Carol Gold and the National Sculptors' Guild are preparing to install "Time" in Bend, Oregon this summer. 

"Time" depicts a stylized figure running atop a large wheel, alluding to travel, as well as, the ceaseless movement of the clock. The implied motion of the sculpture reflects the energetic and playful mood of city life.
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The bronze figure measures 6 feet high, 4.5 feet wide and 3.5 feet deep. The 7-ft diameter circular ring will be fabricated from rectangular rolled stainless steel tubing. 

The monument has been cast and assembled at the world-renowned bronze foundry, Art Castings of Colorado. The bronze figure patinaed in warm tones with coppery brown skin and a rich chocolate brown on the clothing. The stainless steel ring features a sandblasted soft matte finish. The neutral colors of the sculpture will harmonize with nearby architecture and landscape.

Time will appeal to all ages through its whimsically approachable design. At its substantial scale, the sculpture will create an eye-catching sculptural placement that will act as an identifiable landmark.

The National Sculptors' Guild is in Little Rock for this year’s Sculpture at the River Market and to install Carol Gold’s “Infinite Dance”
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Watch for more images of the finished product.
​#FeedYourCreativeSpirit #PublicArt

Carol Gold's INFINITE DANCE proposal won the 2018 competition. Inspiration springs from notions of equilibrium and transformation, ideas that are necessary for the sustained health of society The joyfully dancing figure represents the vibrant cultural scene of the Riverfront Park. The sculpture’s ring shape ties into the curving bridges surrounding the site. The shape of a circle holds deep symbolism, referring to concepts such as: inclusion, unity, and wholeness.
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Loaded onto the truck at Art Castings of Colorado in Loveland with a beautiful custom crate by Shipper's Supply, "Infinite Dance" is on its way to its new home in Little Rock, Arkansas. #SculptureIsATeamSport

see our post Little Rock Finalists Announced to learn more

Update 4/27/18: Last night they announced our proposal of Carol Gold's Infinite Dance won this year's Sculpture at the River Market public art competition and will be placed within the year.

The decision was made by attendees of A Night in the Garden - where sculpture grows. The Marriot and Vogel-Schwartz Garden looked amazing, filled with flowers and entertainers; including the Central High School Jazz Band, living sculptures, jugglers and other performers. Truly an Artful Experience! see our pics below...

The next Sculpture at the River Market competition winner will be selected April 26th click to vote With 2 of the 3 finalists, we can't wait to see who Little Rock picks. Here are our entries...
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Carol Gold's proposal is INFINITE DANCE, Inspiration springs from notions of equilibrium and transformation, ideas that are necessary for the sustained health of society The joyfully dancing figure represents the vibrant cultural scene of the Riverfront Park. The sculpture’s ring shape ties into the curving bridges surrounding the site. The shape of a circle holds deep symbolism, referring to concepts such as: inclusion, unity, and wholeness.

Stephen Shachtman's GOLDEN becomes an interactive form as the viewer sees through the various negative space "windows" to the surrounding. Causing pause to their day to capture scenes of the city and river that they may otherwise pass-by.

Three sculptors in competition for new creation to be placed in Little Rock
By Helaine Williams, Arkansas Democrat-Gazette 04/24/18

Stephen Shachtman has come back for more... 
The Colorado artist won the 2017 Sculpture at the River Market commission competition for his piece A -- or, as he calls it, Arkansas A -- a steel and bronze sculpture that resembles the first letter of the alphabet and is being placed at the Southwest Community Center on Baseline Road in Little Rock.
Now he's back in competition with Golden, a proposed 20-foot tall, abstract sculpture, resembling a gold three-dimensional hopscotch diagram. He hopes to create it have have it placed in Riverfront Park.
He says, "There's a lot of positive and negative spaces" in Golden -- "almost looks like floating shapes in the sky. And I think without such a visual site and space, you wouldn't be able to get that."
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Shachtman is one of three sculptors who has made it to the finals in a competition resulting in a $60,000 commissioned sculpture to take its place in the western section of the park.

Guests will have the opportunity to vote on the finalists' work at A Night in the Garden Where Sculpture Grows, 6:30-9 p.m. Thursday in the Vogel Schwartz Sculpture Garden and Riverview Room of the Little Rock Marriott. The event will include heavy hors d'oeuvres and beverages; the Central High School Jazz Band will be playing, along with roving entertainers. Docents will be in the Sculpture Garden to give information about the sculptures. Partygoers will also have a chance to buy a limited number of sculptures from the three finalists.

Founded by city director Dr. Dean Kumpuris, Sculpture at the River Market is a nonprofit organization responsible for a collection of more than 90 pieces of public art, worth more than $4 million, in the Vogel Schwartz Sculpture Garden and other locations in the city. Sculpture at the River Market has held competitions for public art since 2011. Other past winners include Clay Enoch (2016) for United, installed at Central High School; Michael Warrick (2015) for Mockingbird Tree, installed at Chenal Parkway and Chenal Valley Drive; Lorri Acott (2014) for Peace, installed at Second and Main streets; and Ted Schaal (2013) for Open Window, installed in Riverfront Park.

SAFE, 3-D PUBLIC ART
Artists competing this year had to design "a visually interesting, safe, three-dimensional public art piece," according to the Sculpture in the Garden website.
The finalists -- interviewed by phone for this story -- were announced Feb. 19 via email notification. They had to prepare a presentation board of their art proposals; these boards will be on display at the party. At the end of the event, the proposal receiving the highest vote totals will be named the commission winner.
Shachtman, whose Red Monolith sculpture resides in Riverfront Park, couldn't pass up the opportunity to possibly place another piece of art there. His work, spanning two decades, has included curved textured metal -- hammered and in open mosaic patterns combined with glass -- as well as his current strong, rectangular shapes with circular pops of color.
"I know the Vogel Schwartz Garden is just getting revamped and I was really interested in placing a large scale piece in that vicinity as well," he says. His proposed piece, he feels, would be ideal. "It's bigger than the Red Monolith; it's taller and wider than the Arkansas A. And I think for the site it fits really well, especially with kind of its medium as far as large-scale abstraction."
Finalist Carol Gold, a California-based artist, has been at her craft some 50 years, running a foundry with a friend for 12 of them. She has participated in the competition for a number of years. Her sculpture Fiesta, depicting two dancing women, is at Clinton Presidential Park.
Gold's preferred medium is wax, which is then cast in bronze. Her competition piece, Infinite Dance, is a figure of a lone woman, arms outstretched, one foot raised, the other resting on an open-circle base.
It's "one of my favorite pieces," Gold says. "To me the circle implies infinity. And the woman dancing on top of the circle is just a graceful figure."

ART WITH A SMILE
Gold isn't the only finalist whose work celebrates rhythmic movement. Third finalist Giuseppe Palumbo, who works from studios in California and Colorado, has proposed Bliss and Glee, whimsical sculptures of two merry sheep, dancing on their hind legs.
"Ultimately, I'm trying to create an experience," Palumbo says. "I sculpt a lot of different pieces, but what I've found is that people want to feel positive and happy. And if I can create that for somebody in a small way, that's my objective." The initial concept for the two-figure piece is one base; if chosen, he will consider separate bases if appropriate.
Palumbo has worked in a number of mediums, "and I enjoy all of them," he says. "I particularly love clay, and the earthiness of it -- just malleable in your hands ... I can get into a nearly meditative state working with it." After he works his magic with clay, his pieces are cast in bronze.
If he wins the competition, he says, Bliss and Glee will be a modest 4-and-a-half feet tall on a 12 to 18-inch base. "Then it will be interacting more with guests on a an eye level, and then the base could be utilized as a seating area."
He adds, "There's a fine line between these animals. You want to keep them welcoming and not menacing."
Style on 04/24/2018  http://www.arkansasonline.com/news/2018/apr/24/art-with-vision-20180424/ 

We successfully installed "Conversation" by National Sculptors' Guild fellow Carol Gold with a unique granite base designed by John Kinkade at the First Congregational Church in Boulder. Thanks to Art Castings of Colorado for their extra help during the complex installation. 

This sculpture, by California artist Carol Gold, is of two stylized figures seated on a granite bench. The bench is extended to invite gathering next to the sculpture and a “joining the conversation.” John had to design something that was elegant, user-friendly and would span the weight-load all while floating on this second story plaza that didn't allow a typical anchoring installation method. with our engineer's help, we achieved a great functional look. 

National Sculptors' Guild successfully installed Carol Gold's "Time" on the campus of North Central Michigan College in Petoskey, Michigan thanks to a private donor.