PROJECTS JK Designs, Inc. National Sculptors' Guild Columbine Gallery Significant Art Statements since 1992 - JK DESIGNS Fine Art Consulting

Cerritos Tribute to Public Safety

2/18/2022

You may not realize, but monumental placements start small. On this one, we went REAL SMALL. John created a model of the site with our proposed layouts for the city to choose from. We've just been approved on our design for the City of Cerritos' First Responders Plaza which will be located in front of the Sheriff's Department. Our design team is transforming the 2500 sq ft lawn into an artful gathering space that honors first responders. Three monumental bronze sculptures by NSG's Gary Alsum will be the focal point of our Tribute to Public Safety. Granite walls will be adorned by quotes and insignia. A memorial will be placed to pay tribute to the city's fallen officers. And a Bosque of Trees forms a nurturing space to house the new 9/11 memorial. The entire site becomes a piece of art. We are really pleased with the design and how this will enhance the community. We are looking forward to sharing the process here, stay tuned.

You may not realize, but monumental placements start small. On this one, we went REAL SMALL. John created a model of the site with our proposed layouts for the city to choose from.

We've just been approved on our design for the City of Cerritos' First Responders Plaza which will be located in front of the Sheriff's Department. Our design team is transforming the 2500 sq ft lawn into an artful gathering space that honors first responders.

Three monumental bronze sculptures by NSG's Gary Alsum will be the focal point of our Tribute to Public Safety. Granite walls will be adorned by quotes and insignia. A memorial will be placed to pay tribute to the city's fallen officers. And a Bosque of Trees forms a nurturing space to house the new 9/11 memorial. The entire site becomes a piece of art. We are really pleased with the design and how this will enhance the community.

We are looking forward to sharing the process here, stay tuned.

Often monumental placements start small. On this one, we went REAL SMALL. John created a model of the site with our proposed layouts for the city to choose from.

We've just been approved on our design for the City of Cerritos' First Responders Plaza which will be located in front of the Sheriff's Department. We are transforming the 2500 sq ft green space into a gathering space that honors first responders. Three monumental bronze sculptures by Gary Alsum will be the focal point of our Tribute to Public Safety. Granite walls will be adorned by quotes and insignia. A memorial will be placed to pay tribute to the city's fallen officers. And a Bosque of Trees forms a nurturing space to house a new 9/11 memorial. We are looking forward to sharing the process here, stay tuned.

Often monumental placements start small. On this one, we went REAL SMALL. John created a model of the site with our proposed layouts for the city to choose from.

We've just been approved on our design for the City of Cerritos' First Responders Plaza which will be located in front of the Sheriff's Department. We are transforming the 2500 sq ft green space into a gathering space that honors first responders. Three monumental bronze sculptures by Gary Alsum will be the focal point of our Tribute to Public Safety. Granite walls will be adorned by quotes and insignia. A memorial will be placed to pay tribute to the city's fallen officers. And a Bosque of Trees forms a nurturing space to house a new 9/11 memorial. We are looking forward to sharing the process here, stay tuned.

Often monumental placements start small. On this one, we went REAL SMALL. John created a model of the site with our proposed layouts for the city to choose from.

We've just been approved on our design for the City of Cerritos' First Responders Plaza which will be located in front of the Sheriff's Department. We are transforming the 2500 sq ft green space into a gathering space that honors first responders. Three monumental bronze sculptures by Gary Alsum will be the focal point of our Tribute to Public Safety. Granite walls will be adorned by quotes and insignia. A memorial will be placed to pay tribute to the city's fallen officers. And a Bosque of Trees forms a nurturing space to house a new 9/11 memorial. We are looking forward to sharing the process here, stay tuned.

More National Sculptors' Guild Art Slated For Benson Park

2/12/2022

So pleased that three NSG members have had sculptures selected to add to the City of Loveland Art in Public Places' collection at Benson Sculpture Garden this year. One of the best sculpture gardens in the nation is in our backyard and is filled with lots of our artists’ work. And soon, there'll be more! If you haven’t seen it, come visit! #CraigCampbell #JoeNorman #JackHill #NSG #PublicArt #BensonPark #LovelandCO #NationalSculptorsGuild #Sculpture Via @lovelandpublicart: In early February 2022, the Loveland Visual Arts Commission approved the gracious donation of the six new sculptures for the Benson Sculpture Gardens by the Loveland High Plains Arts Council (LHPAC). This year’s selection of artworks continues the legacy of sculpture contributions to the Loveland community. These sculptures will be installed in early summer, with a formal dedication during the second weekend in July. This year's selected pieces: 1. Abracadabra; Craig Campbell; Bronze – 84” x 60” x 48” 2. On a Roll; Jack Hill; Bronze – 84” x 48” x 28” 3. Hangin’ Around; Mark Hopkins; Bronze – 66” x 52” x 36” 4. Open Window; Ted Schaal; Bronze, Stainless Steel, 24K Gold –108” x 48” x 24” 5. Monarch Girl; Joe Norman; Stainless Steel – 72” 6. Power of Thought; Victor Issa; Bronze – 120” x 88” x 41”

Craig Campbell's Abracadabra

So pleased that three NSG members have had sculptures selected to add to the City of Loveland Art in Public Places' collection at Benson Sculpture Garden this year. One of the best sculpture gardens in the nation is in our backyard and is filled with lots of our artists’ work. And soon, there'll be more! If you haven’t seen it, come visit! #CraigCampbell #JoeNorman #JackHill #NSG #PublicArt #BensonPark #LovelandCO #NationalSculptorsGuild #Sculpture Via @lovelandpublicart: In early February 2022, the Loveland Visual Arts Commission approved the gracious donation of the six new sculptures for the Benson Sculpture Gardens by the Loveland High Plains Arts Council (LHPAC). This year’s selection of artworks continues the legacy of sculpture contributions to the Loveland community. These sculptures will be installed in early summer, with a formal dedication during the second weekend in July. This year's selected pieces: 1. Abracadabra; Craig Campbell; Bronze – 84” x 60” x 48” 2. On a Roll; Jack Hill; Bronze – 84” x 48” x 28” 3. Hangin’ Around; Mark Hopkins; Bronze – 66” x 52” x 36” 4. Open Window; Ted Schaal; Bronze, Stainless Steel, 24K Gold –108” x 48” x 24” 5. Monarch Girl; Joe Norman; Stainless Steel – 72” 6. Power of Thought; Victor Issa; Bronze – 120” x 88” x 41”

Jack Hill's On a Roll

So pleased that three NSG members have had sculptures selected to add to the City of Loveland Art in Public Places' collection at Benson Sculpture Garden this year. One of the best sculpture gardens in the nation is in our backyard and is filled with lots of our artists’ work. And soon, there'll be more! If you haven’t seen it, come visit!

Congratulations to Craig Campbell, Jack Hill and Joe Norman!

#CraigCampbell #JoeNorman #JackHill #NSG #PublicArt #BensonPark #LovelandCO #NationalSculptorsGuild #Sculpture

So pleased that three NSG members have had sculptures selected to add to the City of Loveland Art in Public Places' collection at Benson Sculpture Garden this year. One of the best sculpture gardens in the nation is in our backyard and is filled with lots of our artists’ work. And soon, there'll be more! If you haven’t seen it, come visit! #CraigCampbell #JoeNorman #JackHill #NSG #PublicArt #BensonPark #LovelandCO #NationalSculptorsGuild #Sculpture Via @lovelandpublicart: In early February 2022, the Loveland Visual Arts Commission approved the gracious donation of the six new sculptures for the Benson Sculpture Gardens by the Loveland High Plains Arts Council (LHPAC). This year’s selection of artworks continues the legacy of sculpture contributions to the Loveland community. These sculptures will be installed in early summer, with a formal dedication during the second weekend in July. This year's selected pieces: 1. Abracadabra; Craig Campbell; Bronze – 84” x 60” x 48” 2. On a Roll; Jack Hill; Bronze – 84” x 48” x 28” 3. Hangin’ Around; Mark Hopkins; Bronze – 66” x 52” x 36” 4. Open Window; Ted Schaal; Bronze, Stainless Steel, 24K Gold –108” x 48” x 24” 5. Monarch Girl; Joe Norman; Stainless Steel – 72” 6. Power of Thought; Victor Issa; Bronze – 120” x 88” x 41”

Joe Norman's Monarch Girl (three views shown)

Via @lovelandpublicart: In early February 2022, the Loveland Visual Arts Commission approved the gracious donation of the six new sculptures for the Benson Sculpture Gardens by the Loveland High Plains Arts Council (LHPAC). This year’s selection of artworks continues the legacy of sculpture contributions to the Loveland community. These sculptures will be installed in early summer, with a formal dedication during the second weekend in July.
This year's selected pieces:
1. Abracadabra; Craig Campbell; Bronze – 84” x 60” x 48”
2. On a Roll; Jack Hill; Bronze – 84” x 48” x 28”
3. Hangin’ Around; Mark Hopkins; Bronze – 66” x 52” x 36”
4. Open Window; Ted Schaal; Bronze, Stainless Steel, 24K Gold –108” x 48” x 24”
5. Monarch Girl; Joe Norman; Stainless Steel – 72”
6. Power of Thought; Victor Issa; Bronze – 120” x 88” x 41”

Greg Hebert 3/23/1959 - 1/21/2022

1/23/2022

We are sharing the unfortunate news of the death of our dear friend and colleague, Greg Hebert. Greg lost his 7.5 month battle with Glioblastoma. Greg was an integral part of our design team bringing his vast knowledge of Landscape Architecture and unique vision to several of our public art projects. Our entry for the Barona Band of Mission Indians in Lakeside, California won the AIA Orchid Award. Just one of Greg's many professional accolades. Having known Greg since his college years in the 80's, we (the Kinkade's) consider him family, and are incredibly saddened by his passing. We will deeply miss his positive energy and the beauty he cultivated throughout his life.

Greg with the family dog, Onyx

We are sharing the unfortunate news of the death of our dear friend and colleague, Greg Hebert. Greg lost his 7.5 month battle with Glioblastoma on Friday.

Greg was an integral part of our design team bringing his vast knowledge of Landscape Architecture and unique vision to several of our public art projects. Our entry for the Barona Band of Mission Indians in Lakeside, California won the AIA Orchid Award. Just one of Greg's many professional accolades.

Having known Greg since his college years in the 80's, we (the Kinkade's) consider him family, and are incredibly saddened by his passing. We will deeply miss his positive energy and the beauty he cultivated throughout his life.

We are sharing the unfortunate news of the death of our deer friend and colleague, Greg Hebert. Greg lost his 7.5 month battle with Glioblastoma. Greg was an integral part of our design team bringing his vast knowledge of Landscape Architecture and unique vision to several of our public art projects. Our entry for the Barona Band of Mission Indians in Lakeside, California won the AIA Orchid Award. Just one of Greg's many professional accolades. Having known Greg since his college years in the 80's, we (the Kinkade's) consider him family, and are incredibly saddened by his passing. We will deeply miss his positive energy and the beauty he cultivated throughout his life.

One of Greg's award winning courtyards, artwork by NSG's CT Whitehouse

We are sharing the unfortunate news of the death of our dear friend and colleague, Greg Hebert. Greg lost his 7.5 month battle with Glioblastoma. Greg was an integral part of our design team bringing his vast knowledge of Landscape Architecture and unique vision to several of our public art projects. Our entry for the Barona Band of Mission Indians in Lakeside, California won the AIA Orchid Award. Just one of Greg's many professional accolades. Having known Greg since his college years in the 80's, we (the Kinkade's) consider him family, and are incredibly saddened by his passing. We will deeply miss his positive energy and the beauty he cultivated throughout his life.

Longtime friends, Brian and John got to visit Greg in September.

We are sharing the unfortunate news of the death of our deer friend and colleague, Greg Hebert. Greg lost his 7.5 month battle with Glioblastoma. Greg was an integral part of our design team bringing his vast knowledge of Landscape Architecture and unique vision to several of our public art projects. Our entry for the Barona Band of Mission Indians in Lakeside, California won the AIA Orchid Award. Just one of Greg's many professional accolades. Having known Greg since his college years in the 80's, we (the Kinkade's) consider him family and are incredibly saddened by his passing. We will deeply miss his positive energy and the beauty he cultivated throughout his life.

"The Greeters" AIA Orchid Award Winner, design team included NSG's John Kinkade, Greg Hebert and Denny Haskew

Artist Spotlight - Gary Alsum in Fine Art Connoisseur

1/21/2022

One of the National Sculptors' Guild's Charter Members, Gary Alsum, was just featured in Fine Art Connoisseur Magazine. The article highlights Gary's take on the commission process and some of the benefits of working as a team. As John has always said

Artist, Gary Alsum with “Colorado Governor, Ralph Carr,” commission for Carr Judicial Center, Denver, Colorado. Bronze, 54” tall, 2012

One of the National Sculptors' Guild's Charter Members, Gary Alsum, was just featured in Fine Art Connoisseur Magazine. The article highlights Gary's take on the commission process and some of the benefits of working as a team. As John Kinkade, NSG Director has always said "Sculpture is a Team Sport" and we love all the projects we've been able to place with Gary over the past 30 years.

From the Artist Spotlight... "What is the most interesting thing you have sculpted and why?
Most of my work in the past couple of decades has been in collaboration with individual collectors or municipal entities along with the National Sculptors’ Guild (NSG). Most of those works honor people from our past but some are intended to preserve favorite memories or activities. My favorite subjects are the figure in motion, but capturing likenesses is just as satisfying. All the commissions I am awarded are a special honor. I take the responsibility seriously with the goal of giving clients more than they expect.

Working with the NSG allows me to do what I do best — create meaningful sculpture — while they handle the logistics of scheduling, engineering, transportation, landscaping that enhances the sculpture, installation etc. Not all my sculptures are large enough to require trucks and cranes and such, but when they do, the NSG is an invaluable asset.

How do you describe success?
I feel most successful when a client is moved to tears when they first see a finished sculpture. But occasionally I create more humorous depictions – dogs driving classic cars with reckless abandon. (How else would dogs drive?) Success then is when viewers burst out in laughter. It makes for a fun mix."

Click here to see the full feature

One of the National Sculptors' Guild's Charter Members, Gary Alsum, was just featured in Fine Art Connoisseur Magazine. The article highlights Gary's take on the commission process and some of the benefits of working as a team. As John has always said

Gary Alsum, “Mother Cabrini,” commission for Immaculate Conception Catholic Church, Lafayette, Colorado. Bronze, 96” tall, 2020

One of the National Sculptors' Guild's Charter Members, Gary Alsum, was just featured in Fine Art Connoisseur Magazine. The article highlights Gary's take on the commission process and some of the benefits of working as a team. As John has always said

Gary Alsum, “Extreme,” private commission for collector’s retreat. Bronze, 30” tall fitted to specially selected boulder, 2009

Contact us to commission something for your site by Gary Alsum

The Maya Angelou Quarter

1/18/2022

We could not be more proud of National Sculptors' Guild member Craig Campbell who had the privilege and honor to sculpt the Maya Angelou quarter. She is the first black woman to be depicted on a US quarter. The reverse (tails), designed by United States Mint Artistic Infusion Program Artist Emily Damstra and sculpted by United States Mint Medallic Artist Craig A. Campbell, depicts Maya Angelou with her arms uplifted. Behind her are a bird in flight and a rising sun, images inspired by her poetry and symbolic of the way she lived. A writer, poet, performer, social activist, and teacher, Angelou rose to international prominence as an author after the publication of her groundbreaking autobiography, “I Know Why the Caged Bird Sings.” Angelou’s published works of verse, non-fiction, and fiction include more than 30 bestselling titles. Her remarkable career encompasses dance, theater, journalism, and social activism. The recipient of more than 30 honorary degrees, Angelou read “On the Pulse of Morning” at the 1992 inauguration of President Bill Clinton. Angelou’s reading marked the first time an African American woman wrote and presented a poem at a Presidential inauguration. In 2010, President Barack Obama awarded Angelou the Presidential Medal of Freedom, and she was the 2013 recipient of the Literarian Award, an honorary National Book Award for contributions to the literary community.

We could not be more proud of National Sculptors' Guild member Craig Campbell who had the privilege and honor to sculpt the Maya Angelou quarter. She is the first black woman to be depicted on a US quarter. The reverse (tails), designed by United States Mint Artistic Infusion Program Artist Emily Damstra and sculpted by United States Mint Medallic Artist Craig A. Campbell, depicts Maya Angelou with her arms uplifted. Behind her are a bird in flight and a rising sun, images inspired by her poetry and symbolic of the way she lived. A writer, poet, performer, social activist, and teacher, Angelou rose to international prominence as an author after the publication of her groundbreaking autobiography, “I Know Why the Caged Bird Sings.” Angelou’s published works of verse, non-fiction, and fiction include more than 30 bestselling titles. Her remarkable career encompasses dance, theater, journalism, and social activism. The recipient of more than 30 honorary degrees, Angelou read “On the Pulse of Morning” at the 1992 inauguration of President Bill Clinton. Angelou’s reading marked the first time an African American woman wrote and presented a poem at a Presidential inauguration. In 2010, President Barack Obama awarded Angelou the Presidential Medal of Freedom, and she was the 2013 recipient of the Literarian Award, an honorary National Book Award for contributions to the literary community.

We could not be more proud of National Sculptors' Guild member Craig Campbell who had the privilege and honor to sculpt the Maya Angelou quarter. She is the first black woman to be depicted on a US quarter.

The reverse (tails), designed by United States Mint Artistic Infusion Program Artist Emily Damstra and sculpted by United States Mint Medallic Artist Craig A. Campbell, depicts Maya Angelou with her arms uplifted. Behind her are a bird in flight and a rising sun, images inspired by her poetry and symbolic of the way she lived.

A writer, poet, performer, social activist, and teacher, Angelou rose to international prominence as an author after the publication of her groundbreaking autobiography, “I Know Why the Caged Bird Sings.” Angelou’s published works of verse, non-fiction, and fiction include more than 30 bestselling titles. Her remarkable career encompasses dance, theater, journalism, and social activism. The recipient of more than 30 honorary degrees, Angelou read “On the Pulse of Morning” at the 1992 inauguration of President Bill Clinton. Angelou’s reading marked the first time an African American woman wrote and presented a poem at a Presidential inauguration. In 2010, President Barack Obama awarded Angelou the Presidential Medal of Freedom, and she was the 2013 recipient of the Literarian Award, an honorary National Book Award for contributions to the literary community."

Tried and True at University of Central Oklahoma

11/11/2021

Gary Alsum’s “Tried and True” was dedicated November 11, 2021 at the University of Central Oklahoma in Edmond during their Veteran's Memorial Service. The two soldiers are sculpted back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures creates a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection. This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, and fellow service people, creating a space for reflection from any path of life. The National Sculptors' Guild has had the honor of placing a number of monuments commemorating Veteran’s across the nation. We extend our gratitude and respect to all Veteran’s. Thank you for your services. NSG Public Placement #530

Gary Alsum’s “Tried and True” was dedicated at the University of Central Oklahoma in Edmond during their Veteran's Memorial Service.

The two soldiers are sculpted back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures creates a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, and fellow service people, creating a space for reflection from any path of life.

The National Sculptors' Guild has had the honor of placing a number of monuments commemorating Veteran’s across the nation. We extend our gratitude and respect to all Veteran’s. Thank you for your services.

NSG Public Placement #530

Gary Alsum's Tried and True has been completed in bronze and is on it's way to the University of Central Oklahoma. The sculpture will be stored there until the site is completed and can be placed. Thanks to Bronze Services of Colorado for another job well done. Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled

Update 12/17/2020: Gary Alsum's Tried and True has been completed in bronze and is on it's way to the University of Central Oklahoma. The sculpture will be stored there until the site is completed and can be placed. Thanks to Bronze Services of Colorado for another job well done.

Tried and True by Gary Alsum and the National Sculptors' Guild Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled

Tried and True by Gary Alsum and the National Sculptors' Guild

5/24/2020:: Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures creates a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, and fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown below...

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Tried and True by Gary Alsum and the National Sculptors' Guild

Gary Alsum and the National Sculptors' Guild were selected by the University of Central Oklahoma to create a Veteran's Memorial for their Edmond, Oklahoma campus. The composition is titled "Tried and True"

The desire of the committee was to honor two individuals as a memorial - one depicted as a soldier and one as a student - who were close to the UCO family and by extension represent all others who have served to defend our liberties.

Gary chose to depict the two soldiers, back to back. One in full combat uniform, the other dressed for class. Minimizing space between the figures by eliminating any negative space creates it a single form. Symbolically, this depiction shows how the soldiers rely on one another as they literally have each other’s back – in service, or in civilian life; they stand together in a life-long connection.

This camaraderie extends to the family of Veterans which can be felt through this composition as well. It can connect with relatives, friends, or fellow service people, creating a space for reflection from any path of life.

The clay enlargement is shown here, the sculpture will be placed as soon as it is cast in bronze.

Freedom in Whittier, California

9/15/2021

"Freedom" by Jane DeDecker and the National Sculptors' Guild is installed at York Field Sports Complex.

Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

Please join us at York Field for the dedication of

Please join us at York Field for the dedication of "Freedom" by Jane DeDecker and the National Sculptors' Guild on September 16, 2021 at 1 p.m. 9110 Santa Fe Springs Road, Whittier, CA 90606.

The City of Whittier selected this bronze sculpture for its public art program in December of 2020. We're set to install mid-September.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

Update 8/3/2021:
"Freedom" is cast and awaiting the site to be prepped. We temporarily have it on display in the NSG garden during our 29th Annual Show.

We'll install in Whittier, California in a just a few weeks. Make sure if you're in Northern Colorado that you get a peek before it leaves.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place "Freedom" at York Field Sports Complex. The multi-figure bronze sculpture will be placed in the large planter located between the ballpark and playground adjacent the parking lot.

The sculpture will be installed in late-summer 2021.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

Clay enlargement in progress

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place

#PublicArt #JaneDeDecker #NationalSculptorsGuild #NSG #Whittier #California #YorkFieldSportsComplex #Freedom #KidsAtPlay #Baseball #Softball #DogArt #Bronze #Sculpture

Gary Alsum's Mother Cabrini

9/2/2021

Just completed our installation of Gary Alsum's bronze

We just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Thanks everyone who helped make this placement a success!

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Just completed our installation of Gary Alsum's bronze "Mother Cabrini" at the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

UPDATE 8/15/21: Looking pretty finished in bronze with a fresh patina at Bronze Services of Colorado UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

UPDATE 8/15/21: Looking pretty finished in bronze with a fresh patina at Bronze Services of Colorado

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's. The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021. About Cabrini... The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate. However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States. In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds. Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages. Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Conceptual rendering of proposed Mother Cabrini sculpture,

UPDATE 2/18/21: Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, (also known as Saint Frances Cabrini), with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Process, from maquette to cast bronze enlargement

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Gary Alsum and the National Sculptors' Guild were selected to sculpt Mother Cabrini for the Immaculate Conception Catholic Church vehicular entry located on Cabrini Drive in Lafayette, Colorado. Gary elected to depict Mother Cabrini, also known as Saint Frances Cabrini, with children to show the nun's lifelong dedication to helping the poor, the sick, immigrants and those less fortune; forming schools and orphanages around the world in the late 1800's.

The bronze sculpture will be 8-ft tall, mounted on a trio of off-set hexagonal sandstone for an overall height of 11-12-feet. A natural pathway will be laid to allow visitors to experience the sculpture's details. We anticipate installation in late-Spring 2021.

About Cabrini...
The youngest of thirteen children, Frances Cabrini was born on July 15, 1850 in a small village called S’ant Angelo Lodigiano near the city of Milan, Italy. She grew up enthralled by the stories of missionaries and made up her mind to join a religious order. Because of her frail health, she was not permitted to join the Daughters of the Sacred Heart who had been her teachers and under whose guidance she obtained her teaching certificate.

However, in 1880, with seven young women, Frances founded the Institute of the Missionary Sisters of the Sacred Heart of Jesus. She was as resourceful as she was prayerful, finding people who would donate what she needed in money, time, labor and support. She and her sisters wanted to be missionaries in China; she visited Rome to obtain an audience with Pope Leo XIII. The Pope told Frances to go “not to the East, but to the West” to New York rather than to China as she had expected. She was to help the thousands of Italian immigrants already in the United States.

In 1889, New York seemed to be filled with chaos and poverty, and into this new world stepped Mother Frances Cabrini and her sister companions. Cabrini organized catechism and education classes for the Italian immigrants and provided for the needs of the many orphans. She established schools and orphanages despite tremendous odds.

Soon, requests for her to open schools came to Frances Cabrini from all over the world. She traveled to Europe, Central and South America and throughout the United States. She made 23 trans-Atlantic crossings and established 67 institutions: schools, hospitals and orphanages.

Her activity was relentless until her death. On December 22, 1917, in Chicago, she died. In 1946, she was canonized a saint by Pope Pius XII in recognition of her holiness and service to mankind and was named Patroness of Immigrants in 1950.

Two new placements in Downey, CA

7/9/2021

The sculptures are in! The National Sculptors' Guild installed

The sculptures are in! The National Sculptors' Guild installed "In the Wings" by Jane DeDecker and Alyson Kinkade, and "The Conductor" by Jane DeDecker at the Downey Theatre plaza yesterday. We so enjoy working with the City of Downey as they continue to grow their public art collection. Special thanks to Capitol Crane for lifting the custom stone bases from Tribble Stone over Embassy Suites' wall; it was quite a feat. The dancer's tutus add a splash of color, and the conductor's flair enlivens the space.

The sculptures are in! The National Sculptors' Guild installed

The sculptures are in! The National Sculptors' Guild installed

These smaller works accompany the Fountain feature "Tree of Life" by Clay Enoch that the Guild previously installed. Additional sculptures are planned for the near future, and seating will allow guests to the theatre to enjoy the surrounding beauty of the plaza.

The sculptures are in! The National Sculptors' Guild installed

Material shortages and covid shutdowns delayed this installation. We are thrilled to have it them in place as a display of the return to post-pandemic life. We can't wait to see the plaza filled with theater-goers.

NSG Public Art Placements #532 & 533

#NationalSculptorsGuild #NSG #PublicArt #SculptureIsATeamSport #ArtistDriven #ClientMinded
#JaneDeDecker #AlysonKinkade #InTheWings #Conductor #DowneyTheatre #CityOfDowney #DowneyCA

Two new pieces will be placed at the Theatre Plaza Sculpture Garden.

Two new pieces will be placed at the Theatre Plaza Sculpture Garden.

10/27/2020: Two new pieces will be placed at the Theatre Plaza Sculpture Garden. "In the Wings" by Jane DeDecker and Alyson Kinkade, and "The Conductor" by Jane DeDecker. These smaller artworks join Clay Enoch's "Tree of Life" fountain in the center of the Downey Theatre Plaza.

There are plans for additional placements in the near future that will depict the varied performing arts for the Theatre Plaza Sculpture Garden. From musicians and actors; to dancers and comics; these sculpted entertainers will activate the space. Below is a suggested plan, each work is subject to change.

Two new pieces will be placed at the Theatre Plaza Sculpture Garden.

Synergy Little Rock, AR

6/21/2021

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today! We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out. Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured) As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation. Fabrication of the sculpture was with Western Steel and Boiler in Denver. We worked with Fulton County Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the work. NSG Public Art Installation #531 #NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock #WestCentralCommunityCenter #Synergy

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing "Synergy" today!

We are so excited to see how the big yellow swoops enliven the courtyard of the West Central Community Center. To be enjoyed inside and out.

Two City Directors were on site to witness the installation, Doris Wright and Dean Kumpuris. (pictured below)

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing

Fabrication of the sculpture was with Western Steel and Boiler in Denver. And we worked with Fulton Stoneworks in Arkansas for the custom stone benches that will encourage visitors to the center to sit near the sculpture and enjoy different perspectives of the artwork.

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing

As always - a big thanks to the City of Little Rock lead by Jackie Collins and Leland Couch for their assistance with the installation.

Kathleen Caricof and the National Sculptors' Guild are in Little Rock installing

NSG Public Art Installation #531

#NationalSculptorsGuild #NSG #CaricofSculpture #PublicArt #SculptureIsATeamSport #LittleRock
#WestCentralCommunityCenter #Synergy #ArtistDriven #ClientMinded

Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR.

5/15/2020: Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR.

"The West Central Community Center is a place where people come and go on an everyday basis to enjoy everything the center has to offer. The inspiration for this sculpture is to express the motion of the activities which take place in the Center and the connection it makes among community members. Designed with energy, this tall metal sculpture shows the excitement of the expression of motion. These forms, as simple as they might look, depict the complex movements of athletes and the togetherness of a lively community.

Standing tall, and easy to see, Caricof’s bright sculpture is perfectly suited as a landmark for the nearby pickup and drop off spot by the West Central Community Center’s entrance.”

Kathleen Caricof and the National Sculptors' Guild have won the 2020 Sculpture at the River Market Public Monument commission. Synergy will be installed in spring 2021 near the entrance of the West Central Community Center, Little Rock, AR.