In celebration of International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!
#InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
Update 01/09/2019: Installation Day. The National Sculptors' Guild is at the Young Israel of North Beverly Hills installing a Holocaust Memorial. Designed by John Kinkade and Dee Clements. Installation is nearing the finish line as we post. We are honored to create such an important element for this beautiful Synagogue and its members.
Special thanks to Judith Garshofsky who has been assisting with coordination every step of the way. It was also wonderful working with Rabbi Pini Dunner on this important memorial.
Update 12/6/2018: The Legacy Project is our 500th Public Art Placement!
More elements and finish work has been going in since placing the sculpture. We anticipate a great celebration once the plaza of The Foundry opens to the public.
Update 11/20/2018: We were downtown completing the installation this afternoon.
The bronze is in! "Reaching Our Goal" by Denny Haskew and the National Sculptors' Guild is the final element to go in of The Rotary Club of Thompson Valley's Legacy Project at The Foundry
The Legacy Project is the National Sculptors’ Guild’s 500th Public Art Placement!
We are so excited to be celebrating this moment in Loveland, Colorado where we've been headquartered since 1992.
We have donated our portion of the project back to the placement to give back to the community that has supported us through the years.
Update 11/16/2018: Today was a huge step in the installation of The Legacy Project. Over 68,000 lbs of Dakota sandstone was craned into the site and set by Denny Haskew and the National Sculptors' Guild. Next week the final stone and bronze element will be placed.
The Rotary Club of Thompson Valley's "Legacy Project" will activate the plaza of The Foundry, a new development that is transforming Loveland's historic downtown. The installation includes "Reaching Our Goal" bronze sculpture by National Sculptors' Guild Charter Member Denny Haskew
Update 11/14/2018: Our 500th Public Art Placement is going in this week! Stay tuned to our social media posts for updates. We're so excited that we're celebrating this moment in Loveland, CO where we've been headquartered since 1992. #FullCircle
Pictured to the left is the top stone being drilled at Art Castings of Colorado where the bronze was cast. The bronze is cast and ready for patina.
The other stone monoliths are being loaded to deliver to the site. The installation will take a couple of days of craning in 34 tons of stone. The bronze is scheduled to go in next Tuesday to finish it off. #ReachingOurGoal
Update 10/15/2018: The metal has been poured, time to put the pieces back together.
Pictured is artist Denny Haskew at Art Castings of Colorado where the bronze is being cast.
Update 8/23/18: Appropriately so, the National Sculptors' Guild anticipates this placement, which we are contributing our share to, to be our 500th public art monumental placement. What better place for such a milestone than in our backyard.
We are happy to share this pivotal moment with Lovelanders:
Denny Haskew - NSG Charter Member
The Rotary Club of Thompson Valley
The Foundry - downtown Loveland's newest development
Art Castings of Colorado - Foundry, since 1972
And all the other talented artists and subcontractors who make our creations come to life for the public to enjoy.
Update 6/5/18: It may not look like much yet, but we have over 60,000 pounds of stone going into this art placement. Many of the sandstone monoliths will be etched with information about the successes of the Rotary Club of Thompson Valley.
This image shows laying out templates in preparation of sandblasting the narrative into one of the stones.
5/15/2018: Columbine Gallery and the National Sculptors' Guild are pleased to team up with the Rotary Club of Thompson Valley on their "Legacy Project" in Loveland, Colorado.
The Legacy Project celebrates the 30th Anniversary (2019) of the Rotary Club of Thompson Valley. The larger-than-life bronze sculpture depicts a woman helping a teenage boy surmount a stone precipice tying into the Rotary motto, "Service Above Self". Part of this service has been the club's support of Polio Plus, a major contributor to the eradication of Polio world-wide.
"Reaching Our Goal" by NSG Fellow Denny Haskew will be placed in the plaza of The Foundry, a new development that is transforming Loveland's historic downtown, set to open Fall 2018. The art placement will coincide with the opening.
The National Sculptors' Guild designed additional stone elements to activate the plaza and provide area's of recognition to donors and the club's efforts.
We have contributed $50,000 plus design work to the project, our way of giving back to community for all the support we've received over the past 26 years.
Haskew is a renowned figurative artist and a Charter Member of the National Sculptors' Guild. His work is in numerous prestigious collections including the Smithsonian Institution, DC; the Gilcrease Museum, OK; and the Boulder and Colorado Springs campuses of the University of Colorado.
Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War.
Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the spectrum of the figurative genre.
We are pleased to announce that the National Sculptors' Guild Fellows voted to Promote Associate Darrell Davis as an Elected Fellow.
The board of directors nominated Davis' promotion. "We have found great success with Darrell including our latest contract with the Little Rock Zoo for a pride of lions cast in aluminum for the roundabout leading to the zoo to be completed in 2018. Darrell’s accolades continue to accumulate and we enjoy working with Darrell on large-scale projects. He supports and promotes other NSG members on a regular basis and we feel confident that he will continue to be an outstanding NSG representative." -Alyson Kinkade
Introducing Colorado to its Artistic Talent" - April 24 - May 29, 2016 at the Loveland Museum/Gallery.
Opening Night Gala: April 23.
Over the past 6 months JK Designs' Principal, John Kinkade, has been pouring much of his knowledge, time and energy into the upcoming 25th Annual Governor's Art Show Happily we are seeing great acknowledgements as the events are beginning to unfold including the opening of Re-Fine-d Gallery this Friday. We believe the art community (artists and collectors alike) will love the show and all the extras that the Board Members have planned.... Beyond the Calendar of Events there will also be artists demonstrations at varied locations each weekend for the duration of the show. Columbine's Alyson Kinkade will be painting April 30th at Studio Vino, and Guest demonstrators Sabrina Stiles and Rodgers Naylor will be at Columbine Gallery May 14th.
“This event is not only an opportunity for Colorado artists to show their work,” says board member John Kinkade, “but also to introduce Coloradans to the amazing portfolios of many artistic talents we have in our state.” Indeed, this year’s show features works in a variety of media by 55 artists exploring myriad themes. More than 300 artists submitted work to the juried show, and while there are many returning and established exhibitors, nearly 25 percent of the participants are new to the event.
--- To mark the silver anniversary, the show includes an exhibit honoring its “legacy” artists. “This show has been instrumental in introducing new Colorado talent early in their careers,” Kinkade says. “We’re bringing these artists back to the show through the legacy program.” Works owned by the City of Loveland from each of this year’s legacy artists—Fritz White, Kim English, and Quang Ho—are on display in the museum’s Green Room. English and Ho also bring new works available for purchase.
---Proceeds from the show benefit a number of causes and groups supported by two local Rotary clubs. They also have helped to establish art scholarships for area students.
click below to read the full Southwest Art article,
Courage to Lead by Denny Haskew and the National Sculptors' Guild was placed in front of Brighton, Colorado's City Hall.
This one and a quarter life-size bronze sculpture was introduced in May of 1993 and won the Western Regional Show, Cheyenne, WY, the People’s Choice Award at Hillside Sculpture Invitational, and the Sculpture Award at the Red Earth Invitational Art Show. In the creation of this artwork, Denny drew upon historical research after being told stories about the Society of the Sacred Arrow. This Society existed among many of the Plains Indian tribes. Among other tribes, the Crow, the Arapaho and the Cheyenne were known to perform the Sacred Arrow Ceremony. The night prior to a raiding party, war party or some equally important event, the tribe would gather around the pow wow circle with much chanting and singing. The members of the Society of the Sacred Arrow would rush out into the center of the ring and collectively shoot arrows straight into the sky. Then with a show of bravery and courage, they would stand still as the falling shafts came back to earth. Each member was unafraid because of his strong belief in his spiritual protection. Their courage and conviction showed that their cause was right and that God was with them. This was a great morale boost to the tribe members in attaining success on the next day’s venture. This display of courage by the members of the Sacred Arrow Society often placed them in the role as leaders of other warriors.It is placed upon Dakota Sandstone taken from the foothills.
The sandstone used was created 70 million years ago. Dakota Sandstone occasionally appears on the plains in jutting outcroppings and bluffs. Plain’s Native Americans used it for structural purposes in religious dwellings. The design team of NSG Fellow Haskew and JK Designs Principal Kinkade has stacked 20 tons of this stone to create the suggestion of such an outcropping. The vertical stone holds a bronze plaque of explanation and commemoration.
Denny Haskew is a Charter Member of the National Sculptors' Guild and one of Loveland's best known artists with his sculptures installed throughout the United States including Alaska, California, Arizona, Colorado, Utah, New Mexico, Oklahoma, Texas, Wyoming, South Dakota, New York, Michigan, Virginia, South Carolina, Illinois and Kentucky. For many years, Haskew maintains a Loveland home-based studio.
Haskew was born in Aurora and went to junior high and high school in Salt Lake City, Utah. He completed a bachelor's degree in business administration at the University of Utah. Haskew spent much of his early career as a ski instructor at Park City, Utah and was involved in developing ski touring trails in Idaho. He was also a white water river guide in the Grand Canyon. He did carpentry work and made furniture on the side.The talent and desire to become an artist goes back to Haskew's childhood when he carved decoys out of firewood for his father. He then tried his hand at carving shore birds.
His parents moved to Loveland, and Haskew became interested in meeting one of the local artists. His introduction to Fritz White changed his life, and he knew he wanted a career as an artist. He asked White how to get started, and White said, "The old fashion way -- as an apprentice." Haskew quickly asked if he could become White's apprentice and to that, White responded, "I was afraid you would say that." White was a taskmaster often tearing apart what Haskew had started. However despite critical setbacks, Haskew sold his first piece while working for White. After a year, Haskew set up his own studio. With just four pieces, he was accepted into "Sculpture in the Park" held annually in the Benson Park Sculpture Garden.
“I begin with the human figure. Initially, I have no intention of creating an ‘Indian image’, but sometimes the statement comes out stronger that way. Sometimes the opposite is true. Recently, I started to sculpt a Native figure, but it became something else. We’re all human beings inside. We’re all a mixture and will continue to mix until it no longer matters what type of figure is used as long as it makes the strongest statement possible.” see more of Haskew's work here.
NSG Public Art Placement #133
The Desert Holocaust Memorial remains one of the National Sculptors' Guild's most important placements. We are so honored to be a part of this historic memorial that has provided a space for remembrance, education, and healing for people around the world since its placement in Palm Desert, California in 1995.
As you approach the Desert Holocaust Memorial, you see a circular row of trees. These trees represent life outside of the enclosed fence of the concentration camps. At the entry to the memorial you will see a bronze plaque which gives a chronology of the systematic deprivation by law of the civil rights, jobs, property and life of “non-Aryans” by the Nazi party. Inside the history pedestal is buried an urn containing the verified names of 12,000 Righteous Gentiles who hid or assisted those condemned by Nazi regime during the years of the Holocaust.
At the heart of the memorial are seven larger than life bronze figures representing the people and different aspects of the Holocaust. The standing man is intended to be defiant and accusing. He in part represents the resistance of the Jews and others that fought the Nazi tyranny. (Note the left forearm on this man bears the number tattooed on a local Holocaust survivor.)
The other figures are of a mother with two children begging for mercy, a boy from the ghetto, a rabbi praying, and finally the figure behind the group, a man alone, silent, dying. His death represents bigotry, ignorance, and hatred taken to its inevitable end.
The faces and representations at the memorial were taken from actual photographic and news footage researched by the artist's team at the United States Holocaust Museum in Washington D.C.
The seven bronze figures are mounted on a double-tiered Star of David 20 feet across. The block granite is etched with a map of Europe indicating the location of the many concentration camps as well as the number of persons who perished.
The cobblestone and light standards are replicas of those at Auschwitz. Placed between the light posts are eleven bas reliefs telling the story of the Holocaust. A plaque located adjacent to each details the specific scene represented.
This memorial includes extensive provisions for educating people of all ages, races, and religions about the period of the Holocaust. It is a lesson about denial of basic civil rights. The monument memorializes lost parents, children, loved ones, and millions of innocent people. It is a place of respect, of respite, of mourning and of remembrance. It is also a monument of hope — hope that we can overcome bigotry and live among diversity in peace. -Desert Holocaust Committee.
JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to