jane DeDecker and Alyson Kinkade, and "The Conductor" by Jane DeDecker. These smaller artworks join Clay Enoch's "Tree of Life" fountain in the center of the Downey Theatre Plaza.

There are plans for additional placements in the near future that will depict the varied performing arts for the Theatre Plaza Sculpture Garden. From musicians and actors; to dancers and comics; these sculpted entertainers will activate the space. Below is a suggested plan, each work is subject to change.

Two new pieces will be placed at the Theatre Plaza Sculpture Garden.

Synergy Little Rock, AR

6/21/2021

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today!

We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out.

Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured below)

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing

Fabrication of the sculpture was with Western Steel and Boiler in Denver. And we worked with Fulton Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the artwork.

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing

As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation.

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing

NSG Public Art Installation #531

#NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock
#WestCentralCommunityCenter #Synergy #ArtistDriven #ClientMinded

Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR.

5/15/2020: Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR.

"The West Central Community Center is a place where people come and go on an everyday basis to enjoy everything the center has to offer. The inspiration for this sculpture is to express the motion of the activities which take place in the Center and the connection it makes among community members. Designed with energy, this tall metal sculpture shows the excitement of the expression of motion. These forms, as simple as they might look, depict the complex movements of athletes and the togetherness of a lively community.

Standing tall, and easy to see, Caricof’s bright sculpture is perfectly suited as a landmark for the nearby pickup and drop off spot by the West Central Community Center’s entrance.”

Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR.

Protect in Tulsa, OK

6/9/2021

Joe Norman's

Joe Norman's "Protect" is earmarked for placement in front of the City of Tulsa's Fire Department 33. The 8-ft tall stainless steel sculpture depicts the silhouette of a firefighter from one angle, and the word protect from another. The National Sculptors' Guild's proposal of Norman's work was selected from an open call to artists to place "Protect".

Joe Norman's

Our initial approach for this site is to place a free-standing sculpture from Norman's word play series activating as much of the site as possible. The iconic sculpture will be fabricated from stainless steel,
with one side painted in durable epoxy paint to tie into the building's aesthetic. The first thing that comes to mind for us when thinking about a fire-fighter is the word "Protect" so that word is viewed from one direction. The other perspective shows the silhouette of a fire-fighter approaching their call to action.

62nd Winter Park Sidewalk Art Festival

5/14/2021

J.K. Designs' Principal and Executive Director of the National Sculptors' Guild's John Kinkade will be in Winter Park, Florida for the long anticipated judging of the 62nd Winter Park Sidewalk Art Festival. The festival was cancelled last year due to the Corona Virus, so the artists who were juried in were invited back to exhibit this year. These artist's are eager to show and sell their creations: while John and the two other judges are excited to select and present the 63 artist awards that total $74,500. John is honored to have been invited to judge this exceptional art festival and we hope those in the area will get a chance to view the exhibit, plus experience the many other activities offered, like Music and Food, the Children’s Workshop and the Leon Theodore Schools Exhibit.... click here to learn more.

J.K. Designs' Principal and Executive Director of the National Sculptors' Guild's John Kinkade will be in Winter Park, Florida for the long anticipated judging of the 62nd Winter Park Sidewalk Art Festival. The festival was cancelled last year due to the Corona Virus, so the artists who were juried in were invited back to exhibit this year. These artist's are eager to show and sell their creations: while John and the two other judges are excited to select and present the 63 artist awards that total $74,500.

John is honored to have been invited to judge this exceptional art festival and we hope those in the area will get a chance to view the exhibit, plus experience the many other activities offered, like Music and Food, the Children’s Workshop and the Leon Theodore Schools Exhibit.... click here to learn more.

Where: In Central Park and along Park Avenue in Winter Park, FL
When: May 14, 15, 16, 2021
Hours: 9 a.m. – 6 p.m., Friday and Saturday; 9 a.m. – 5 p.m., Sunday

The Winter Park Sidewalk Art Festival is one of the nation’s oldest, largest and most prestigious outdoor art festivals. The Festival debuted in March 1960 as a community project to bring local artists and art lovers together. It is produced by an all-volunteer board and draws more than 350,000 visitors each year. Over 1,100 artists from around the world apply for the Festival each year. An independent panel of three judges select the 225 artists who will exhibit their works. The Festival consistently ranks as one of the top juried fine art festivals in the country with high rankings in Art Fair Calendar’s “2019 Best Art Fairs”, Art Fair Source Book’s rankings and Sunshine Artist Magazine’s “Top 100” lists. The 2021 Artists Application is by invitation only this year and is being extended to the final 2020 accepted artists.

The Festival features a wide variety of fine arts and crafts in the following categories: clay, digital art, drawings & pastels, fiber-glass, graphics & printmaking, jewelry, leather, metal, mixed media 2D, mixed media 3D, painting, photography, sculpture, watercolor and wood, along with a special category for Emerging Artists.

The Best of Show winner is purchased for $12,000 by The Winter Park Sidewalk Art Festival Board and donated to the City of Winter Park. Previous Best of Show winners are on permanent display at the Winter Park Public Library. A $5,000 “Art of Philanthropy” Purchase Award is sponsored by the Edyth Bush Charitable Foundation. A $2,500 “Distinguished Work of Art” Award is presented through The Charles Hosmer Morse Museum of American Art. There are 10 Awards of Excellence of $2,000 each, 20 Awards of Distinction of $1,000 each and 30 Awards of Merit of $500 each. In addition to these awards, the Patrons Program generates another $80,000 in Art Bucks that are dedicated to the purchase of artwork.

J.K. Designs' Principal and Executive Director of the National Sculptors' Guild's John Kinkade will be in Winter Park, Florida for the long anticipated judging of the 62nd Winter Park Sidewalk Art Festival. The festival was cancelled last year due to the Corona Virus, so the artists who were juried in were invited back to exhibit this year. These artist's are eager to show and sell their creations: while John and the two other judges are excited to select and present the 63 artist awards that total $74,500. John is honored to have been invited to judge this exceptional art festival and we hope those in the area will get a chance to view the exhibit, plus experience the many other activities offered, like Music and Food, the Children’s Workshop and the Leon Theodore Schools Exhibit.... click here to learn more. Where: In Central Park and along Park Avenue in Winter Park, FL When: May 14, 15, 16, 2021 Hours: 9 a.m. – 6 p.m., Friday and Saturday; 9 a.m. – 5 p.m., Sunday The Winter Park Sidewalk Art Festival is one of the nation’s oldest, largest and most prestigious outdoor art festivals. The Festival debuted in March 1960 as a community project to bring local artists and art lovers together. It is produced by an all-volunteer board and draws more than 350,000 visitors each year. Over 1,100 artists from around the world apply for the Festival each year. An independent panel of three judges select the 225 artists who will exhibit their works. The Festival consistently ranks as one of the top juried fine art festivals in the country with high rankings in Art Fair Calendar’s “2019 Best Art Fairs”, Art Fair Source Book’s rankings and Sunshine Artist Magazine’s “Top 100” lists. The 2021 Artists Application is by invitation only this year and is being extended to the final 2020 accepted artists. The Festival features a wide variety of fine arts and crafts in the following categories: clay, digital art, drawings & pastels, fiber-glass, graphics & printmaking, jewelry, leather, metal, mixed media 2D, mixed media 3D, painting, photography, sculpture, watercolor and wood, along with a special category for Emerging Artists. The Best of Show winner is purchased for $12,000 by The Winter Park Sidewalk Art Festival Board and donated to the City of Winter Park. Previous Best of Show winners are on permanent display at the Winter Park Public Library. A $5,000 “Art of Philanthropy” Purchase Award is sponsored by the Edyth Bush Charitable Foundation. A $2,500 “Distinguished Work of Art” Award is presented through The Charles Hosmer Morse Museum of American Art. There are 10 Awards of Excellence of $2,000 each, 20 Awards of Distinction of $1,000 each and 30 Awards of Merit of $500 each. In addition to these awards, the Patrons Program generates another $80,000 in Art Bucks that are dedicated to the purchase of artwork.

Finalists named in bid to sculpt Daisy Gatson Bates, Johnny Cash statues for Capitol

2/3/2021

The National Sculptors' Guild design team is so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months.
read the article by Rachel Herzog for more info: https://www.arkansasonline.com/.../finalists-named-in.../

We are so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. https://www.arkansasonline.com/.../finalists-named-in.../

NSG Fellow Jane DeDecker with some of her recent historic portraits as part of the Women's Suffrage Movement Monument slated for Washington, DC.

We are so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. https://www.arkansasonline.com/.../finalists-named-in.../

NSG Associate Craig Campbell working on monuments in his studio.

The National Sculptors' Guild design team is so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. read the article by Rachel Herzog for more infor: https://www.arkansasonline.com/.../finalists-named-in.../ #Finalist #JaneDeDecker #CraigCampbell #NSG #Arkansas #Portraits #NationalStatuaryHall #FingersCrossed

Daisy Lee Bates and Johnny Cash to be commemorated in the National Statuary Hall by one of three finalists each, including Jane DeDecker and Craig Campbell, Fingers crossed we get to honor these extraordinary individuals!

#Finalist #JaneDeDecker #CraigCampbell #NSG #Arkansas #Portraits #NationalStatuaryHall #FingersCrossed