The National Sculptors’ Guild installed 18 public art placements in 2020, truly a triumph for the challenges we all faced in the year.

We are excited to have several new projects set to install in 2021 that we will be sharing in the near future.

Our 2020 public art placements are... (click titles to learn more)

My Heart is in Your Hands, Jane DeDecker, Downey, CA
Homeward/Monarch, Joe Norman, Downey, CA
Mock Orange, Michael Warrick, Whittier, CA
Time, Carol Gold, Bend, OR
Between the Lines, Jane DeDecker, Loveland, CO
Leaps and Bounds, Daniel Glanz, Brighton, CO
Sweet Dreams & Grassland Trio, Daniel Glanz, Brighton, CO
Mockingbird Tree, Michael Warrick, Southlake, TX
On a Roll, Jack Hill, Downey, CA
From a Different Perspective, Jane DeDecker, Downey, CA
Infinite Dance, Carol Gold, Downey, CA
Tree of Life, Clay Enoch, Downey, CA
Burro Trio, Jane DeDecker, Southlake, TX
Bamboo, Tim Cotterill (The Frogman), Joplin, MO
Keeping the Ball Rolling, Jane DeDecker, Edmond, OK
On a Roll, Jack Hill, Edmond, OK
Rev. Pond, Denny Haskew, Shakopee, MN
Tried and True, Gary Alsum, Edmond, OK

We've now placed 530 public art monuments since 1992!

10/5/2019: The National Sculptors' Guild has loaded up NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base and are headed to Little Rock Arkansas... Fable is supervising the load.

Stay tuned for pics of the installation.

The sculpture celebrates the 100th Anniversary of the Nineteenth Amendment, Granting Women the Right To Vote
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Jane customized the composition for the Arkansas placement, by including additional historic figures; two of the suffragettes who helped lead the movement in Arkansas. Josephine Miller Brown and Julia Burnell Babcock aka Bernie Babcock

In 1919, Arkansas became the 12th state to approve the 19th Amendment.
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The Arkansas 19th Amendment Memorial will be dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at Little Rock's  Riverfront Park
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This 5-ft version (minus the two extra figures) is the #Maquette for DeDecker's Every Word We Utter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature. #BePartOfTheCircle learn more...
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So many more phenomenal women were involved in this movement than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.
#SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  #ThanksFable #ArtDog #RhodesianRidgeback

11/3/2019: The last several months have been filled with sculpting and casting for this project. #process.

6/20/2019:
The Adam's County Arts Committee has approved our proposal for the second area for art at the new Riverdale Animal Shelter. Two sculptures by ​Daniel Glanz and the National Sculptors' Guild will be placed in the calming garden.

​​In this quieter placement we have a mouse curled up next to a sleeping cat in this unlikely pairing as they take a break from the ‘race’. The bronze is placed on a large sandstone natural bench, inviting visitors to sit next to Sweet Dreams for a moment of respite.
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Finally, Grassland Trio again combines stainless steel with bronze, depicting a rabbit, lizard and bird united by tall grasses representing the natural beauty of the area, and a few of the other (maybe lesser known) pets that the shelter assists.

2/8/2019:
​Daniel Glanz and the National Sculptors' Guild are happy to announce our design for Adams County's new Riverdale Animal Shelter was accepted and will be realized in the coming year. We will post updates here as the sculpture evolves.

Energetic and enthusiastically welcoming, this piece creates an immediate connection for the public with the shelter; becoming an iconic entrance piece for the Riverdale Animal Shelter.

A dog leaps in the air to catch a frisbee. Across the entry one sees the young child that threw the frisbee. In-between, a cat sitting on the provided bench has it’s paw up in a futile attempt to intercept. The dog and cat will include sculpted details specific to Riverdale, including the names “River” and “Dale” inscribed on collars – reinforcing proper care of pets. The frisbee may include the Riverdale logo. 

The sculptures will be cast in bronze and scaled at life-size, the frisbee and abstract element that the dog attaches to will be fabricated stainless steel. Patina on the bronze will be warm-browns. The breeds of the cat and dog will be nondescript for universal appeal. The child will be sculpted gender neutral and racially ambiguous for optimum inclusiveness of all visitors to the Riverdale Animal Shelter.

Utilizing the existing bench for the cat invites visitors to sit next to the sculpture and be part of the composition. The artwork provides multiple photo opportunities to capture happy adoption moments.

The term 'Leaps and Bounds' is used to emphasize that someone or something is improving or increasing quickly and greatly... this absolutely rings true for the animals that are sheltered and adopted here. The sculpture demonstrates the health and vitality that comes from our connection with our pets. It also sets the tone for visitors to the shelter; as one enters the facility; they know this to be a place where animals thrive.

Update 12/6/2018: The Legacy Project is our 500th Public Art Placement!
More elements and finish work has been going in since placing the sculpture. We anticipate a great celebration once the plaza of The Foundry opens to the public.

Update 11/20/2018: We were downtown completing the installation this afternoon.

​The bronze is in! "Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry 
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The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!

We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.

​We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.

 #FullCircle #ReachingOurGoal

Update 11/16/2018: Today was a huge step in the installation of The Legacy Project. Over 68,000 lbs of Dakota sandstone was craned into the site and set by Denny Haskew and the National Sculptors' Guild. Next week the final stone and bronze element will be placed.

The Rotary Club of Thompson Valley's "Legacy Project" will activate the plaza of The Foundry, a new development that is transforming Loveland's historic downtown. The installation includes "Reaching Our Goal" bronze sculpture by National Sculptors' Guild Charter Member Denny Haskew

Update 11/14/2018: Our 500th Public Art Placement is going in this week! Stay tuned to our social media posts for updates. We're so excited that we're celebrating this moment in Loveland, CO where we've been headquartered since 1992. #FullCircle

Pictured to the left is the top stone being drilled at Art Castings of Colorado where the bronze was cast. The bronze is cast and ready for patina. 

The other stone monoliths are being loaded to deliver to the site. The installation will take a couple of days of craning in 34 tons of stone. The bronze is scheduled to go in next Tuesday to finish it off.  ​​#ReachingOurGoal

Update 10/15/2018: The metal has been poured, time to put the pieces back together. 

Pictured is artist Denny Haskew at Art Castings of Colorado where the bronze is being cast.

​#ReachingOurGoal

Update 8/23/18: Appropriately so, the National Sculptors' Guild anticipates this placement, which we are contributing our share to, to be our 500th public art monumental placement. What better place for such a milestone than in our backyard.

We are happy to share this pivotal moment with Lovelanders:
Denny Haskew - NSG Charter Member
The Rotary Club of Thompson Valley
​The Foundry - downtown Loveland's newest development
Art Castings of Colorado - Foundry, since 1972
And all the other talented artists and subcontractors who make our creations come to life for the public to enjoy.
​#ReachingOurGoal

Update 6/5/18: It may not look like much yet, but we have over 60,000 pounds of stone going into this art placement. Many of the sandstone monoliths will be etched with information about the successes of the Rotary Club of Thompson Valley.

This image shows laying out templates in preparation of sandblasting the narrative into one of the stones. 

5/15/2018: Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on their "Legacy Project" in Loveland, Colorado. 

The Legacy Project celebrates the 30th Anniversary (2019) of the Rotary Club of Thompson Valley. The larger-than-life bronze sculpture depicts a woman helping a teenage boy surmount a stone precipice tying into the Rotary motto, "Service Above Self". Part of this service has been the club's support of Polio Plus, a major contributor to the eradication of Polio world-wide.

"Reaching Our Goal" by NSG Fellow Denny Haskew will be placed in the plaza of The Foundry, a new development that is transforming Loveland's historic downtown, set to open Fall 2018. The art placement will coincide with the opening.

The National Sculptors' Guild designed additional stone elements to activate the plaza and provide area's of recognition to donors and the club's efforts. 

We have contributed $50,000 plus design work to the project, our way of giving back to community for all the support we've received over the past 26 years. 

Haskew is a renowned figurative artist and a Charter Member of the National Sculptors' Guild. His work is in numerous prestigious collections including the Smithsonian Institution, DC; the Gilcrease Museum, OK; and the Boulder and Colorado Springs campuses of the University of Colorado.

​Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. 

Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah.  After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg.  Since 1987, Denny has created and placed dozens of monumental compositions; spanning the spectrum of the figurative genre.

The City of Southlake's iconic shield is being created by NSG's Joe Norman. The clay was rushed off to the foundry so that a number of these shields will be ready for city buildings this Winter. The finished product will be cast Stainless Steel, and Joe's sculpted the shield in a couple sizes. 

#ArtfulLogos #MakeAStatement

Here is a video we just ran across by a student digesting and discussing NSG Fellow Jane DeDecker’s Harriet Tubman sculpture that we placed inLittle Rock in 2004, part of a series of sculptures that lead to the Clinton Presidential Center see more about our installation 
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Our sculpture placements continue to move and educate people. #PublicArt #FeedYourCreativeSpirit

The National Sculptors 'Guild is pleased to announce our newest Affiliate member, Joe Norman. 

Joe graduated with a degree in Product Design from Stanford and worked with design consulting firms for a number of years before teaching middle school and customizing vintage motorcycles. For the past ten years he has been a full-time sculptor, focusing on handmade and site-specific works informed by the intersection of the natural and human-made environment.

Joe was the Artist-In-Residence at Great Basin National Park and frequently speaks on art and its role in social justice. His work is in permanent public and private collections across the United States. He currently maintains his studio at Artworks Loveland.

We're excited by Joe Norman's diverse exploration of material and imaginative approach to varied subject matter. From word play, to morphing silhouettes; magnified microcosms to figurative renderings from reclaimed bicycle parts, Joe fills the public space with a bit more wonder through sophisticated form. His work  makes interaction unavoidable and we're pleased to add him to our team.

Smaller works are also available for the home collector. You'll start seeing Joe's sculpture at Columbine Gallery and in the National Sculptors' Guild sculpture garden by mid-October, and can start ordering online now.... click here to shop

We are pleased to announce that the National Sculptors' Guild Fellows voted to Promote Associate Darrell Davis as an Elected Fellow.

The board of directors nominated Davis' promotion.  "We have found great success with Darrell including our latest contract with the Little Rock Zoo for a pride of lions cast in aluminum for the roundabout leading to the zoo to be completed in 2018. Darrell’s accolades continue to accumulate and we enjoy working with Darrell on large-scale projects. He supports and promotes other NSG members on a regular basis and we feel confident that he will continue to be an outstanding NSG representative." -Alyson Kinkade

Courage to Lead by Denny Haskew and the National Sculptors' Guild was placed in front of Brighton, Colorado's City Hall.

This one and a quarter life-size bronze sculpture was introduced in May of 1993 and won the Western Regional Show, Cheyenne, WY, the People’s Choice Award at Hillside Sculpture Invitational, and the Sculpture Award at the Red Earth Invitational Art Show. In the creation of this artwork, Denny drew upon historical research after being told stories about the Society of the Sacred Arrow. This Society existed among many of the Plains Indian tribes. Among other tribes, the Crow, the Arapaho and the Cheyenne were known to perform the Sacred Arrow Ceremony. The night prior to a raiding party, war party or some equally important event, the tribe would gather around the pow wow circle with much chanting and singing. The members of the Society of the Sacred Arrow would rush out into the center of the ring and collectively shoot arrows straight into the sky. Then with a show of bravery and courage, they would stand still as the falling shafts came back to earth. Each member was unafraid because of his strong belief in his spiritual protection. Their courage and conviction showed that their cause was right and that God was with them. This was a great morale boost to the tribe members in attaining success on the next day’s venture. This display of courage by the members of the Sacred Arrow Society often placed them in the role as leaders of other warriors.It is placed upon Dakota Sandstone taken from the foothills.

The sandstone used was created 70 million years ago. Dakota Sandstone occasionally appears on the plains in jutting outcroppings and bluffs. Plain’s Native Americans used it for structural purposes in religious dwellings. The design team of NSG Fellow Haskew and JK Designs Principal Kinkade has stacked 20 tons of this stone to create the suggestion of such an outcropping. The vertical stone holds a bronze plaque of explanation and commemoration.

Denny Haskew is a Charter Member of the National Sculptors' Guild and one of Loveland's best known artists with his sculptures installed throughout the United States including Alaska, California, Arizona, Colorado, Utah, New Mexico, Oklahoma, Texas, Wyoming, South Dakota, New York, Michigan, Virginia, South Carolina, Illinois and Kentucky. For many years, Haskew maintains a Loveland home-based studio.
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Haskew was born in Aurora and went to junior high and high school in Salt Lake City, Utah. He completed a bachelor's degree in business administration at the University of Utah. Haskew spent much of his early career as a ski instructor at Park City, Utah and was involved in developing ski touring trails in Idaho. He was also a white water river guide in the Grand Canyon. He did carpentry work and made furniture on the side.The talent and desire to become an artist goes back to Haskew's childhood when he carved decoys out of firewood for his father. He then tried his hand at carving shore birds.

His parents moved to Loveland, and Haskew became interested in meeting one of the local artists. His introduction to Fritz White changed his life, and he knew he wanted a career as an artist. He asked White how to get started, and White said, "The old fashion way -- as an apprentice." Haskew quickly asked if he could become White's apprentice and to that, White responded, "I was afraid you would say that." White was a taskmaster often tearing apart what Haskew had started. However despite critical setbacks, Haskew sold his first piece while working for White. After a year, Haskew set up his own studio. With just four pieces, he was accepted into "Sculpture in the Park" held annually in the Benson Park Sculpture Garden.

“I begin with the human figure. Initially, I have no intention of creating an ‘Indian image’, but sometimes the statement comes out stronger that way. Sometimes the opposite is true. Recently, I started to sculpt a Native figure, but it became something else. We’re all human beings inside. We’re all a mixture and will continue to mix until it no longer matters what type of figure is used as long as it makes the strongest statement possible.” see more of Haskew's work here.

NSG Public Art Placement #133